The Bloomsbury handbook of sound art:
"The Bloomsbury Handbook of Sound Art presents an overview of sound art in the 21st century. Sound artworks today embody the contemporary and transcultural trends toward the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York ; London ; Oxford ; New Delhi ; Sdney
Bloomsbury Academic
2020
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "The Bloomsbury Handbook of Sound Art presents an overview of sound art in the 21st century. Sound artworks today embody the contemporary and transcultural trends toward the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and later, sound studies, sound art has evolved into a turbulent field of academic critique and aesthetic analysis. This volume summons artists, researchers, curators, and critics to take note and to reflect the most recent shifts and drifts in sound art-rooted in sonic histories and implying future trajectories"-- |
| Physical Description: | viii, 571 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781501338793 |
Staff View
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Record in the Search Index
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|---|---|
| adam_text | Contents Sound Art. The First loo Years of an Aggressively Expanding Art Form Sanne Krogh Groth and Holger Schulze і Part I After the Apocalypse. The Desert of the Real as Sound Art 1 The Sonic Aftermath. The Anthropocene and Interdisciplinarity after the Apocalypse Anette Vandsø 21 շ Composing Sociality. Toward an Aesthetics of Transition Design Jeremy Woodruff 4i 3 Dealing with Disaster. Notes toward a Decolonizing, Aesthetico-Relational Sound Art Pedro J. S. Vieira de Oliveira n 4 Vocalizing Dystopian and Utopian Impulses. The End of Eating Everything Stina Marie Hasse Jørgensen 89 Part II Journeys across the Grid. Postcolonial Transformations as Sound Art 5 “Diam!” (Be Quiet!). Noisy Sound Art from the Global South Sanne Krogh Groth Ю7
vi Contents 6 Curating Potential. Migration and Sonic Artistic Practices in Berlin Juliana Hodkinson in Conversation with Elke Moltrecht and Julia Gerlach ш 7 Four Artistic Journeys i Pockets of Communities Holger Schulze in Conversation with Emeka Ogboh mi ii Cairo Baby-Doll. Some Remarks on a Cairo Sound Art Scene Søren Møller Sørensen ш iii When I Close My Eyes Everything Is So Damn Pretty (Can t Do the Thing You Want, Can t Do the Thing You Want, Can t Do the Thing You Want) Samson Young ш iv Sound in Covert Places. Indonesian Sound Art Development through Bandung Perspectives Bob Edrian м2 8 Sound Art in East and Southeast Asia. Historical and Political Considerations Cedrik Fermont and Dimitri della Faille 175 Part III Come Closer... Intimate Encounters as Sound Art 9 Kiss, Lick, Suck. Micro-Orality of Intimate Intensities Brandon LaBelle m 10 Gender, Intimacy, and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks Cathy Lane ш її Sonic Intimacies. The Sensory Status of Intimate Encounters in 3-D Sound Art Sabine Feisst and Garth Paine 213
Contents 12 Intruders Touching You. Intimate Encounters in Audio Holger Schulze m Part IV De-lnstitutionalize! Institutional Critique as Sound Art 13 Inquiring into the Hack. New Sonic and Institutional Practices by Pauline Oliveros, Pussy Riot, and Goodiepal Sharon Stewart 237 14 Outside and Around Institutions. Two Artistic Positions i Working in the Sounding Field Annea Lockwood 260 ii Conversations and Utopias Holger Schulze in Conversation with Mendi and Keith Obadike 207 15 Audiogrammi of a Collective Intelligence. The Composer-Researchers of S2FM, SMET, NPS, and Other Mavericks Laura Zattra 273 16 Sounding in Paths, Hearing through Cracks. Sonic Arts Practices and Urban Institutions Elen Flügge 295 Part V The Sonic Imagination. Sonic Thinking as Sound Art 17 The Sonic Fiction of Sound Art. A Background to the Theory-Fiction of Sound Macon Holt 319 18 Women Sonic Thinkers. The Histories of Seeing, Touching, and Embodying Sound Sandra Kazlauskaite ззб ig Specific Dissonances. A Geopolitics of Frequency Alastair Cameron and Eleni Ikoniadou 350 vii
viii Contents 20 A Universe in a Grain of Sound. The Production of Time and Sonic Fiction in Machinie Sound Art Tobias Ewé ъп Part VI Making Sound. Building Media Instruments as Sound Art 21 The Instrument as Theater. Instrumental Reworkings in Contemporary Sound Art Sanne Krogh Groth and Ulrik Schmidt 4oi 22 From Turntable to Neural Net. Sound Art, Technoscience, Craft, and the Instrument Chris Salter and Alexandre Saunier 417 23 The Instrument as Medium. Phonographic Work Rolf Großmann 436 24 How to Build an Instrument? Three Artistic Positions—Articles and Interviews ¡ Membrane. Materialities and Intensities of Sound Carla J. Maier in Conversation with Marianthi Papalexandri-Alexandri 447 ii Pickups and Strings. On Experimental Preparation and Magnetic Amplification Yuri Landman 458 iii Mechanics. From Physicality over Symbolism through Malfunction and Back Again Morten Riis 469 Notes 475 References 485 Contributors 526 Index 534
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| adam_txt |
Contents Sound Art. The First loo Years of an Aggressively Expanding Art Form Sanne Krogh Groth and Holger Schulze і Part I After the Apocalypse. The Desert of the Real as Sound Art 1 The Sonic Aftermath. The Anthropocene and Interdisciplinarity after the Apocalypse Anette Vandsø 21 շ Composing Sociality. Toward an Aesthetics of Transition Design Jeremy Woodruff 4i 3 Dealing with Disaster. Notes toward a Decolonizing, Aesthetico-Relational Sound Art Pedro J. S. Vieira de Oliveira n 4 Vocalizing Dystopian and Utopian Impulses. The End of Eating Everything Stina Marie Hasse Jørgensen 89 Part II Journeys across the Grid. Postcolonial Transformations as Sound Art 5 “Diam!” (Be Quiet!). Noisy Sound Art from the Global South Sanne Krogh Groth Ю7
vi Contents 6 Curating Potential. Migration and Sonic Artistic Practices in Berlin Juliana Hodkinson in Conversation with Elke Moltrecht and Julia Gerlach ш 7 Four Artistic Journeys i Pockets of Communities Holger Schulze in Conversation with Emeka Ogboh mi ii Cairo Baby-Doll. Some Remarks on a Cairo Sound Art Scene Søren Møller Sørensen ш iii When I Close My Eyes Everything Is So Damn Pretty (Can't Do the Thing You Want, Can't Do the Thing You Want, Can't Do the Thing You Want) Samson Young ш iv Sound in Covert Places. Indonesian Sound Art Development through Bandung Perspectives Bob Edrian м2 8 Sound Art in East and Southeast Asia. Historical and Political Considerations Cedrik Fermont and Dimitri della Faille 175 Part III Come Closer. Intimate Encounters as Sound Art 9 Kiss, Lick, Suck. Micro-Orality of Intimate Intensities Brandon LaBelle m 10 Gender, Intimacy, and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks Cathy Lane ш її Sonic Intimacies. The Sensory Status of Intimate Encounters in 3-D Sound Art Sabine Feisst and Garth Paine 213
Contents 12 Intruders Touching You. Intimate Encounters in Audio Holger Schulze m Part IV De-lnstitutionalize! Institutional Critique as Sound Art 13 Inquiring into the Hack. New Sonic and Institutional Practices by Pauline Oliveros, Pussy Riot, and Goodiepal Sharon Stewart 237 14 Outside and Around Institutions. Two Artistic Positions i Working in the Sounding Field Annea Lockwood 260 ii Conversations and Utopias Holger Schulze in Conversation with Mendi and Keith Obadike 207 15 Audiogrammi of a Collective Intelligence. The Composer-Researchers of S2FM, SMET, NPS, and Other Mavericks Laura Zattra 273 16 Sounding in Paths, Hearing through Cracks. Sonic Arts Practices and Urban Institutions Elen Flügge 295 Part V The Sonic Imagination. Sonic Thinking as Sound Art 17 The Sonic Fiction of Sound Art. A Background to the Theory-Fiction of Sound Macon Holt 319 18 Women Sonic Thinkers. The Histories of Seeing, Touching, and Embodying Sound Sandra Kazlauskaite ззб ig "Specific Dissonances." A Geopolitics of Frequency Alastair Cameron and Eleni Ikoniadou 350 vii
viii Contents 20 A Universe in a Grain of Sound. The Production of Time and Sonic Fiction in Machinie Sound Art Tobias Ewé ъп Part VI Making Sound. Building Media Instruments as Sound Art 21 The Instrument as Theater. Instrumental Reworkings in Contemporary Sound Art Sanne Krogh Groth and Ulrik Schmidt 4oi 22 From Turntable to Neural Net. Sound Art, Technoscience, Craft, and the Instrument Chris Salter and Alexandre Saunier 417 23 The Instrument as Medium. Phonographic Work Rolf Großmann 436 24 How to Build an Instrument? Three Artistic Positions—Articles and Interviews ¡ Membrane. Materialities and Intensities of Sound Carla J. Maier in Conversation with Marianthi Papalexandri-Alexandri 447 ii Pickups and Strings. On Experimental Preparation and Magnetic Amplification Yuri Landman 458 iii Mechanics. From Physicality over Symbolism through Malfunction and Back Again Morten Riis 469 Notes 475 References 485 Contributors 526 Index 534 |
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| spelling | The Bloomsbury handbook of sound art edited by Sanne Krogh Groth and Holger Schulze Handbook of sound art New York ; London ; Oxford ; New Delhi ; Sdney Bloomsbury Academic 2020 viii, 571 Seiten, 8 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier "The Bloomsbury Handbook of Sound Art presents an overview of sound art in the 21st century. Sound artworks today embody the contemporary and transcultural trends toward the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and later, sound studies, sound art has evolved into a turbulent field of academic critique and aesthetic analysis. This volume summons artists, researchers, curators, and critics to take note and to reflect the most recent shifts and drifts in sound art-rooted in sonic histories and implying future trajectories"-- Klangkunst (DE-588)4430771-8 gnd rswk-swf Sound art / History and criticism Art, Modern Sound in art Sound installations (Art) 2000-2099 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Klangkunst (DE-588)4430771-8 s DE-604 Groth, Sanne Krogh (DE-588)1047327716 edt Schulze, Holger 1970- (DE-588)130195073 edt Erscheint auch als Online-Ausgabe, ebk 978-1-5013-3880-9 Erscheint auch als Online-Ausgabe, ePDF 978-1-5013-3881-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032064420&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The Bloomsbury handbook of sound art |
| title_alt | Handbook of sound art |
| title_auth | The Bloomsbury handbook of sound art |
| title_exact_search | The Bloomsbury handbook of sound art |
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| title_full | The Bloomsbury handbook of sound art edited by Sanne Krogh Groth and Holger Schulze |
| title_fullStr | The Bloomsbury handbook of sound art edited by Sanne Krogh Groth and Holger Schulze |
| title_full_unstemmed | The Bloomsbury handbook of sound art edited by Sanne Krogh Groth and Holger Schulze |
| title_short | The Bloomsbury handbook of sound art |
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