The Fu genre of imperial China: studies in the rhapsodic imagination
This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term eve...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leeds
Arc Humanities Press
[2019]
|
| Schriftenreihe: | East meets West: East Asia and its periphery from 200 BCE to 1600 CE
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBG01 UBR01 UER01 UPA01 URL des Erstveröffentlichers URL des Erstveröffentlichers |
| Zusammenfassung: | This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term even approximates it, "rhapsody" at least suggests the energy and recitative origins of the fu, which is a poetic form of tireless ambition that has been used for exhaustive descriptions of cities and palaces, as well as private reflections and lamentations, but also for carefully modulated political protest and esoteric ruminations on philosophical subtleties. In this volume, eleven essays by prominent scholars treat the fu from four major perspectives: its original use in court recitation; as a poetic genre with distinctive formal features; as a vehicle of philosophical inquiry; and as a major mode of political expression |
| Beschreibung: | Most of the papers in this volume were presented at the Fu Poetics conference held at the Jao Tsung-I Academy of Sinology, Hong Kong Baptist University, on February 27–28, 2016. |
| Beschreibung: | 1 Online-Ressource (vi, 248 Seiten) |
| ISBN: | 9781641893336 |
| DOI: | 10.1017/9781641893336 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046669193 | ||
| 003 | DE-604 | ||
| 005 | 20230706 | ||
| 006 | a |||| 10||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200415s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9781641893336 |c Online |9 978-1-64189-333-6 | ||
| 024 | 7 | |a 10.1515/9781641893336 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781641893336 | ||
| 035 | |a (ZDB-20-CBO)CR9781641893336 | ||
| 035 | |a (OCoLC)1151446330 | ||
| 035 | |a (DE-599)BVBBV046669193 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-1043 |a DE-12 |a DE-858 |a DE-355 | ||
| 245 | 1 | 0 | |a The Fu genre of imperial China |b studies in the rhapsodic imagination |c edited by Nicholas Morrow Williams |
| 264 | 1 | |a Leeds |b Arc Humanities Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a 1 Online-Ressource (vi, 248 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a East meets West: East Asia and its periphery from 200 BCE to 1600 CE | |
| 500 | |a Most of the papers in this volume were presented at the Fu Poetics conference held at the Jao Tsung-I Academy of Sinology, Hong Kong Baptist University, on February 27–28, 2016. | ||
| 520 | |a This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term even approximates it, "rhapsody" at least suggests the energy and recitative origins of the fu, which is a poetic form of tireless ambition that has been used for exhaustive descriptions of cities and palaces, as well as private reflections and lamentations, but also for carefully modulated political protest and esoteric ruminations on philosophical subtleties. In this volume, eleven essays by prominent scholars treat the fu from four major perspectives: its original use in court recitation; as a poetic genre with distinctive formal features; as a vehicle of philosophical inquiry; and as a major mode of political expression | ||
| 650 | 4 | |a Chinese poetry | |
| 650 | 4 | |a imperial China | |
| 650 | 4 | |a late imperial Chinese literature | |
| 650 | 4 | |a medieval Chinese literature | |
| 650 | 4 | |a rhapsody | |
| 650 | 7 | |a LITERARY CRITICISM / Asian / Chinese |2 bisacsh | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2016 |2 gnd-content | |
| 700 | 1 | |a Williams, Nicholas Morrow |0 (DE-588)1065827679 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9781641893312 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781641893336 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781641893336 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO |a ZDB-23-DGG |a ZDB-23-DKU | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032080196 | ||
| 966 | e | |u https://doi.org/10.1515/9781641893336?locatt=mode:legacy |l BSB01 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781641893336 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781641893336 |l UBR01 |p ZDB-23-DKU |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l UER01 |p ZDB-23-DGG |q UER_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781641893336 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181383587823616 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Williams, Nicholas Morrow |
| author2_role | edt |
| author2_variant | n m w nm nmw |
| author_GND | (DE-588)1065827679 |
| author_facet | Williams, Nicholas Morrow |
| building | Verbundindex |
| bvnumber | BV046669193 |
| collection | ZDB-20-CBO ZDB-23-DGG ZDB-23-DKU |
| ctrlnum | (ZDB-23-DGG)9781641893336 (ZDB-20-CBO)CR9781641893336 (OCoLC)1151446330 (DE-599)BVBBV046669193 |
| doi_str_mv | 10.1017/9781641893336 10.1515/9781641893336 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04190nmm a2200625zc 4500</leader><controlfield tag="001">BV046669193</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230706 </controlfield><controlfield tag="006">a |||| 10||| </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200415s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781641893336</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-64189-333-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781641893336</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781641893336</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781641893336</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1151446330</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046669193</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Fu genre of imperial China</subfield><subfield code="b">studies in the rhapsodic imagination</subfield><subfield code="c">edited by Nicholas Morrow Williams</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leeds</subfield><subfield code="b">Arc Humanities Press</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vi, 248 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">East meets West: East Asia and its periphery from 200 BCE to 1600 CE</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Most of the papers in this volume were presented at the Fu Poetics conference held at the Jao Tsung-I Academy of Sinology, Hong Kong Baptist University, on February 27–28, 2016.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term even approximates it, "rhapsody" at least suggests the energy and recitative origins of the fu, which is a poetic form of tireless ambition that has been used for exhaustive descriptions of cities and palaces, as well as private reflections and lamentations, but also for carefully modulated political protest and esoteric ruminations on philosophical subtleties. In this volume, eleven essays by prominent scholars treat the fu from four major perspectives: its original use in court recitation; as a poetic genre with distinctive formal features; as a vehicle of philosophical inquiry; and as a major mode of political expression</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chinese poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">imperial China</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">late imperial Chinese literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">medieval Chinese literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">rhapsody</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Asian / Chinese</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2016</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Williams, Nicholas Morrow</subfield><subfield code="0">(DE-588)1065827679</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9781641893312</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781641893336</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032080196</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336?locatt=mode:legacy</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781641893336</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781641893336</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UER_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781641893336</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift 2016 gnd-content |
| genre_facet | Konferenzschrift 2016 |
| id | DE-604.BV046669193 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:21:06Z |
| indexdate | 2024-07-10T08:50:47Z |
| institution | BVB |
| isbn | 9781641893336 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032080196 |
| oclc_num | 1151446330 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-1043 DE-12 DE-858 DE-355 DE-BY-UBR |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-1043 DE-12 DE-858 DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (vi, 248 Seiten) |
| psigel | ZDB-20-CBO ZDB-23-DGG ZDB-23-DKU ZDB-23-DGG BSB_PDA_DGG_Kauf ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-20-CBO UBG_PDA_CBO ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UER_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Arc Humanities Press |
| record_format | marc |
| series2 | East meets West: East Asia and its periphery from 200 BCE to 1600 CE |
| spelling | The Fu genre of imperial China studies in the rhapsodic imagination edited by Nicholas Morrow Williams Leeds Arc Humanities Press [2019] © 2019 1 Online-Ressource (vi, 248 Seiten) txt rdacontent c rdamedia cr rdacarrier East meets West: East Asia and its periphery from 200 BCE to 1600 CE Most of the papers in this volume were presented at the Fu Poetics conference held at the Jao Tsung-I Academy of Sinology, Hong Kong Baptist University, on February 27–28, 2016. This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term even approximates it, "rhapsody" at least suggests the energy and recitative origins of the fu, which is a poetic form of tireless ambition that has been used for exhaustive descriptions of cities and palaces, as well as private reflections and lamentations, but also for carefully modulated political protest and esoteric ruminations on philosophical subtleties. In this volume, eleven essays by prominent scholars treat the fu from four major perspectives: its original use in court recitation; as a poetic genre with distinctive formal features; as a vehicle of philosophical inquiry; and as a major mode of political expression Chinese poetry imperial China late imperial Chinese literature medieval Chinese literature rhapsody LITERARY CRITICISM / Asian / Chinese bisacsh (DE-588)1071861417 Konferenzschrift 2016 gnd-content Williams, Nicholas Morrow (DE-588)1065827679 edt Erscheint auch als Druck-Ausgabe 9781641893312 https://doi.org/10.1017/9781641893336 Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1515/9781641893336 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Fu genre of imperial China studies in the rhapsodic imagination Chinese poetry imperial China late imperial Chinese literature medieval Chinese literature rhapsody LITERARY CRITICISM / Asian / Chinese bisacsh |
| subject_GND | (DE-588)1071861417 |
| title | The Fu genre of imperial China studies in the rhapsodic imagination |
| title_auth | The Fu genre of imperial China studies in the rhapsodic imagination |
| title_exact_search | The Fu genre of imperial China studies in the rhapsodic imagination |
| title_exact_search_txtP | The Fu genre of imperial China studies in the rhapsodic imagination |
| title_full | The Fu genre of imperial China studies in the rhapsodic imagination edited by Nicholas Morrow Williams |
| title_fullStr | The Fu genre of imperial China studies in the rhapsodic imagination edited by Nicholas Morrow Williams |
| title_full_unstemmed | The Fu genre of imperial China studies in the rhapsodic imagination edited by Nicholas Morrow Williams |
| title_short | The Fu genre of imperial China |
| title_sort | the fu genre of imperial china studies in the rhapsodic imagination |
| title_sub | studies in the rhapsodic imagination |
| topic | Chinese poetry imperial China late imperial Chinese literature medieval Chinese literature rhapsody LITERARY CRITICISM / Asian / Chinese bisacsh |
| topic_facet | Chinese poetry imperial China late imperial Chinese literature medieval Chinese literature rhapsody LITERARY CRITICISM / Asian / Chinese Konferenzschrift 2016 |
| url | https://doi.org/10.1017/9781641893336 https://doi.org/10.1515/9781641893336 |
| work_keys_str_mv | AT williamsnicholasmorrow thefugenreofimperialchinastudiesintherhapsodicimagination |