History of English literature: Volume 6 Book 2 From the Mid-Victorian age to the great war, 1870-1921
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Format: | Buch |
Sprache: | English |
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Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien
Peter Lang
[2019]
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Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | ix, 595 Seiten |
ISBN: | 9781789973976 |
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adam_text | Contents PART II The Second Pre-Raphaelitism and Decadence §142. 143-150. The second Pre-Raphaelitism and Decadence Morris § 143. The ‘idle singer of an empty day’, thunderstruck by Marx, p. 13. § 144. Early prose writings and The Defence of Guenevere, p. 24. § 145. The mythological tapestries, p. 30. § 146. Love Is Enough and Sigurd the Volsung, p. 37. § 147. Art for socialism, socialism for art, p. 40. § 148. The Dream ofJohn Ball and News from Nowhere, p. 46. § 149. Poems by the Way, p. 55. § 150. The fantasy adventures, p. 56. ISI. Other poets of the second Pre-Raphaelitism. O’Shaughnessy, Marston I52-I62. Swinburne § 152. The venereal, sacrilegious and libertarian poetry of a disciple of Sade, p. 63. § 153. Biography, p. 74. § 154. The early plays and the two novels, p. 78. § 155. Atalanta in Calydon and Erechtheus, p. 87. § 15 6. Poems and Ballads. Emulation and defiance, p. 91. § 157. Songs before Sunrise and Songs of Two Nations, p. 99. § 158. The second series oí Poems and Ballads, p. 104. § 159. Poems from 1880 to 1889, p. 107. § 160. Poetic collections after 1890, p. 118. § 161. The Mary
vi Stuart trilogy and other plays, p. no. § 162. Critical works, p. 114. §§ 163-189. Pater § 163. An essayist by vocation, the alleged father ofVictorian aestheticism, p. 12.9. § 164. The theorist of the relativity of modernity, p. 137. § 165. Typologies and relevance of Pater s fiction, p. 142. § 166. Pater and the twentieth century, p. 144. § 167. Biography, p. 148.5168. Dispersion and compactness of Pater’s canon, p. 152. §§ 169-172. The Renaissance (§ 169. Paganism and Christianity reconciled, p. 153. § 170. Mystery and melancholy in the Renaissance painters, p. 159. § 171. How culture works, p. 165. § 172. Aesthetic relativism and perceptive experientialism.p. 167). § 173. The Child in the House’. The genesis ofPater’s autobiographical narrative, p. 171. §§ 174-177. Marius the Epicurean (§ 174. ‘Modernity’ in Imperial Rome, p. 176. § 175. Epicureanism and natural Christianity, p. 182. § 176. The aesthetized primitive Christianity, p. 187. § 177. The religion of the eye and of the word, p. 190). §§ 178-180. Imaginary Portraits (§ 178. The irretrievable Golden Age, p. 194. § 179. The court painter and the Spinozian nihilist, p. 197. § 180. The twilight of the pagan gods, p. 201). §§ 181-182. Gaston de Latour (§ 181. The second act of the aborted trilogy, p. 204. § 182. The historical frame and the unpublished chapters, p. 207). §§ 183-185. Appreciations (§ 183. The essay on style, p. 215. § 184. The essays on prose writers and on Shakespeare, p. 218. § 185. Theory and practice of Romanticism, p. 221). § 186. ‘Emerald Uthwart’ and ‘Apollo in Picardy’, p. 227. §§ 187-188.
Plato and Platonism (§ 187. Plato Paterianized, p. 231. § 188. The prismatic legacy of Platonism, p. 235). § 189. Greek Studies, p. 238. 129
§§ 190-206. Hopkins 244 § 190. Isolation, ostracism and detente, p. 244. § 191. Poetry as communicative urgency, p. 253. § 192. Hopkins inside and outside his cultural type, p. 261. § 193. Biography, p. 270. § 194. The university diaries and essays. The ‘rhyme principle’, p. 278. § 195. The two prophetic representational clusters, p. 285. § 196. Silence and utterance, p. 289. §§ 197-199. ‘The Wreck of the Deutschland’ (§ 197. The oxymoronic God, creator and destroyer, p. 293. § 198. Probare, docere, movere, p. 301. § 199. The parallelistic texture, p. 307). § 200. The theophany ornature, p. 311. § 201. ‘The Windhover’. Resurgent temptations of absolute art, p. 319. § 202. Hopkins and Duns Seotus, p. 326. § 203. The poetry up to 1885, p. 338. §§ 204-203. The ‘terrible sonnets’ (§ 204. Wresding with God, p. 344. § 205. The word unheard, p. 351). § 206. Time’s eunuch, p. 354. 207-212. Bridges . 365 § 207. The Apollonian priest of beauty, p. 365. § 208. The Growth ofLove, p. 373. § 209. Prometheus the Firegiver and other plays, p. 375. § 210. The prime of Bridges’s lyrics, p. 379. § hi. The new manner, p. 383. § 212. The Testament ofBeauty, p. 386. 213. Hopkins s circle. Dixon, Dolben 390 214-215. Thompson 395 § 214. The ‘shy volcano’, the second greatest late nineteenthcentury English Catholic poet, p. 395. § 215. The poet of childlike candour, the victim of Gods persecution, the high priest of nature, p. 413.
Vlil § n 6. 217-240. Meynell 422 Wilde 429 § 217. The face behind the masks, p. 429. § 218. The assertiveness of the aesthetic theoretician and the artist’s aporias, p. 440. § 219. The lord of words, p. 445. § 220. The poetry from 1881, p. 450. § 221. The early plays, p. 460. § 222. Genesis, forms and motifs ofthe short fiction, p. 464. § 223. Lord Saviles Crime and Other Short Stories. Adonis and the voice ofconscience, p. 466. § 224. The Happy Prince and Other Tales. The utopian reformism of the boy king, p. 470. § 225. A House ofPomegranates and Poems in Prose, p. 473. § 226. ‘The Portrait of Mr W. H.’. A Shakespearean fantasy, p. 477. §§ 227-229. The critical essays (§ 227. Apprenticeship, p. 482. § 228. Anti-realism and individualism of art, p. 485. § 229. ‘The Soul of Man Under Socialism’. Dreams and distortions in Wildes socialism, p. 493). §§ 230-232. The Picture ofDorian Gray (§ 230. Wilde the plagiarist and self plagiarist, p. 496. § 231. Held in the grip, p. 502. § 232. The aesthetic man in the attic, p. 507). § 233.Lady Windermere’s Fan. To be or to appear, p. 511. § 234. Salome. Voyeurism and perversion, p. 513. § 235. A Woman ofNo Importance. The pure and the Puritans, p. 515. § 23 6. An Ideal Husband, p. 519. § 237.A Florentine Tragedy and La Sainte Courtisane, p. 524. § 238. The Importance ofBeing Earnest. The parody of dilemmatic theatre, p. 525. § 239. De Profundis. From one pedestal to another pedestal, p. 529. § 240. ‘The Sphinx’ and ‘The Ballad of Reading Gaol’, p. 533. 2.41-242. Dowson § 241. The brothel and the cloister. A penitent’s journey, p. 535.
§ 242. The tragicomedy of masks, p. 541. 535
547 2-44- Minor aestheticism. Gray, Symons 557 2-45· Counter-aestheticism. Blunt, Watson 563 246. Davidson. The doom of Calvinism 568 247. Playful and erudite poets 248. Women s poetry 589 §2-43- CO Johnson. The legend of the holy drinker Ն/ ix
|
adam_txt |
Contents PART II The Second Pre-Raphaelitism and Decadence §142. 143-150. The second Pre-Raphaelitism and Decadence Morris § 143. The ‘idle singer of an empty day’, thunderstruck by Marx, p. 13. § 144. Early prose writings and The Defence of Guenevere, p. 24. § 145. The mythological tapestries, p. 30. § 146. Love Is Enough and Sigurd the Volsung, p. 37. § 147. Art for socialism, socialism for art, p. 40. § 148. The Dream ofJohn Ball and News from Nowhere, p. 46. § 149. Poems by the Way, p. 55. § 150. The fantasy adventures, p. 56. ISI. Other poets of the second Pre-Raphaelitism. O’Shaughnessy, Marston I52-I62. Swinburne § 152. The venereal, sacrilegious and libertarian poetry of a disciple of Sade, p. 63. § 153. Biography, p. 74. § 154. The early plays and the two novels, p. 78. § 155. Atalanta in Calydon and Erechtheus, p. 87. § 15 6. Poems and Ballads. Emulation and defiance, p. 91. § 157. Songs before Sunrise and Songs of Two Nations, p. 99. § 158. The second series oí Poems and Ballads, p. 104. § 159. Poems from 1880 to 1889, p. 107. § 160. Poetic collections after 1890, p. 118. § 161. The Mary
vi Stuart trilogy and other plays, p. no. § 162. Critical works, p. 114. §§ 163-189. Pater § 163. An essayist by vocation, the alleged father ofVictorian aestheticism, p. 12.9. § 164. The theorist of the relativity of modernity, p. 137. § 165. Typologies and relevance of Pater s fiction, p. 142. § 166. Pater and the twentieth century, p. 144. § 167. Biography, p. 148.5168. Dispersion and compactness of Pater’s canon, p. 152. §§ 169-172. The Renaissance (§ 169. Paganism and Christianity reconciled, p. 153. § 170. Mystery and melancholy in the Renaissance painters, p. 159. § 171. How culture works, p. 165. § 172. Aesthetic relativism and perceptive experientialism.p. 167). § 173. The Child in the House’. The genesis ofPater’s autobiographical narrative, p. 171. §§ 174-177. Marius the Epicurean (§ 174. ‘Modernity’ in Imperial Rome, p. 176. § 175. Epicureanism and natural Christianity, p. 182. § 176. The aesthetized primitive Christianity, p. 187. § 177. The religion of the eye and of the word, p. 190). §§ 178-180. Imaginary Portraits (§ 178. The irretrievable Golden Age, p. 194. § 179. The court painter and the Spinozian nihilist, p. 197. § 180. The twilight of the pagan gods, p. 201). §§ 181-182. Gaston de Latour (§ 181. The second act of the aborted trilogy, p. 204. § 182. The historical frame and the unpublished chapters, p. 207). §§ 183-185. Appreciations (§ 183. The essay on style, p. 215. § 184. The essays on prose writers and on Shakespeare, p. 218. § 185. Theory and practice of Romanticism, p. 221). § 186. ‘Emerald Uthwart’ and ‘Apollo in Picardy’, p. 227. §§ 187-188.
Plato and Platonism (§ 187. Plato Paterianized, p. 231. § 188. The prismatic legacy of Platonism, p. 235). § 189. Greek Studies, p. 238. 129
§§ 190-206. Hopkins 244 § 190. Isolation, ostracism and detente, p. 244. § 191. Poetry as communicative urgency, p. 253. § 192. Hopkins inside and outside his cultural type, p. 261. § 193. Biography, p. 270. § 194. The university diaries and essays. The ‘rhyme principle’, p. 278. § 195. The two prophetic representational clusters, p. 285. § 196. Silence and utterance, p. 289. §§ 197-199. ‘The Wreck of the Deutschland’ (§ 197. The oxymoronic God, creator and destroyer, p. 293. § 198. Probare, docere, movere, p. 301. § 199. The parallelistic texture, p. 307). § 200. The theophany ornature, p. 311. § 201. ‘The Windhover’. Resurgent temptations of absolute art, p. 319. § 202. Hopkins and Duns Seotus, p. 326. § 203. The poetry up to 1885, p. 338. §§ 204-203. The ‘terrible sonnets’ (§ 204. Wresding with God, p. 344. § 205. The word unheard, p. 351). § 206. Time’s eunuch, p. 354. 207-212. Bridges . 365 § 207. The Apollonian priest of beauty, p. 365. § 208. The Growth ofLove, p. 373. § 209. Prometheus the Firegiver and other plays, p. 375. § 210. The prime of Bridges’s lyrics, p. 379. § hi. The new manner, p. 383. § 212. The Testament ofBeauty, p. 386. 213. Hopkins s circle. Dixon, Dolben 390 214-215. Thompson 395 § 214. The ‘shy volcano’, the second greatest late nineteenthcentury English Catholic poet, p. 395. § 215. The poet of childlike candour, the victim of Gods persecution, the high priest of nature, p. 413.
Vlil § n 6. 217-240. Meynell 422 Wilde 429 § 217. The face behind the masks, p. 429. § 218. The assertiveness of the aesthetic theoretician and the artist’s aporias, p. 440. § 219. The lord of words, p. 445. § 220. The poetry from 1881, p. 450. § 221. The early plays, p. 460. § 222. Genesis, forms and motifs ofthe short fiction, p. 464. § 223. Lord Saviles Crime and Other Short Stories. Adonis and the voice ofconscience, p. 466. § 224. The Happy Prince and Other Tales. The utopian reformism of the boy king, p. 470. § 225. A House ofPomegranates and Poems in Prose, p. 473. § 226. ‘The Portrait of Mr W. H.’. A Shakespearean fantasy, p. 477. §§ 227-229. The critical essays (§ 227. Apprenticeship, p. 482. § 228. Anti-realism and individualism of art, p. 485. § 229. ‘The Soul of Man Under Socialism’. Dreams and distortions in Wildes socialism, p. 493). §§ 230-232. The Picture ofDorian Gray (§ 230. Wilde the plagiarist and self plagiarist, p. 496. § 231. Held in the grip, p. 502. § 232. The aesthetic man in the attic, p. 507). § 233.Lady Windermere’s Fan. To be or to appear, p. 511. § 234. Salome. Voyeurism and perversion, p. 513. § 235. A Woman ofNo Importance. The pure and the Puritans, p. 515. § 23 6. An Ideal Husband, p. 519. § 237.A Florentine Tragedy and La Sainte Courtisane, p. 524. § 238. The Importance ofBeing Earnest. The parody of dilemmatic theatre, p. 525. § 239. De Profundis. From one pedestal to another pedestal, p. 529. § 240. ‘The Sphinx’ and ‘The Ballad of Reading Gaol’, p. 533. 2.41-242. Dowson § 241. The brothel and the cloister. A penitent’s journey, p. 535.
§ 242. The tragicomedy of masks, p. 541. 535
547 2-44- Minor aestheticism. Gray, Symons 557 2-45· Counter-aestheticism. Blunt, Watson 563 246. Davidson. The doom of Calvinism 568 247. Playful and erudite poets 248. Women s poetry 589 §2-43- CO Johnson. The legend of the holy drinker Ն/ ix |
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spelling | Marucci, Franco 1949- (DE-588)1176752162 aut Storia della letteratura inglese dal 1870 al 1921 Storia della letteratura inglese History of English literature Volume 6 Book 2 From the Mid-Victorian age to the great war, 1870-1921 Franco Marucci ; translated from the Italian by J. Patricia Kennan, Sarah Suella Darkins and Elizabeth Harrowell Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien Peter Lang [2019] ix, 595 Seiten txt rdacontent n rdamedia nc rdacarrier Geschichte 1870-1901 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Geschichte 1870-1901 z DE-604 Kennan, J. Patricia trl Darkins, Sarah Suella trl (DE-604)BV046400521 6,2 Erscheint auch als Online-Ausgabe, EPUB 978-1-78874-240-5 Erscheint auch als Online-Ausgabe, PDF 978-1-78874-239-9 Erscheint auch als Online-Ausgabe, MOBI 978-1-78874-241-2 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032052296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Marucci, Franco 1949- History of English literature Englisch (DE-588)4014777-0 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)4014777-0 (DE-588)4035964-5 |
title | History of English literature |
title_alt | Storia della letteratura inglese dal 1870 al 1921 Storia della letteratura inglese |
title_auth | History of English literature |
title_exact_search | History of English literature |
title_exact_search_txtP | History of English literature |
title_full | History of English literature Volume 6 Book 2 From the Mid-Victorian age to the great war, 1870-1921 Franco Marucci ; translated from the Italian by J. Patricia Kennan, Sarah Suella Darkins and Elizabeth Harrowell |
title_fullStr | History of English literature Volume 6 Book 2 From the Mid-Victorian age to the great war, 1870-1921 Franco Marucci ; translated from the Italian by J. Patricia Kennan, Sarah Suella Darkins and Elizabeth Harrowell |
title_full_unstemmed | History of English literature Volume 6 Book 2 From the Mid-Victorian age to the great war, 1870-1921 Franco Marucci ; translated from the Italian by J. Patricia Kennan, Sarah Suella Darkins and Elizabeth Harrowell |
title_short | History of English literature |
title_sort | history of english literature from the mid victorian age to the great war 1870 1921 |
topic | Englisch (DE-588)4014777-0 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | Englisch Literatur |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032052296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV046400521 |
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