History of English literature: Volume 7 Book 2 English Modernism
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| Format: | Buch |
| Sprache: | English |
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Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien
Peter Lang
[2019]
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | viii, 780 Seiten |
| ISBN: | 9781789974003 |
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| 245 | 1 | 0 | |a History of English literature |n Volume 7 |n Book 2 |p English Modernism |c Franco Marucci ; translated from the Italian by J. Patricia Kennan, Sarah Suella Darkins and Elizabeth Harrowell |
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Datensatz im Suchindex
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| adam_text | Contents PART II Modernism § 74. i England from 1922 to 1945 3 75. Modernism 10 76. Imagism 18 77-85. Yeats after 1919 23 § 77. The book and the image, p. 23. § 78. The lunar pseudo philosophy, p. 32. § 79. The tail end of The Wild Swans at Coole, p. 45. § 80. Michael Rehartes and the Dancer. The marriage of body and spirit, p. 51. § 81. The Tower. The second coming, p. 59. § 82. The Winding Stair and Other Poems. The Platonic idea and the revenge of the human, p. 68. § 83. From A Full Moon in March, p. 75. § 84. Testaments, p. 77. § 85. The dramas, p. 85. 86. Edith Sitwell 101 87. Osbert and Sacheverell Sitwell 108 88. Firbank 89-91. Wyndham Lewis § 89. The roar of Vorticism, p. 126. § 90. That lonely old volcano of the Right, p. 135. § 91. The trilogy of the hereafter, p. 142. hi 126
VI §§ 92-105. T. S. Eliot 146 § 92. The roots that clutch, p. 146. § 93. The overwhelming question, p. 160. § 94. Prufrock and Other Observations. The moment to its crisis, p. 168. § 95. Gerontion and the poems of 1920, p. 185. §§ 96-97. The Waste Land (§ 96. The orchestration, p. 199. § 97. Witnesses of the pastiche, p. 208). § 98. The Hollow Men and Ash Wednesday, p. 219. § 99. Nonsense, minor and incidental poetry, p. 226. §§ 100-101. Four Quartets (§ 100. The music of time, p. 230. § 101. The alpha and the omega, from the rose garden to the thorn bush, p. 241). § 102. Liturgical action and propedeutics for atonement in Eliot’s drama, p. 255. § 103. The literary system, p. 270. § 104. Other works of criticism, p. 283. § 105. The English patient, p. 285. 106. Bunting 294 107. Christopher Fry 299 108. Whiting 304 I09-I22. Lawrence 305 § 109. The messiah of phallic reawakening, p. 305. § no. The early novels, p. 315. § in. Sons and Lovers. The mining scenario and the Oedipal dilemma, p. 322. § 112. The short stories, p. 330. § 113. The Rainbow. Analysis and management of passions, p. 333. § 114. Women in Love. The agon between life and death, p. 343. § 115. The Lost Girl, p. 356. § nő. Aarons Rod. The biblical wanderer, p. 361. § 117. Kangaroo. An Australian fable, p. 368. § 118. The Plumed Serpent. In an imaginary Mexico, p. 375. § 119. Lady Chatterley’s Lover. Broken taboos, p. 388. § 120. Later short novels and stories, p. 395. § 121. The poetry, p. 398. § 122. Prophecy and prejudice in Lawrence s non-fiction, p. 408.
vii §§ 113-1x4. Dorothy Richardson 418 §§ 113-114. Pilgrimage (§ 113. The English harbinger of monologue interieur, p. 418. § 114. Towards self-knowledge, p. 417). 115-127. Ford Madox Ford 431 § 115. The restorer of the old order from the trenches of formal Modernism, p. 431. § n6. The Good Soldier. The crisis of chivalric ideals, p. 437. § 117. Parade s End. A consciousness in the Great War, p. 445. 128-151. Joyce 457 § 128. The bygmester of the palace of art, p. 457. § 129. Biography, p. 470. § 130. Essays on criticism and aesthetics, p. 476. § 131. The epiphanies, p. 481. § 132. The poetry, p. 483. §§ 133—13 ļ. Dubliners (§ 133. Devices ofJoyce’s short story, p. 493. § 134. Paralysis in the three human ages, p. 498. § 135. “The Dead’. The game of cardinal points, p. 506). §§ 136-138. A Portrait ofthe Artist as a YoungMan (§ 136. The first two versions, p. 514. § 137. The impossible perfection of faith, p. 520. § 138. The investiture of the artist, p. 526). § 139. The journalist and lecturer, p. 529. §§ 140-141. Exiles (§ 140. The betrayed, betrayable and betraying husband, p. 532. § 141. Towards a new alter ego, p. 534). §§ 142-147. Ulysses (§ 141. The endogenesis, p. 538. § 143. Threads in the maze, p. 546. § 144. From morning to noon, p. 551. § 145. Afternoon and evening, p. 559. § 146. The night, p. 565. § 147. Molly’s monologue, p. 570). §§ 148-151. Finnegans Wake (§ 148. The connections, p. 573. § 149. The sources, p. 584. § 150. Technique, p. 587. § 151. The language, p. 592). 152. Stephens, O’Brien 596
viii §§ І53֊і5б. Mansfield 6οι § 153. Out of Eden, but towards purgatory, p. 601. § 154 .Ina German Pension. Sketches at the spa, p. 612. § 153. Bliss and Other Stories. Existentialist motifs in Mansfield’s stories, p. 617. § 156. The Garden Party. Rites of passage, p. 62.1. 157-168. Woolf 6x7 § 157. Exorcisms of incompletion, p. 627. § 158. Woolf’s hours in a library, p. 637. § 159. Biography, p. 649. § 160. The Voyage Out, p. 655. § 161. Night and Day, p. 660. § 161 .Jacob’s Room. The novel as a splintered biography, p. 663. § 163. Mrs Dalloway. Life, death and resurrection, p. 668. § 164. To the Lighthouse. The metaphysical parable of a landing: failed, delayed, successful, with human losses, p. 675. § 165. Orlando. The historical cavalcade of the hermaphrodite, p. 683. § 166. The Waves. Six soliloquists, stereophonic voices of a single author, p. 688. § 167. The Years. The crowded kaleidoscope of modern times, p. 692. § 168. Between the Acts. A forecast of the future, p. 696. 169. Bloomsbury, Roger Fry, Strachey I70-I74. Compton-Burnett 701 707 § 170. The dirty laundry ofVictorianism, p. 707. § 171. The beginnings, p. 717. § 172. The nemesis of parental tyranny, p. 721. § 173. Novels of servants and of three generations, p. 727. § 174. Sour family comedies, p. 731. 175· Garnett 735 176. Poets of the Second World War 737 Index of names 745 Thematic index 769
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| adam_txt |
Contents PART II Modernism § 74. i England from 1922 to 1945 3 75. Modernism 10 76. Imagism 18 77-85. Yeats after 1919 23 § 77. The book and the image, p. 23. § 78. The lunar pseudo philosophy, p. 32. § 79. The tail end of The Wild Swans at Coole, p. 45. § 80. Michael Rehartes and the Dancer. The marriage of body and spirit, p. 51. § 81. The Tower. The second coming, p. 59. § 82. The Winding Stair and Other Poems. The Platonic idea and the revenge of the human, p. 68. § 83. From A Full Moon in March, p. 75. § 84. Testaments, p. 77. § 85. The dramas, p. 85. 86. Edith Sitwell 101 87. Osbert and Sacheverell Sitwell 108 88. Firbank 89-91. Wyndham Lewis § 89. The roar of Vorticism, p. 126. § 90. That lonely old volcano of the Right, p. 135. § 91. The trilogy of the hereafter, p. 142. hi 126
VI §§ 92-105. T. S. Eliot 146 § 92. The roots that clutch, p. 146. § 93. The overwhelming question, p. 160. § 94. Prufrock and Other Observations. The moment to its crisis, p. 168. § 95. Gerontion and the poems of 1920, p. 185. §§ 96-97. The Waste Land (§ 96. The orchestration, p. 199. § 97. Witnesses of the pastiche, p. 208). § 98. The Hollow Men and Ash'Wednesday, p. 219. § 99. Nonsense, minor and incidental poetry, p. 226. §§ 100-101. Four Quartets (§ 100. The music of time, p. 230. § 101. The alpha and the omega, from the rose garden to the thorn bush, p. 241). § 102. Liturgical action and propedeutics for atonement in Eliot’s drama, p. 255. § 103. The literary system, p. 270. § 104. Other works of criticism, p. 283. § 105. The English patient, p. 285. 106. Bunting 294 107. Christopher Fry 299 108. Whiting 304 I09-I22. Lawrence 305 § 109. The messiah of phallic reawakening, p. 305. § no. The early novels, p. 315. § in. Sons and Lovers. The mining scenario and the Oedipal dilemma, p. 322. § 112. The short stories, p. 330. § 113. The Rainbow. Analysis and management of passions, p. 333. § 114. Women in Love. The agon between life and death, p. 343. § 115. The Lost Girl, p. 356. § nő. Aarons Rod. The biblical wanderer, p. 361. § 117. Kangaroo. An Australian fable, p. 368. § 118. The Plumed Serpent. In an imaginary Mexico, p. 375. § 119. Lady Chatterley’s Lover. Broken taboos, p. 388. § 120. Later short novels and stories, p. 395. § 121. The poetry, p. 398. § 122. Prophecy and prejudice in Lawrence s non-fiction, p. 408.
vii §§ 113-1x4. Dorothy Richardson 418 §§ 113-114. Pilgrimage (§ 113. The English harbinger of monologue interieur, p. 418. § 114. Towards self-knowledge, p. 417). 115-127. Ford Madox Ford 431 § 115. The restorer of the old order from the trenches of formal Modernism, p. 431. § n6. The Good Soldier. The crisis of chivalric ideals, p. 437. § 117. Parade's End. A consciousness in the Great War, p. 445. 128-151. Joyce 457 § 128. The bygmester of the palace of art, p. 457. § 129. Biography, p. 470. § 130. Essays on criticism and aesthetics, p. 476. § 131. The epiphanies, p. 481. § 132. The poetry, p. 483. §§ 133—13 ļ. Dubliners (§ 133. Devices ofJoyce’s short story, p. 493. § 134. Paralysis in the three human ages, p. 498. § 135. “The Dead’. The game of cardinal points, p. 506). §§ 136-138. A Portrait ofthe Artist as a YoungMan (§ 136. The first two versions, p. 514. § 137. The impossible perfection of faith, p. 520. § 138. The investiture of the artist, p. 526). § 139. The journalist and lecturer, p. 529. §§ 140-141. Exiles (§ 140. The betrayed, betrayable and betraying husband, p. 532. § 141. Towards a new alter ego, p. 534). §§ 142-147. Ulysses (§ 141. The endogenesis, p. 538. § 143. Threads in the maze, p. 546. § 144. From morning to noon, p. 551. § 145. Afternoon and evening, p. 559. § 146. The night, p. 565. § 147. Molly’s monologue, p. 570). §§ 148-151. Finnegans Wake (§ 148. The connections, p. 573. § 149. The sources, p. 584. § 150. Technique, p. 587. § 151. The language, p. 592). 152. Stephens, O’Brien 596
viii §§ І53֊і5б. Mansfield 6οι § 153. Out of Eden, but towards purgatory, p. 601. § 154 .Ina German Pension. Sketches at the spa, p. 612. § 153. Bliss and Other Stories. Existentialist motifs in Mansfield’s stories, p. 617. § 156. The Garden Party. Rites of passage, p. 62.1. 157-168. Woolf 6x7 § 157. Exorcisms of incompletion, p. 627. § 158. Woolf’s hours in a library, p. 637. § 159. Biography, p. 649. § 160. The Voyage Out, p. 655. § 161. Night and Day, p. 660. § 161 .Jacob’s Room. The novel as a splintered biography, p. 663. § 163. Mrs Dalloway. Life, death and resurrection, p. 668. § 164. To the Lighthouse. The metaphysical parable of a landing: failed, delayed, successful, with human losses, p. 675. § 165. Orlando. The historical cavalcade of the hermaphrodite, p. 683. § 166. The Waves. Six soliloquists, stereophonic voices of a single author, p. 688. § 167. The Years. The crowded kaleidoscope of modern times, p. 692. § 168. Between the Acts. A forecast of the future, p. 696. 169. Bloomsbury, Roger Fry, Strachey I70-I74. Compton-Burnett 701 707 § 170. The dirty laundry ofVictorianism, p. 707. § 171. The beginnings, p. 717. § 172. The nemesis of parental tyranny, p. 721. § 173. Novels of servants and of three generations, p. 727. § 174. Sour family comedies, p. 731. 175· Garnett 735 176. Poets of the Second World War 737 Index of names 745 Thematic index 769 |
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| spelling | Marucci, Franco 1949- (DE-588)1176752162 aut Storia della letteratura inglese dal 1922 al 2000 - Il modernismo Storia della letteratura inglese History of English literature Volume 7 Book 2 English Modernism Franco Marucci ; translated from the Italian by J. Patricia Kennan, Sarah Suella Darkins and Elizabeth Harrowell Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien Peter Lang [2019] viii, 780 Seiten txt rdacontent n rdamedia nc rdacarrier Kennan, J. Patricia trl Darkins, Sarah Suella trl (DE-604)BV046400521 7,2 Erscheint auch als Online-Ausgabe, EPUB 978-1-78874-113-2 Erscheint auch als Online-Ausgabe, PDF 978-1-78874-112-5 Erscheint auch als Online-Ausgabe, MOBI 978-1-78874-114-9 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032052220&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | History of English literature |
| title_alt | Storia della letteratura inglese dal 1922 al 2000 - Il modernismo Storia della letteratura inglese |
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| title_full | History of English literature Volume 7 Book 2 English Modernism Franco Marucci ; translated from the Italian by J. Patricia Kennan, Sarah Suella Darkins and Elizabeth Harrowell |
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| title_short | History of English literature |
| title_sort | history of english literature english modernism |
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