British Enlightenment theatre: dramatizing difference
Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for r...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore
Cambridge University Press
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, Freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism"-- |
| Beschreibung: | Literaturverzeichnis: Seite 253-274 |
| Beschreibung: | x, 285 Seiten 6 Illustrationen |
| ISBN: | 9781108499712 |
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Datensatz im Suchindex
| _version_ | 1804181310166532096 |
|---|---|
| adam_text | IN
THIS GROUND-BREAKING WORK, BRIDGET ORR SHOWS
THAT
POPULAR EIGHTEENTH-
CENTURY
THEATRE
WAS
ABOUT
MUCH MORE THAN FASHION, MANNERS AND PARTY
POLITICS.
USING
THE
THEATRE
AS A MEANS OF
CIRCULATING
AND PUBLICIZING RADICAL
ENLIGHTENMENT IDEAS, MANY PLAYS MADE PASSIONATE ARGUMENTS FOR RELIGIOUS
AND CULTURAL TOLERATION, AND VOICED
PROTESTS
AGAINST IMPERIAL INVASION
AND FORCED CONVERSION OF INDIGENOUS PEOPLES BY COLONIAL EUROPEANS.
IRISH
AND LABOURING-CLASS DRAMATISTS WROTE PLAYS, OFTEN SET IN THE
COUNTRYSIDE,
ATTACKING
SOCIAL
AND
POLITICAL
HIERARCHY IN
BRITAIN
ITSELF. ANOTHER
CRUCIAL
BUT AS YET UNEXPLORED ASPECT OF EARLY EIGHTEENTH-CENTURY
THEATRE
IS
ITS
CONNECTION TO FREEMASONRY. FREEMASONS WERE PERVASIVE AS ACTORS,
MANAGERS, PROMPTERS, SCENE-PAINTERS, DANCERS AND MUSICIANS,
WITH
THEIR
OWN
LODGES, BENEFIT PERFORMANCES AND PARTICULAR AUDIENCES. IN ADDITION
TO PROMOTING THE ENLIGHTENED AGENDA OF TOLERATION AND COSMOPOLITANISM,
FREEMASON DRAMATISTS INVENTED THE NEW GENRE OF DOMESTIC TRAGEDY, A GENRE
THAT
CRITICIZED
THE EFFECTS OF
COMMERCIAL
AND COLONIAL CAPITALISM.
BRIDGET
ORR
IS AN ASSOCIATE PROFESSOR IN THE DEPARTMENT OF
ENGLISH
AT
VANDERBILT
UNIVERSITY.
SHE IS THE AUTHOR
OF
EMPIRE
ON THE
ENGLISH
STAGE,
1660-1714
(CAMBRIDGE
UNIVERSITY
PRESS, 2001) AND CO-EDITOR OF VOYAGES AND
BEACHES:
CULTURAL
CONTACT IN THE
PACIFIC,
1769-1840
(1999).
SHE IS EDITOR OF A
SPECIAL
PACIFIC
ISSUE OF THE EIGHTEENTH CENTURY: THEORY AND INTERPRETATION
AND HAS PUBLISHED MANY ESSAYS ON RESTORATION AND EIGHTEENTH-CENTURY
DRAMA AND NEW ZEALAND, MAORI AND
PACIFIC
WRITING
AND
FILM.
AMONG OTHER
AWARDS SHE HAS WON
FELLOWSHIPS
FROM THE NATIONAL ENDOWMENT FOR THE
HUMANITIES
AND THE AMERICAN
COUNCIL
OF
LEARNED
SOCIETIES.
CONTENTS
LIST
OF
ILLUSTRATIONS
PAGE
VIII
ACKNOWLEDGEMENTS IX
INTRODUCTION:
DRAMATIZING ENLIGHTENMENT I
1
ADDISON, STEELE AND ENLIGHTENED SENTIMENT 26
2 FAIR CAPTIVES AND SPIRITUAL DRAGOONING: ISLAM AND TOLERATION
ON
STAGE
60
3
THE BLACK LEGEND, NOBLE SAVAGERY AND
INDIGENOUS VOICE 113
4 THE MASONIC INVENTION OF DOMESTIC TRAGEDY 154
5 LOCAL SAVAGERY: THE ENLIGHTENMENT COUNTRYSIDE ON
STAGE
188
AFTERWORD
248
BIBLIOGRAPHY 253
INDEX 17*)
VII
|
| adam_txt |
IN
THIS GROUND-BREAKING WORK, BRIDGET ORR SHOWS
THAT
POPULAR EIGHTEENTH-
CENTURY
THEATRE
WAS
ABOUT
MUCH MORE THAN FASHION, MANNERS AND PARTY
POLITICS.
USING
THE
THEATRE
AS A MEANS OF
CIRCULATING
AND PUBLICIZING RADICAL
ENLIGHTENMENT IDEAS, MANY PLAYS MADE PASSIONATE ARGUMENTS FOR RELIGIOUS
AND CULTURAL TOLERATION, AND VOICED
PROTESTS
AGAINST IMPERIAL INVASION
AND FORCED CONVERSION OF INDIGENOUS PEOPLES BY COLONIAL EUROPEANS.
IRISH
AND LABOURING-CLASS DRAMATISTS WROTE PLAYS, OFTEN SET IN THE
COUNTRYSIDE,
ATTACKING
SOCIAL
AND
POLITICAL
HIERARCHY IN
BRITAIN
ITSELF. ANOTHER
CRUCIAL
BUT AS YET UNEXPLORED ASPECT OF EARLY EIGHTEENTH-CENTURY
THEATRE
IS
ITS
CONNECTION TO FREEMASONRY. FREEMASONS WERE PERVASIVE AS ACTORS,
MANAGERS, PROMPTERS, SCENE-PAINTERS, DANCERS AND MUSICIANS,
WITH
THEIR
OWN
LODGES, BENEFIT PERFORMANCES AND PARTICULAR AUDIENCES. IN ADDITION
TO PROMOTING THE ENLIGHTENED AGENDA OF TOLERATION AND COSMOPOLITANISM,
FREEMASON DRAMATISTS INVENTED THE NEW GENRE OF DOMESTIC TRAGEDY, A GENRE
THAT
CRITICIZED
THE EFFECTS OF
COMMERCIAL
AND COLONIAL CAPITALISM.
BRIDGET
ORR
IS AN ASSOCIATE PROFESSOR IN THE DEPARTMENT OF
ENGLISH
AT
VANDERBILT
UNIVERSITY.
SHE IS THE AUTHOR
OF
EMPIRE
ON THE
ENGLISH
STAGE,
1660-1714
(CAMBRIDGE
UNIVERSITY
PRESS, 2001) AND CO-EDITOR OF VOYAGES AND
BEACHES:
CULTURAL
CONTACT IN THE
PACIFIC,
1769-1840
(1999).
SHE IS EDITOR OF A
SPECIAL
PACIFIC
ISSUE OF THE EIGHTEENTH CENTURY: THEORY AND INTERPRETATION
AND HAS PUBLISHED MANY ESSAYS ON RESTORATION AND EIGHTEENTH-CENTURY
DRAMA AND NEW ZEALAND, MAORI AND
PACIFIC
WRITING
AND
FILM.
AMONG OTHER
AWARDS SHE HAS WON
FELLOWSHIPS
FROM THE NATIONAL ENDOWMENT FOR THE
HUMANITIES
AND THE AMERICAN
COUNCIL
OF
LEARNED
SOCIETIES.
CONTENTS
LIST
OF
ILLUSTRATIONS
PAGE
VIII
ACKNOWLEDGEMENTS IX
INTRODUCTION:
DRAMATIZING ENLIGHTENMENT I
1
ADDISON, STEELE AND ENLIGHTENED SENTIMENT 26
2 FAIR CAPTIVES AND SPIRITUAL DRAGOONING: ISLAM AND TOLERATION
ON
STAGE
60
3
THE BLACK LEGEND, NOBLE SAVAGERY AND
INDIGENOUS VOICE 113
4 THE MASONIC INVENTION OF DOMESTIC TRAGEDY 154
5 LOCAL SAVAGERY: THE ENLIGHTENMENT COUNTRYSIDE ON
STAGE
188
AFTERWORD
248
BIBLIOGRAPHY 253
INDEX 17*)
VII |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Orr, Bridget ca. 20./21. Jh |
| author_GND | (DE-588)1203551789 |
| author_facet | Orr, Bridget ca. 20./21. Jh |
| author_role | aut |
| author_sort | Orr, Bridget ca. 20./21. Jh |
| author_variant | b o bo |
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| callnumber-subject | PN - General Literature |
| classification_rvk | HK 1210 HK 1260 |
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| dewey-full | 822/.509355 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.509355 |
| dewey-search | 822/.509355 |
| dewey-sort | 3822 6509355 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1700-1750 gnd Geschichte 1700-1830 gnd |
| era_facet | Geschichte 1700-1750 Geschichte 1700-1830 |
| format | Book |
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| id | DE-604.BV046626892 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:09:36Z |
| indexdate | 2024-07-10T08:49:37Z |
| institution | BVB |
| isbn | 9781108499712 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032038510 |
| oclc_num | 1162611322 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-11 DE-384 DE-739 DE-12 |
| owner_facet | DE-355 DE-BY-UBR DE-11 DE-384 DE-739 DE-12 |
| physical | x, 285 Seiten 6 Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Orr, Bridget ca. 20./21. Jh. Verfasser (DE-588)1203551789 aut British Enlightenment theatre dramatizing difference Bridget Orr (Vanderbilt University, Tennessee) Cambridge, United Kingdom ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore Cambridge University Press 2020 x, 285 Seiten 6 Illustrationen txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis: Seite 253-274 Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, Freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism"-- Geschichte 1700-1750 gnd rswk-swf Geschichte 1700-1830 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Freimaurerei (DE-588)4018348-8 gnd rswk-swf Aufklärung (DE-588)4003524-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Theater / Great Britain / History / 18th century English drama / 18th century / History and criticism Enlightenment / Great Britain Great Britain / Intellectual life / 18th century Englisch (DE-588)4014777-0 s Theater (DE-588)4059702-7 s Drama (DE-588)4012899-4 s Aufklärung (DE-588)4003524-4 s Freimaurerei (DE-588)4018348-8 s Geschichte 1700-1750 z DE-604 Geschichte 1700-1830 z 1\p DE-604 Erscheint auch als Online-Ausgabe 978-1-108-58449-4 application https://www.cambridge.org/de/academic/subjects/arts-theatre-culture/british-theatre/british-enlightenment-theatre-dramatizing-difference?format=HB Inhaltstext V:DE-605;X:IDS application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2020/04/22/file_7/8851706.pdf Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032038510&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032038510&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Orr, Bridget ca. 20./21. Jh British Enlightenment theatre dramatizing difference Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Freimaurerei (DE-588)4018348-8 gnd Aufklärung (DE-588)4003524-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4014777-0 (DE-588)4018348-8 (DE-588)4003524-4 (DE-588)4059702-7 |
| title | British Enlightenment theatre dramatizing difference |
| title_auth | British Enlightenment theatre dramatizing difference |
| title_exact_search | British Enlightenment theatre dramatizing difference |
| title_exact_search_txtP | British Enlightenment theatre dramatizing difference |
| title_full | British Enlightenment theatre dramatizing difference Bridget Orr (Vanderbilt University, Tennessee) |
| title_fullStr | British Enlightenment theatre dramatizing difference Bridget Orr (Vanderbilt University, Tennessee) |
| title_full_unstemmed | British Enlightenment theatre dramatizing difference Bridget Orr (Vanderbilt University, Tennessee) |
| title_short | British Enlightenment theatre |
| title_sort | british enlightenment theatre dramatizing difference |
| title_sub | dramatizing difference |
| topic | Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Freimaurerei (DE-588)4018348-8 gnd Aufklärung (DE-588)4003524-4 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Drama Englisch Freimaurerei Aufklärung Theater |
| url | https://www.cambridge.org/de/academic/subjects/arts-theatre-culture/british-theatre/british-enlightenment-theatre-dramatizing-difference?format=HB http://digitale-objekte.hbz-nrw.de/storage2/2020/04/22/file_7/8851706.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032038510&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032038510&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT orrbridget britishenlightenmenttheatredramatizingdifference |