The Ashgate research companion to popular musicology:
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2016
|
| Schriftenreihe: | Ashgate research companion
|
| Schlagworte: | |
| Beschreibung: | Trevor Jones's score for In the name of the father / David Cooper -- Music, sound and the moving image : the present and a future? / Anahid Kassabian -- Reinventing Question time / Miguel Mera -- Televised live performance, looping technology and the 'nu folk' : KT Tunstall on Later with Jools Holland / John Richardson -- Learning to listen to perfect sound : hi-fi culture and changes in modes of listening, 1950-80 / Alf Björnberg -- Approaches to analysing recordings of popular music / Timothy Warner -- The art of phonography : sound, technology and music / Peter Wicke -- Genre, subjectivity and back-up singing in rock music / Susan Fast -- Notes on musical camp / Freya Jarman-Ivens -- Who are you? : research strategies of the unruly feminine / Sheila Whiteley -- 'I'm a man' : masculinities in popular music / Jason Lee Oakes -- The woven world : unravelling the mainstream and the alternative in Greek popular music / Kevin Dawe -- - Dayton Street funk : the layering of multiple identities / Portia K. Maultsby -- Black, white and brown on the dance floor : the new meanings of Panjabiyat in the twenty-first century / Anjali Gera Roy -- Musical persona : the physical performance of popular music / Philip Auslander -- Vocal performance and the projection of emotional authenticity / Nicola Dibben -- 'Chelsea Rodgers' was a model : vocality in Prince of the twenty-first century / Stan Hawkins -- Singing style and white masculinity / Jacqueline Warwick -- Talking music, making music : a comparison between rap and techno / Antoine Hennion -- Absolute beginners : the evolution of a British popular music scene / Ian Inglis -- Studying reception and scenes / Adam Krims -- Interpretation : so what? / Alan F. Moore -- Beyond the master narrative of youth : researching ageing popular music scenes / Nicola Smith -- Music and the creative knowledge economy / Geraldine Bloustien -- - The transnational music industry / Andreas Gebesmair -- Pop idol : global economy, local meanings / Tarja Rautiainen-Keskustalo The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in p |
| Beschreibung: | 1 Online-Ressource (xvii, 557 Seiten) Illustrationen, Notenbeispiele |
| ISBN: | 9781315613451 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046667348 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200414s2016 |||| o||u| ||||||eng d | ||
| 020 | |a 9781315613451 |c electronic bk. |9 978-1-315-61345-1 | ||
| 024 | 7 | |a 10.4324/9781315613451 |2 doi | |
| 035 | |a (OCoLC)1151433190 | ||
| 035 | |a (DE-599)BVBBV046667348 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 | ||
| 082 | 0 | |a 781.64 |2 22 | |
| 245 | 1 | 0 | |a The Ashgate research companion to popular musicology |c edited by Derek B. Scott, University of Leeds, UK |
| 264 | 1 | |a London |b Routledge |c 2016 | |
| 300 | |a 1 Online-Ressource (xvii, 557 Seiten) |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Ashgate research companion | |
| 500 | |a Trevor Jones's score for In the name of the father / David Cooper -- Music, sound and the moving image : the present and a future? / Anahid Kassabian -- Reinventing Question time / Miguel Mera -- Televised live performance, looping technology and the 'nu folk' : KT Tunstall on Later with Jools Holland / John Richardson -- Learning to listen to perfect sound : hi-fi culture and changes in modes of listening, 1950-80 / Alf Björnberg -- Approaches to analysing recordings of popular music / Timothy Warner -- The art of phonography : sound, technology and music / Peter Wicke -- Genre, subjectivity and back-up singing in rock music / Susan Fast -- Notes on musical camp / Freya Jarman-Ivens -- Who are you? : research strategies of the unruly feminine / Sheila Whiteley -- 'I'm a man' : masculinities in popular music / Jason Lee Oakes -- The woven world : unravelling the mainstream and the alternative in Greek popular music / Kevin Dawe -- | ||
| 500 | |a - Dayton Street funk : the layering of multiple identities / Portia K. Maultsby -- Black, white and brown on the dance floor : the new meanings of Panjabiyat in the twenty-first century / Anjali Gera Roy -- Musical persona : the physical performance of popular music / Philip Auslander -- Vocal performance and the projection of emotional authenticity / Nicola Dibben -- 'Chelsea Rodgers' was a model : vocality in Prince of the twenty-first century / Stan Hawkins -- Singing style and white masculinity / Jacqueline Warwick -- Talking music, making music : a comparison between rap and techno / Antoine Hennion -- Absolute beginners : the evolution of a British popular music scene / Ian Inglis -- Studying reception and scenes / Adam Krims -- Interpretation : so what? / Alan F. Moore -- Beyond the master narrative of youth : researching ageing popular music scenes / Nicola Smith -- Music and the creative knowledge economy / Geraldine Bloustien -- | ||
| 500 | |a - The transnational music industry / Andreas Gebesmair -- Pop idol : global economy, local meanings / Tarja Rautiainen-Keskustalo | ||
| 500 | |a The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in p | ||
| 650 | 4 | |a Fine Arts | |
| 650 | 7 | |a MUSIC / Genres & Styles / Pop Vocal |2 bisacsh | |
| 650 | 7 | |a Musicology |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Popular music / Social aspects |2 fast | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Popular music |x History and criticism | |
| 650 | 4 | |a Popular music |x Social aspects | |
| 650 | 4 | |a Musicology | |
| 700 | 1 | |a Scott, Derek B. |d 1950- |e Sonstige |0 (DE-588)1025960858 |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-754-66476-5 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032078379 | ||
Datensatz im Suchindex
| _version_ | 1804181380172611584 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author_GND | (DE-588)1025960858 |
| building | Verbundindex |
| bvnumber | BV046667348 |
| ctrlnum | (OCoLC)1151433190 (DE-599)BVBBV046667348 |
| dewey-full | 781.64 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64 |
| dewey-search | 781.64 |
| dewey-sort | 3781.64 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04107nmm a2200457zc 4500</leader><controlfield tag="001">BV046667348</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200414s2016 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781315613451</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-1-315-61345-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9781315613451</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1151433190</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046667348</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.64</subfield><subfield code="2">22</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Ashgate research companion to popular musicology</subfield><subfield code="c">edited by Derek B. Scott, University of Leeds, UK</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvii, 557 Seiten)</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate research companion</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Trevor Jones's score for In the name of the father / David Cooper -- Music, sound and the moving image : the present and a future? / Anahid Kassabian -- Reinventing Question time / Miguel Mera -- Televised live performance, looping technology and the 'nu folk' : KT Tunstall on Later with Jools Holland / John Richardson -- Learning to listen to perfect sound : hi-fi culture and changes in modes of listening, 1950-80 / Alf Björnberg -- Approaches to analysing recordings of popular music / Timothy Warner -- The art of phonography : sound, technology and music / Peter Wicke -- Genre, subjectivity and back-up singing in rock music / Susan Fast -- Notes on musical camp / Freya Jarman-Ivens -- Who are you? : research strategies of the unruly feminine / Sheila Whiteley -- 'I'm a man' : masculinities in popular music / Jason Lee Oakes -- The woven world : unravelling the mainstream and the alternative in Greek popular music / Kevin Dawe -- </subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - Dayton Street funk : the layering of multiple identities / Portia K. Maultsby -- Black, white and brown on the dance floor : the new meanings of Panjabiyat in the twenty-first century / Anjali Gera Roy -- Musical persona : the physical performance of popular music / Philip Auslander -- Vocal performance and the projection of emotional authenticity / Nicola Dibben -- 'Chelsea Rodgers' was a model : vocality in Prince of the twenty-first century / Stan Hawkins -- Singing style and white masculinity / Jacqueline Warwick -- Talking music, making music : a comparison between rap and techno / Antoine Hennion -- Absolute beginners : the evolution of a British popular music scene / Ian Inglis -- Studying reception and scenes / Adam Krims -- Interpretation : so what? / Alan F. Moore -- Beyond the master narrative of youth : researching ageing popular music scenes / Nicola Smith -- Music and the creative knowledge economy / Geraldine Bloustien -- </subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - The transnational music industry / Andreas Gebesmair -- Pop idol : global economy, local meanings / Tarja Rautiainen-Keskustalo</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in p</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fine Arts</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres & Styles / Pop Vocal</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musicology</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music / Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicology</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Scott, Derek B.</subfield><subfield code="d">1950-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1025960858</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-754-66476-5</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032078379</subfield></datafield></record></collection> |
| id | DE-604.BV046667348 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:20:30Z |
| indexdate | 2024-07-10T08:50:44Z |
| institution | BVB |
| isbn | 9781315613451 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032078379 |
| oclc_num | 1151433190 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | 1 Online-Ressource (xvii, 557 Seiten) Illustrationen, Notenbeispiele |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Routledge |
| record_format | marc |
| series2 | Ashgate research companion |
| spelling | The Ashgate research companion to popular musicology edited by Derek B. Scott, University of Leeds, UK London Routledge 2016 1 Online-Ressource (xvii, 557 Seiten) Illustrationen, Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Ashgate research companion Trevor Jones's score for In the name of the father / David Cooper -- Music, sound and the moving image : the present and a future? / Anahid Kassabian -- Reinventing Question time / Miguel Mera -- Televised live performance, looping technology and the 'nu folk' : KT Tunstall on Later with Jools Holland / John Richardson -- Learning to listen to perfect sound : hi-fi culture and changes in modes of listening, 1950-80 / Alf Björnberg -- Approaches to analysing recordings of popular music / Timothy Warner -- The art of phonography : sound, technology and music / Peter Wicke -- Genre, subjectivity and back-up singing in rock music / Susan Fast -- Notes on musical camp / Freya Jarman-Ivens -- Who are you? : research strategies of the unruly feminine / Sheila Whiteley -- 'I'm a man' : masculinities in popular music / Jason Lee Oakes -- The woven world : unravelling the mainstream and the alternative in Greek popular music / Kevin Dawe -- - Dayton Street funk : the layering of multiple identities / Portia K. Maultsby -- Black, white and brown on the dance floor : the new meanings of Panjabiyat in the twenty-first century / Anjali Gera Roy -- Musical persona : the physical performance of popular music / Philip Auslander -- Vocal performance and the projection of emotional authenticity / Nicola Dibben -- 'Chelsea Rodgers' was a model : vocality in Prince of the twenty-first century / Stan Hawkins -- Singing style and white masculinity / Jacqueline Warwick -- Talking music, making music : a comparison between rap and techno / Antoine Hennion -- Absolute beginners : the evolution of a British popular music scene / Ian Inglis -- Studying reception and scenes / Adam Krims -- Interpretation : so what? / Alan F. Moore -- Beyond the master narrative of youth : researching ageing popular music scenes / Nicola Smith -- Music and the creative knowledge economy / Geraldine Bloustien -- - The transnational music industry / Andreas Gebesmair -- Pop idol : global economy, local meanings / Tarja Rautiainen-Keskustalo The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in p Fine Arts MUSIC / Genres & Styles / Pop Vocal bisacsh Musicology fast Popular music fast Popular music / Social aspects fast Gesellschaft Popular music History and criticism Popular music Social aspects Musicology Scott, Derek B. 1950- Sonstige (DE-588)1025960858 oth Erscheint auch als Druck-Ausgabe 978-0-754-66476-5 |
| spellingShingle | The Ashgate research companion to popular musicology Fine Arts MUSIC / Genres & Styles / Pop Vocal bisacsh Musicology fast Popular music fast Popular music / Social aspects fast Gesellschaft Popular music History and criticism Popular music Social aspects Musicology |
| title | The Ashgate research companion to popular musicology |
| title_auth | The Ashgate research companion to popular musicology |
| title_exact_search | The Ashgate research companion to popular musicology |
| title_exact_search_txtP | The Ashgate research companion to popular musicology |
| title_full | The Ashgate research companion to popular musicology edited by Derek B. Scott, University of Leeds, UK |
| title_fullStr | The Ashgate research companion to popular musicology edited by Derek B. Scott, University of Leeds, UK |
| title_full_unstemmed | The Ashgate research companion to popular musicology edited by Derek B. Scott, University of Leeds, UK |
| title_short | The Ashgate research companion to popular musicology |
| title_sort | the ashgate research companion to popular musicology |
| topic | Fine Arts MUSIC / Genres & Styles / Pop Vocal bisacsh Musicology fast Popular music fast Popular music / Social aspects fast Gesellschaft Popular music History and criticism Popular music Social aspects Musicology |
| topic_facet | Fine Arts MUSIC / Genres & Styles / Pop Vocal Musicology Popular music Popular music / Social aspects Gesellschaft Popular music History and criticism Popular music Social aspects |
| work_keys_str_mv | AT scottderekb theashgateresearchcompaniontopopularmusicology |