Face to Face: Thorvaldsen and portraiture
In the early 19th century, Bertel Thorvaldsen (1770-1844) was Europe's foremost artist of marble portraits. This book uncovers how and why the 3D portrait continues to raise our curiosity: its craft, its haptic properties, its physical and affecting presence. For millennia, portrait busts in 3D...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Kopenhagen]
Thorvaldsens Museum
[2020]
[Vedbaek] Strandberg Publishing A/S |
| Ausgabe: | 1st edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | In the early 19th century, Bertel Thorvaldsen (1770-1844) was Europe's foremost artist of marble portraits. This book uncovers how and why the 3D portrait continues to raise our curiosity: its craft, its haptic properties, its physical and affecting presence. For millennia, portrait busts in 3D have been used to represent and promote social relations and human empathy. Our social self depends on seeing each other face to face. Today, we consume faces as never before, especially on social media, where most of these (flat) faces are momentary and quickly forgotten. The 3D portrait is different as it provides a direct and enduring bodily experience. Without forcing us to a predefined response, faces in 3D invite us to come close and explore the person as well as the portrayal. With over 40 contributions by leading international scholars, artists and authors, this beautifully illustrated book offers new insights and poses new questions regarding the far-reaching contribution of faces in 3D today. In balancing in-depth studies and short essays, "Face to Face: Thorvaldsen and Portraiture" addresses everyone interested in how and why images of faces have such a lasting impact. Translation by Dorte H. Silver |
| Beschreibung: | Impressum: Book published to accompany the exhibition "Face to Face. Thorvaldsen and Portraiture", Thorvaldsens Museum, 8 March-18 October 2020 |
| Beschreibung: | 303 Seiten Illustrationen |
| ISBN: | 9788792596826 |
Internformat
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| 500 | |a Impressum: Book published to accompany the exhibition "Face to Face. Thorvaldsen and Portraiture", Thorvaldsens Museum, 8 March-18 October 2020 | ||
| 520 | 3 | |a In the early 19th century, Bertel Thorvaldsen (1770-1844) was Europe's foremost artist of marble portraits. This book uncovers how and why the 3D portrait continues to raise our curiosity: its craft, its haptic properties, its physical and affecting presence. For millennia, portrait busts in 3D have been used to represent and promote social relations and human empathy. Our social self depends on seeing each other face to face. Today, we consume faces as never before, especially on social media, where most of these (flat) faces are momentary and quickly forgotten. The 3D portrait is different as it provides a direct and enduring bodily experience. Without forcing us to a predefined response, faces in 3D invite us to come close and explore the person as well as the portrayal. With over 40 contributions by leading international scholars, artists and authors, this beautifully illustrated book offers new insights and poses new questions regarding the far-reaching contribution of faces in 3D today. In balancing in-depth studies and short essays, "Face to Face: Thorvaldsen and Portraiture" addresses everyone interested in how and why images of faces have such a lasting impact. Translation by Dorte H. Silver | |
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Datensatz im Suchindex
| _version_ | 1804181318111592448 |
|---|---|
| adam_text | CONTENT
8
DIRECTOR S
FOREWORD
9
0
ON
THORVALDSEN S
WOMEN
ANNETTE
JOHANSEN
SCULPTOR
COLLEAGUES
KAREN BENEDICTE BUSK-JEPSEN
3
6
1
INTRODUCTION
94
3
SEEING
ONESELF,
R
THORVALDSEN
AND
THREE-
SEEING
THE
OTHER
- FROM
38
(SELF)PORTRAIT
TO
SELFIE
DIMENSIONAL
PORTRAITURE
JANE
FEJFER
AND
KRISTINE
BEGGILD
JOHANNSEN
9
6
THE
SELFIE
WITH
MALCOLM BAKER,
LINE
PORTRAITS
IN THE
DIGITAL
ESBJERN, LEJLA
MRGAN, ULRICH
PRESENT
AND FUTURE
PJISTERER,
ROLF
MICHAEL
SCHNEIDER
ELAINE
YUAN
AND
PETER
FIBIGER
BANG
AND
AMALIE
SKOVMELLER
(
FACESIN3D
9
8
IDENTITY
AND
PORTRAITURE
4
8
THE PROBLEM
OF
THE
THORVALDSEN AND
ANCIENT
INDIVIDUAL AROUND
1800
ROMANS IN DIALOGUE
JES FABRICIUS MELLER
JANE
FEJFER
AND
ROLF
MICHAEL
SCHNEIDER
(
THORVALDSEN,
THE
PORTRAIT
100
ON
BEAUTY
58
ANNA
SCHRAM
VEJLBY
BUST
AND
EUROPE
MALCOLM BAKER
102
MY
BELOVED
THORWALDSEN
-
OR
THE BUSTS
OF
CROWN
2
PRINCE LUDWIG
66
CREATING
THE
PORTRAIT
ASTRID
FENDT
10
4
MYTHICIZING
THORVALDSEN,
68
WORKSHOP
CULT
AND
DEPICTING
A
SUPERSTAR
WORKSHOP
KNOWLEDGE
SOME
THOUGHTS
ON
HIS
PRODUCTION
AND PORTRAITS SELF-PORTRAIT
STATUE
IN THORVALDSEN S
STUDIO
TABEA SCHINDLER
ULRICH PJISTERER
106
ALTER
EGO
7
8
THE
WORKSHOP
AS
LABORATORY
DIOMEDES,
WLODZIMIERZ
MG
SULLIVAN
POTOCKI
AND THE
PORTRAIT
HISTORII
IN ANTIQUITY
AND
80
HOW
LONG
DOES
AN
ARTIST
NEED
THE
NEOCLASSICAL PERIOD
FOR
A
PORTRAIT
IN
MARBLE?
ASTRID
FENDT
MICHAEL
PLANNER
108
CONVENTIONS
IN
PORTRAITURE
82
SIZE
MATTERS
THE CHOICE
BETWEEN CLASSICAL
CHRISTIAN
GLIWITZKY
AND CONTEMPORARY
COSTUME
ASTRID
FENDT
84
THE
ART
OF
MAKING
IDEAL
PORTRAITURE
110
IN
THE
COLONIAL
CONTACT
ZONE
THE VITTORIA CALDONI
CASE
THORVALDSEN S
PORTRAIT
BUST
OF
ASTRID
FENDT
GHAZI-UD-DIN
HAIDAR
SHAH
MATHIAS
DANBOLT
AND
86
IDEALIZED
AND
EQUALIZED
HUMANITY
AMALIE
SKOVMELLER
ON
THORVALDSEN S
BUST
OF
THOMAS
MAITLAND
112
THE
THORVALDSEN
NAPOLEON
KIRAKOFOED
JOHANNES MYSSOK
88
OPEN
BORDERS
IN
114
CONSUMING
FACES
THORVALDSEN S
WORKSHOP
LOOKING
AT THE
OTHER/SELF
LAILA
SKJETHAUG
SOJIE HEIBERG PLOVDRUP
180
CONSIDERING
REPLICATION
118
4
SENSING
THE
PORTRAIT
SOCIAL FUNCTIONS AND
SCULPTURAL
PRACTICES
MALCOLM BAKER
120
R
WHITE
MARBLE
INDUSTRY,
IDENTITY
AND
182
THE
LHINGNESS
OF
THE
HERM
REPRESEN
TATION
THE CHIMNEY-TOP
HERM
AMALIE
SKOVMELLER
OF
HENRY
PHILIP
HOPE
TOMAS MACSOTAY
128
BEFORE
A BUST
J
E
ANETTE
KOHL
18
4
CONTEMPORARY
DEVELOPMENTS
AND
ARTISTIC
COLLABORATION
13
0
FORGETTING
BERTELTHORVALDSEN
AT
THORVALDSENS
MUSEUM
TO RECALL
MARIANNA
FLORENZI
ANNE
GREGERSEN
TIM
FLOHR
SERENSEN
13
2
FACIAL
EXPRESSIONS
AND
188
7
EXPLORING
THE
PORTRAIT
FIRST
IMPRESSIONS
FIVE ARTISTS AT
MICHA
E
L YONAN
THORVALDSENS
MUSEUM
134
FROM
MARBLE
TO HUMAN
BEING
LIN
E
BRTEDD
E
R
AND
LINE
ESBJERN
19
0
ANCESTORS
FOREVER CONNECTED
IN
....
13
8
,
ENCOUNTERS
WITH
PORTRAIT
BUSTS
TIME
AND
SPACE
S
ARA
MARIE
RASMUSSEN
JEANNETTE
EHLERS
AND
NIKOLAJ
RECKE
AND
LINE
ESBJERN
200
A
REALM
OF
POSSIBILITY
THE PORTRAITS
OFTRINE
14
6
5
RESPONDING
TO
PORTRAITS
SEMDERGAARD
GITTE
BROENG
14
8
THE
ANCIENT
IDEAL
AS
A
206
COLD,
HARD
AND
MONOCHROME
PROTECTION
AGAINST
AFFECT
LISE
HARLEV
CAROLINE AND
WILHELM
VON
HUMBOLDT S
RECEPTION
OF
210
PORTRAITS
IN
WORDS
THEIR PORTRAIT
BUSTS
MERETE
PRYDS
HELLE
LEJLAMRGAN
15
6 ANTIQUITY
ACTUALIZED
216
8
OBLIVION
AND
REBIRTH
CAROLINE AND
WILHELM
THE FUTURE
OF
THE PORTRAIT
VON
HUMBOLDT
LEJLAMRGAN
R
BEHEADED
218
15
8
THE PORTRAIT
AS
PROXY
WHITNEY
DAVIS
AMALIE
SKOVMELLER
L
NELSON
MANDELA
BEHIND
BARS
AND
LEJLA
MRGAN
224
GRANT
PARKER
160
A
TOKEN
OF
FRIENDSHIP
AND
ESTEEM
23
2
THE
FUTURE
OF
THE
3D
PORTRAIT
KAR
E
N
BENEDICTE BUSK-JEPSEN
ALGORITHMS
MADE
TANGIBLE
METTE-MARIE
ZACHER SERENSEN
16
4
6
CURATING
THE
PORTRAIT
234
NEW
PATHS
TO PORTRAITS
LINE
ESBJERN
166
R
MISE-EN-SCENE
DISPLAYING
AND
CURATING
THE
BUST
MALCOLM
BAKER
241
CATALOGUE
174
( -
WHY
ARE
THERE PORTRAIT
BUSTS
29
1 ABOUT
THE
AUTHORS
AT THORVALDSENS
MUSEUM?
293
BIBLIOGRAPHY
ERNS!
JONAS BENCARD
299
ACKNOWLEDGEMENTS
3
01
PHOTO
CREDITS
|
| adam_txt |
CONTENT
8
DIRECTOR'S
FOREWORD
9
0
ON
THORVALDSEN'S
WOMEN
ANNETTE
JOHANSEN
SCULPTOR
COLLEAGUES
KAREN BENEDICTE BUSK-JEPSEN
3
6
1
INTRODUCTION
94
3
SEEING
ONESELF,
R
THORVALDSEN
AND
THREE-
SEEING
THE
OTHER
- FROM
38
(SELF)PORTRAIT
TO
SELFIE
DIMENSIONAL
PORTRAITURE
JANE
FEJFER
AND
KRISTINE
BEGGILD
JOHANNSEN
9
6
THE
SELFIE
WITH
MALCOLM BAKER,
LINE
PORTRAITS
IN THE
DIGITAL
ESBJERN, LEJLA
MRGAN, ULRICH
PRESENT
AND FUTURE
PJISTERER,
ROLF
MICHAEL
SCHNEIDER
ELAINE
YUAN
AND
PETER
FIBIGER
BANG
AND
AMALIE
SKOVMELLER
(
FACESIN3D
9
8
IDENTITY
AND
PORTRAITURE
4
8
THE PROBLEM
OF
THE
THORVALDSEN AND
ANCIENT
INDIVIDUAL AROUND
1800
ROMANS IN DIALOGUE
JES FABRICIUS MELLER
JANE
FEJFER
AND
ROLF
MICHAEL
SCHNEIDER
(
THORVALDSEN,
THE
PORTRAIT
100
ON
BEAUTY
58
ANNA
SCHRAM
VEJLBY
BUST
AND
EUROPE
MALCOLM BAKER
102
'MY
BELOVED
THORWALDSEN'
-
OR
THE BUSTS
OF
CROWN
2
PRINCE LUDWIG
66
CREATING
THE
PORTRAIT
ASTRID
FENDT
10
4
MYTHICIZING
THORVALDSEN,
68
WORKSHOP
CULT
AND
DEPICTING
A
SUPERSTAR
WORKSHOP
KNOWLEDGE
SOME
THOUGHTS
ON
HIS
PRODUCTION
AND PORTRAITS SELF-PORTRAIT
STATUE
IN THORVALDSEN'S
STUDIO
TABEA SCHINDLER
ULRICH PJISTERER
106
ALTER
EGO
7
8
THE
WORKSHOP
AS
LABORATORY
DIOMEDES,
WLODZIMIERZ
MG
SULLIVAN
POTOCKI
AND THE
PORTRAIT
HISTORII
IN ANTIQUITY
AND
80
HOW
LONG
DOES
AN
ARTIST
NEED
THE
NEOCLASSICAL PERIOD
FOR
A
PORTRAIT
IN
MARBLE?
ASTRID
FENDT
MICHAEL
PLANNER
108
CONVENTIONS
IN
PORTRAITURE
82
SIZE
MATTERS
THE CHOICE
BETWEEN CLASSICAL
CHRISTIAN
GLIWITZKY
AND CONTEMPORARY
COSTUME
ASTRID
FENDT
84
THE
ART
OF
MAKING
IDEAL
PORTRAITURE
110
IN
THE
COLONIAL
CONTACT
ZONE
THE VITTORIA CALDONI
CASE
THORVALDSEN'S
PORTRAIT
BUST
OF
ASTRID
FENDT
GHAZI-UD-DIN
HAIDAR
SHAH
MATHIAS
DANBOLT
AND
86
IDEALIZED
AND
EQUALIZED
HUMANITY
AMALIE
SKOVMELLER
ON
THORVALDSEN'S
BUST
OF
THOMAS
MAITLAND
112
THE
THORVALDSEN
NAPOLEON
KIRAKOFOED
JOHANNES MYSSOK
88
OPEN
BORDERS
IN
114
CONSUMING
FACES
THORVALDSEN'S
WORKSHOP
LOOKING
AT THE
OTHER/SELF
LAILA
SKJETHAUG
SOJIE HEIBERG PLOVDRUP
180
CONSIDERING
REPLICATION
118
4
SENSING
THE
PORTRAIT
SOCIAL FUNCTIONS AND
SCULPTURAL
PRACTICES
MALCOLM BAKER
120
R
WHITE
MARBLE
INDUSTRY,
IDENTITY
AND
182
THE
LHINGNESS
OF
THE
HERM
REPRESEN
TATION
THE CHIMNEY-TOP
HERM
AMALIE
SKOVMELLER
OF
HENRY
PHILIP
HOPE
TOMAS MACSOTAY
128
BEFORE
A BUST
J
E
ANETTE
KOHL
18
4
CONTEMPORARY
DEVELOPMENTS
AND
ARTISTIC
COLLABORATION
13
0
FORGETTING
BERTELTHORVALDSEN
AT
THORVALDSENS
MUSEUM
TO RECALL
MARIANNA
FLORENZI
ANNE
GREGERSEN
TIM
FLOHR
SERENSEN
13
2
FACIAL
EXPRESSIONS
AND
188
7
EXPLORING
THE
PORTRAIT
FIRST
IMPRESSIONS
FIVE ARTISTS AT
MICHA
E
L YONAN
THORVALDSENS
MUSEUM
134
FROM
MARBLE
TO HUMAN
BEING
LIN
E
BRTEDD
E
R
AND
LINE
ESBJERN
19
0
ANCESTORS
FOREVER CONNECTED
IN
.
13
8
,
ENCOUNTERS
WITH
PORTRAIT
BUSTS
TIME
AND
SPACE
S
ARA
MARIE
RASMUSSEN
JEANNETTE
EHLERS
AND
NIKOLAJ
RECKE
AND
LINE
ESBJERN
200
A
REALM
OF
POSSIBILITY
THE PORTRAITS
OFTRINE
14
6
5
RESPONDING
TO
PORTRAITS
SEMDERGAARD
GITTE
BROENG
14
8
THE
ANCIENT
IDEAL
AS
A
206
COLD,
HARD
AND
MONOCHROME
PROTECTION
AGAINST
AFFECT
LISE
HARLEV
CAROLINE AND
WILHELM
VON
HUMBOLDT'S
RECEPTION
OF
210
PORTRAITS
IN
WORDS
THEIR PORTRAIT
BUSTS
MERETE
PRYDS
HELLE
LEJLAMRGAN
15
6 ANTIQUITY
ACTUALIZED
216
8
OBLIVION
AND
REBIRTH
CAROLINE AND
WILHELM
THE FUTURE
OF
THE PORTRAIT
VON
HUMBOLDT
LEJLAMRGAN
R
BEHEADED
218
15
8
THE PORTRAIT
AS
PROXY
WHITNEY
DAVIS
AMALIE
SKOVMELLER
L
NELSON
MANDELA
BEHIND
BARS
AND
LEJLA
MRGAN
224
GRANT
PARKER
160
A
TOKEN
OF
FRIENDSHIP
AND
ESTEEM
23
2
THE
FUTURE
OF
THE
3D
PORTRAIT
KAR
E
N
BENEDICTE BUSK-JEPSEN
ALGORITHMS
MADE
TANGIBLE
METTE-MARIE
ZACHER SERENSEN
16
4
6
CURATING
THE
PORTRAIT
234
NEW
PATHS
TO PORTRAITS
LINE
ESBJERN
166
R
MISE-EN-SCENE
DISPLAYING
AND
CURATING
THE
BUST
MALCOLM
BAKER
241
CATALOGUE
174
('-
WHY
ARE
THERE PORTRAIT
BUSTS
29
1 ABOUT
THE
AUTHORS
AT THORVALDSENS
MUSEUM?
293
BIBLIOGRAPHY
ERNS!
JONAS BENCARD
299
ACKNOWLEDGEMENTS
3
01
PHOTO
CREDITS |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Thorvaldsen, Bertel 1770-1844 Fejfer, Jane Johannsen, Kristine Bøggild Brædder, Line |
| author2_role | scl edt edt ctb |
| author2_variant | b t bt j f jf k b j kb kbj l b lb |
| author_GND | (DE-588)118622323 (DE-588)132782863 (DE-588)1178018083 |
| author_facet | Thorvaldsen, Bertel 1770-1844 Fejfer, Jane Johannsen, Kristine Bøggild Brædder, Line |
| building | Verbundindex |
| bvnumber | BV046631305 |
| ctrlnum | (OCoLC)1164605837 (DE-599)BVBBV046631305 |
| edition | 1st edition |
| format | Book |
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Thorvaldsen and Portraiture", Thorvaldsens Museum, 8 March-18 October 2020</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In the early 19th century, Bertel Thorvaldsen (1770-1844) was Europe's foremost artist of marble portraits. This book uncovers how and why the 3D portrait continues to raise our curiosity: its craft, its haptic properties, its physical and affecting presence. For millennia, portrait busts in 3D have been used to represent and promote social relations and human empathy. Our social self depends on seeing each other face to face. Today, we consume faces as never before, especially on social media, where most of these (flat) faces are momentary and quickly forgotten. The 3D portrait is different as it provides a direct and enduring bodily experience. Without forcing us to a predefined response, faces in 3D invite us to come close and explore the person as well as the portrayal. 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| genre | (DE-588)4135467-9 Ausstellungskatalog Thorvaldsens Museum 08.03.2020-18.10.2020 Kopenhagen gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Ausstellungskatalog Thorvaldsens Museum 08.03.2020-18.10.2020 Kopenhagen Aufsatzsammlung |
| id | DE-604.BV046631305 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:11:13Z |
| indexdate | 2024-07-10T08:49:45Z |
| institution | BVB |
| institution_GND | (DE-588)1018817-4 |
| isbn | 9788792596826 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032042841 |
| oclc_num | 1164605837 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-255 DE-Y3 DE-Y2 DE-M341 DE-20 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-255 DE-Y3 DE-Y2 DE-M341 DE-20 |
| physical | 303 Seiten Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Thorvaldsens Museum Strandberg Publishing A/S |
| record_format | marc |
| spelling | Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 scl Face to Face Thorvaldsen and portraiture Jane Fejfer and Kristine Bøggild Johannsen (eds.) ; photo editor: Line Brædder 1st edition [Kopenhagen] Thorvaldsens Museum [2020] [Vedbaek] Strandberg Publishing A/S 303 Seiten Illustrationen sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: Book published to accompany the exhibition "Face to Face. Thorvaldsen and Portraiture", Thorvaldsens Museum, 8 March-18 October 2020 In the early 19th century, Bertel Thorvaldsen (1770-1844) was Europe's foremost artist of marble portraits. This book uncovers how and why the 3D portrait continues to raise our curiosity: its craft, its haptic properties, its physical and affecting presence. For millennia, portrait busts in 3D have been used to represent and promote social relations and human empathy. Our social self depends on seeing each other face to face. Today, we consume faces as never before, especially on social media, where most of these (flat) faces are momentary and quickly forgotten. The 3D portrait is different as it provides a direct and enduring bodily experience. Without forcing us to a predefined response, faces in 3D invite us to come close and explore the person as well as the portrayal. With over 40 contributions by leading international scholars, artists and authors, this beautifully illustrated book offers new insights and poses new questions regarding the far-reaching contribution of faces in 3D today. In balancing in-depth studies and short essays, "Face to Face: Thorvaldsen and Portraiture" addresses everyone interested in how and why images of faces have such a lasting impact. Translation by Dorte H. Silver Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Büste (DE-588)4008836-4 gnd rswk-swf Marmorplastik (DE-588)4125822-8 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Thorvaldsens Museum 08.03.2020-18.10.2020 Kopenhagen gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 p Marmorplastik (DE-588)4125822-8 s Bildnis (DE-588)4006627-7 s DE-604 Büste (DE-588)4008836-4 s Fejfer, Jane (DE-588)132782863 edt Johannsen, Kristine Bøggild (DE-588)1178018083 edt Brædder, Line ctb Thorvaldsens Museum (Kopenhagen) (DE-588)1018817-4 his isb V:DE-576;B:DE-16 application/pdf https://swbplus.bsz-bw.de/bsz1699792526inh.htm 20200701154710 Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032042841&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Face to Face Thorvaldsen and portraiture Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 gnd Bildnis (DE-588)4006627-7 gnd Büste (DE-588)4008836-4 gnd Marmorplastik (DE-588)4125822-8 gnd |
| subject_GND | (DE-588)118622323 (DE-588)4006627-7 (DE-588)4008836-4 (DE-588)4125822-8 (DE-588)4135467-9 (DE-588)4143413-4 |
| title | Face to Face Thorvaldsen and portraiture |
| title_auth | Face to Face Thorvaldsen and portraiture |
| title_exact_search | Face to Face Thorvaldsen and portraiture |
| title_exact_search_txtP | Face to Face Thorvaldsen and portraiture |
| title_full | Face to Face Thorvaldsen and portraiture Jane Fejfer and Kristine Bøggild Johannsen (eds.) ; photo editor: Line Brædder |
| title_fullStr | Face to Face Thorvaldsen and portraiture Jane Fejfer and Kristine Bøggild Johannsen (eds.) ; photo editor: Line Brædder |
| title_full_unstemmed | Face to Face Thorvaldsen and portraiture Jane Fejfer and Kristine Bøggild Johannsen (eds.) ; photo editor: Line Brædder |
| title_short | Face to Face |
| title_sort | face to face thorvaldsen and portraiture |
| title_sub | Thorvaldsen and portraiture |
| topic | Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 gnd Bildnis (DE-588)4006627-7 gnd Büste (DE-588)4008836-4 gnd Marmorplastik (DE-588)4125822-8 gnd |
| topic_facet | Thorvaldsen, Bertel 1770-1844 Bildnis Büste Marmorplastik Ausstellungskatalog Thorvaldsens Museum 08.03.2020-18.10.2020 Kopenhagen Aufsatzsammlung |
| url | https://swbplus.bsz-bw.de/bsz1699792526inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032042841&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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