Contemporary musical expressions in Canada:
"Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange and interpretation, and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examin...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Montreal ; Kingston ; London ; Chicago
McGill-Queen's University Press
[2019]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange and interpretation, and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes."-- |
| Physical Description: | xx, 536 Seiten Illustrationen, Karten, Notenbeispiele |
| ISBN: | 9780773558809 9780773558793 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046422683 | ||
| 003 | DE-604 | ||
| 005 | 20200421 | ||
| 007 | t | ||
| 008 | 200213s2019 agl| b||| 00||| eng d | ||
| 020 | |a 9780773558809 |c pbk. |9 978-0-7735-5880-9 | ||
| 020 | |a 9780773558793 |c hbk. |9 978-0-7735-5879-3 | ||
| 035 | |a (OCoLC)1148068840 | ||
| 035 | |a (DE-599)BVBBV046422683 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 781.620097109/051 |2 23 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Contemporary musical expressions in Canada |c edited by Anna Hoefnagels, Judith Klassen, and Sherry Johnson |
| 264 | 1 | |a Montreal ; Kingston ; London ; Chicago |b McGill-Queen's University Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a xx, 536 Seiten |b Illustrationen, Karten, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | 0 | |t Foreword |r Gordon E. Smith |t Introduction : Judith Klassen, Anna Hoefnagels, and Sherry Johnson -- |t The study of music in Canada : ethnomusicological sources and institutional priorities |r Anna Hoefnagels, Judith Klassen, and Sherry Johnson |t Part one : Transforming musical traditions |t Introduction |r Anna Hoefnagels |t Le bon vieux temps : the veillée in twentieth-century Quebec |r Laura Risk |t Kathak in Canada : classical and contemporary |r Margaret E. Walker |t Taking the piss out : presentational and participatory elements in the history of the Cape Breton milling frolic |r Heather Sparling |t Improvising on the margins : tradition and musical agency in les Îles-de-la-Madeleine |r Meghan C. Forsyth |t The continuities and legacies of English song traditions in Nova Scotia |r Chris McDonald |t Part two : Rethinking genres and artistic practices |t Introduction |r Sherry Johnson |t Metis (style) fiddling : from historical roots to contemporary practice |r Monique Giroux |t War drums in Chinatown : Chinese Canadian lion dance percussion as martial art |r Colin P. McGuire |t "Holy jeez, I can hear everything" : liveness in Cape Breton fiddle recordings |r Ian Hayes |t Fantastic voyage : the diasporic roots and routes of early Toronto hip hop |r Jesse Stewart and Niel Scobie |t Identity, aesthetics, and place in Medicine Dream's "In this world" |r Janie Esther Tulk |t Part three : Heterogeneity, diversity, and the possibility of alternatives |t Introduction |r Judith Klassen |t A view from Toronto : local perspectives on music making, ethnocultural difference, and the cultural life of a city |r Louise Wrazen |
| 505 | 8 | 0 | |t Re-imagining the nation : the CBC as a mediator of ethnocultural encounter in St John's, Newfoundland and Labrador |r Rebecca Draisey-Collishaw |t Music, mimesis, and modulation among Mennonites in rural Manitoba |r Judith Klassen |t Ukrainian Catholic congregational singing in Canada : sounds in service and celebration |r Marcia Ostashewiski |t (Re)Presenting indigenous activism in the nation's capital : signifying resistance across time and place through music in Alanis Obomsawin's Trick or treaty? (2014) |r Anna Hoefnagels |
| 520 | 3 | |a "Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange and interpretation, and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes."-- | |
| 648 | 7 | |a Geschichte 1900- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikethnologie |0 (DE-588)4127833-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Soziale Identität |0 (DE-588)4077567-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tanz |0 (DE-588)4059028-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Multikulturelle Gesellschaft |0 (DE-588)4214151-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Kanada |0 (DE-588)4029456-0 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Folk music / Canada / History and criticism | |
| 653 | 0 | |a Music / Canada / 21st century / History and criticism | |
| 653 | 0 | |a Dance / Canada | |
| 653 | 0 | |a Multiculturalism / Canada | |
| 653 | 2 | |a Canada / Civilization / 1945- | |
| 653 | 0 | |a Civilization | |
| 653 | 0 | |a Dance | |
| 653 | 0 | |a Folk music | |
| 653 | 0 | |a Multiculturalism | |
| 653 | 0 | |a Music | |
| 653 | 2 | |a Canada | |
| 653 | 4 | |a Since 1945 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Kanada |0 (DE-588)4029456-0 |D g |
| 689 | 0 | 1 | |a Musikleben |0 (DE-588)4075128-4 |D s |
| 689 | 0 | 2 | |a Tanz |0 (DE-588)4059028-8 |D s |
| 689 | 0 | 3 | |a Multikulturelle Gesellschaft |0 (DE-588)4214151-5 |D s |
| 689 | 0 | 4 | |a Musikethnologie |0 (DE-588)4127833-1 |D s |
| 689 | 0 | 5 | |a Soziale Identität |0 (DE-588)4077567-7 |D s |
| 689 | 0 | 6 | |a Geschichte 1900- |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Hoefnagels, Anna |0 (DE-588)1057027987 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePDF |z 978-0-228-00014-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePUB |z 978-0-228-00015-0 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835085&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200421 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031835085 | ||
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 71 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |g 71 |
| 942 | 1 | 1 | |c 305.8009 |e 22/bsb |f 0905 |g 71 |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 0905 |g 71 |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 0904 |g 71 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 71 |
| 942 | 1 | 1 | |c 305.8009 |e 22/bsb |f 0904 |g 71 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0905 |g 71 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |g 71 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |g 71 |
Record in the Search Index
| _version_ | 1804180969148645376 |
|---|---|
| adam_text | Contents Figures and Table Foreword xi xv Gordon E. Smith Acknowledgments Introduction xix з Judith Klassen, Anna Hoefnagels, and Sherry Johnson 1 The Study of Music in Canada: Ethnomusicological Sources and Institutional Priorities 13 Anna Hoefnagels, Judith Klassen, and Sherry Johnson Part One I Transforming Musical Traditions Introduction 39 Anna Hoefnagels 2 Le bon vieux temps: The Veillée in Twentieth-Century Quebec 43 Laura Risk 3 Kathak in Canada: Classical and Contemporary 87 Margaret E. Walker 4 Taking the Piss Out: Presentational and Participatory Elements in the History of the Cape Breton Milling Frolic 114 Heather Sparling
viii I Contents 5 Improvising on the Margins: Tradition and Musical Agency in les îlesde-la-Madeleine 145 Megbán C. Forsyth 6 The Continuities and Legacies of English Song Traditions in Nova Scotia 177 Chris McDonald Part Two J Rethinking Genres and Artistic Practices Introduction 205 Sherry Johnson 7 Metis (Style) Fiddling: From Historical Roots to Contemporary Practice 209 Monique Giroux 8 War Drums in Chinatown: Chinese Canadian Lion Dance Percussion as Martial Art 242 Colin P. McGuire 9 “Holy jeez, I can hear everything’·. Liveness in Cape Breton Fiddle Recordings 275 Ian Hayes 10 Fantastic Voyage: The Diasporic Roots and Routes of Early Toronto Hip Hop 305 Jesse Stewart and Niel Scobie 11 Identity, Aesthetics, and Place in Medicine Dream’s “In This World” 335 Janice Esther Tulk Part Three I Heterogeneity, Diversity, and the Possibility of Alternatives Introduction Judith Klassen 357
Contents ļ ix 12 A View from Toronto: Local Perspectives on Music Making, Ethnocultural Difference, and the Cultural Life of a City 361 Louise Wrazen 13 Re-imagining the Nation: The CBC as a Mediator of Ethnocultural Encounter in St John’s, Newfoundland and Labrador 386 Rebecca Draisey-Collishaw 14 Music, Mimesis, and Modulation among Mennonites in Rural Manitoba 417 Judith Klassen 15 Ukrainian Catholic Congregational Singing in Canada: Sounds in Service and Celebration 453 Marcia Ostashewski 16 (Re)Presenting Indigenous Activism in the Nation’s Capital: Signifying Resistance across Time and Place through Music in Alanis Obomsawin’s Trick or Treaty? (2014) 477 Anna Hoefnagels Accompanying Video and Audio Examples Contributors Index 517 511 503
|
| any_adam_object | 1 |
| author2 | Hoefnagels, Anna |
| author2_role | edt |
| author2_variant | a h ah |
| author_GND | (DE-588)1057027987 |
| author_additional | Gordon E. Smith Anna Hoefnagels, Judith Klassen, and Sherry Johnson Anna Hoefnagels Laura Risk Margaret E. Walker Heather Sparling Meghan C. Forsyth Chris McDonald Sherry Johnson Monique Giroux Colin P. McGuire Ian Hayes Jesse Stewart and Niel Scobie Janie Esther Tulk Judith Klassen Louise Wrazen Rebecca Draisey-Collishaw Marcia Ostashewiski |
| author_facet | Hoefnagels, Anna |
| building | Verbundindex |
| bvnumber | BV046422683 |
| contents | Foreword Introduction : Judith Klassen, Anna Hoefnagels, and Sherry Johnson -- The study of music in Canada : ethnomusicological sources and institutional priorities Part one : Transforming musical traditions Introduction Le bon vieux temps : the veillée in twentieth-century Quebec Kathak in Canada : classical and contemporary Taking the piss out : presentational and participatory elements in the history of the Cape Breton milling frolic Improvising on the margins : tradition and musical agency in les Îles-de-la-Madeleine The continuities and legacies of English song traditions in Nova Scotia Part two : Rethinking genres and artistic practices Metis (style) fiddling : from historical roots to contemporary practice War drums in Chinatown : Chinese Canadian lion dance percussion as martial art "Holy jeez, I can hear everything" : liveness in Cape Breton fiddle recordings Fantastic voyage : the diasporic roots and routes of early Toronto hip hop Identity, aesthetics, and place in Medicine Dream's "In this world" Part three : Heterogeneity, diversity, and the possibility of alternatives A view from Toronto : local perspectives on music making, ethnocultural difference, and the cultural life of a city Re-imagining the nation : the CBC as a mediator of ethnocultural encounter in St John's, Newfoundland and Labrador Music, mimesis, and modulation among Mennonites in rural Manitoba Ukrainian Catholic congregational singing in Canada : sounds in service and celebration (Re)Presenting indigenous activism in the nation's capital : signifying resistance across time and place through music in Alanis Obomsawin's Trick or treaty? (2014) |
| ctrlnum | (OCoLC)1148068840 (DE-599)BVBBV046422683 |
| dewey-full | 781.620097109/051 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.620097109/051 |
| dewey-search | 781.620097109/051 |
| dewey-sort | 3781.620097109 251 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900- gnd |
| era_facet | Geschichte 1900- |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06763nam a2200853 c 4500</leader><controlfield tag="001">BV046422683</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200421 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200213s2019 agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780773558809</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-0-7735-5880-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780773558793</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-7735-5879-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1148068840</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046422683</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.620097109/051</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Contemporary musical expressions in Canada</subfield><subfield code="c">edited by Anna Hoefnagels, Judith Klassen, and Sherry Johnson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Montreal ; Kingston ; London ; Chicago</subfield><subfield code="b">McGill-Queen's University Press</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xx, 536 Seiten</subfield><subfield code="b">Illustrationen, Karten, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Foreword</subfield><subfield code="r">Gordon E. Smith</subfield><subfield code="t">Introduction : Judith Klassen, Anna Hoefnagels, and Sherry Johnson --</subfield><subfield code="t">The study of music in Canada : ethnomusicological sources and institutional priorities</subfield><subfield code="r">Anna Hoefnagels, Judith Klassen, and Sherry Johnson</subfield><subfield code="t">Part one : Transforming musical traditions</subfield><subfield code="t">Introduction</subfield><subfield code="r">Anna Hoefnagels</subfield><subfield code="t">Le bon vieux temps : the veillée in twentieth-century Quebec</subfield><subfield code="r">Laura Risk</subfield><subfield code="t">Kathak in Canada : classical and contemporary</subfield><subfield code="r">Margaret E. Walker</subfield><subfield code="t">Taking the piss out : presentational and participatory elements in the history of the Cape Breton milling frolic</subfield><subfield code="r">Heather Sparling</subfield><subfield code="t">Improvising on the margins : tradition and musical agency in les Îles-de-la-Madeleine</subfield><subfield code="r">Meghan C. Forsyth</subfield><subfield code="t">The continuities and legacies of English song traditions in Nova Scotia</subfield><subfield code="r">Chris McDonald</subfield><subfield code="t">Part two : Rethinking genres and artistic practices</subfield><subfield code="t">Introduction</subfield><subfield code="r">Sherry Johnson</subfield><subfield code="t">Metis (style) fiddling : from historical roots to contemporary practice</subfield><subfield code="r">Monique Giroux</subfield><subfield code="t">War drums in Chinatown : Chinese Canadian lion dance percussion as martial art</subfield><subfield code="r">Colin P. McGuire</subfield><subfield code="t">"Holy jeez, I can hear everything" : liveness in Cape Breton fiddle recordings</subfield><subfield code="r">Ian Hayes</subfield><subfield code="t">Fantastic voyage : the diasporic roots and routes of early Toronto hip hop</subfield><subfield code="r">Jesse Stewart and Niel Scobie</subfield><subfield code="t">Identity, aesthetics, and place in Medicine Dream's "In this world"</subfield><subfield code="r">Janie Esther Tulk</subfield><subfield code="t">Part three : Heterogeneity, diversity, and the possibility of alternatives</subfield><subfield code="t">Introduction</subfield><subfield code="r">Judith Klassen</subfield><subfield code="t">A view from Toronto : local perspectives on music making, ethnocultural difference, and the cultural life of a city</subfield><subfield code="r">Louise Wrazen</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Re-imagining the nation : the CBC as a mediator of ethnocultural encounter in St John's, Newfoundland and Labrador</subfield><subfield code="r">Rebecca Draisey-Collishaw</subfield><subfield code="t">Music, mimesis, and modulation among Mennonites in rural Manitoba</subfield><subfield code="r">Judith Klassen</subfield><subfield code="t">Ukrainian Catholic congregational singing in Canada : sounds in service and celebration</subfield><subfield code="r">Marcia Ostashewiski</subfield><subfield code="t">(Re)Presenting indigenous activism in the nation's capital : signifying resistance across time and place through music in Alanis Obomsawin's Trick or treaty? (2014)</subfield><subfield code="r">Anna Hoefnagels</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange and interpretation, and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes."--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikethnologie</subfield><subfield code="0">(DE-588)4127833-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Soziale Identität</subfield><subfield code="0">(DE-588)4077567-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Multikulturelle Gesellschaft</subfield><subfield code="0">(DE-588)4214151-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Kanada</subfield><subfield code="0">(DE-588)4029456-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Folk music / Canada / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Canada / 21st century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dance / Canada</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Multiculturalism / Canada</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Canada / Civilization / 1945-</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Civilization</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dance</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Folk music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Multiculturalism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Canada</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">Since 1945</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kanada</subfield><subfield code="0">(DE-588)4029456-0</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Multikulturelle Gesellschaft</subfield><subfield code="0">(DE-588)4214151-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Musikethnologie</subfield><subfield code="0">(DE-588)4127833-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Soziale Identität</subfield><subfield code="0">(DE-588)4077567-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1900-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hoefnagels, Anna</subfield><subfield code="0">(DE-588)1057027987</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePDF</subfield><subfield code="z">978-0-228-00014-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePUB</subfield><subfield code="z">978-0-228-00015-0</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835085&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200421</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031835085</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.8009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.8009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">71</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Kanada (DE-588)4029456-0 gnd |
| geographic_facet | Kanada |
| id | DE-604.BV046422683 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:44:12Z |
| institution | BVB |
| isbn | 9780773558809 9780773558793 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031835085 |
| oclc_num | 1148068840 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xx, 536 Seiten Illustrationen, Karten, Notenbeispiele |
| psigel | BSB_NED_20200421 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | McGill-Queen's University Press |
| record_format | marc |
| spelling | Contemporary musical expressions in Canada edited by Anna Hoefnagels, Judith Klassen, and Sherry Johnson Montreal ; Kingston ; London ; Chicago McGill-Queen's University Press [2019] © 2019 xx, 536 Seiten Illustrationen, Karten, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Foreword Gordon E. Smith Introduction : Judith Klassen, Anna Hoefnagels, and Sherry Johnson -- The study of music in Canada : ethnomusicological sources and institutional priorities Anna Hoefnagels, Judith Klassen, and Sherry Johnson Part one : Transforming musical traditions Introduction Anna Hoefnagels Le bon vieux temps : the veillée in twentieth-century Quebec Laura Risk Kathak in Canada : classical and contemporary Margaret E. Walker Taking the piss out : presentational and participatory elements in the history of the Cape Breton milling frolic Heather Sparling Improvising on the margins : tradition and musical agency in les Îles-de-la-Madeleine Meghan C. Forsyth The continuities and legacies of English song traditions in Nova Scotia Chris McDonald Part two : Rethinking genres and artistic practices Introduction Sherry Johnson Metis (style) fiddling : from historical roots to contemporary practice Monique Giroux War drums in Chinatown : Chinese Canadian lion dance percussion as martial art Colin P. McGuire "Holy jeez, I can hear everything" : liveness in Cape Breton fiddle recordings Ian Hayes Fantastic voyage : the diasporic roots and routes of early Toronto hip hop Jesse Stewart and Niel Scobie Identity, aesthetics, and place in Medicine Dream's "In this world" Janie Esther Tulk Part three : Heterogeneity, diversity, and the possibility of alternatives Introduction Judith Klassen A view from Toronto : local perspectives on music making, ethnocultural difference, and the cultural life of a city Louise Wrazen Re-imagining the nation : the CBC as a mediator of ethnocultural encounter in St John's, Newfoundland and Labrador Rebecca Draisey-Collishaw Music, mimesis, and modulation among Mennonites in rural Manitoba Judith Klassen Ukrainian Catholic congregational singing in Canada : sounds in service and celebration Marcia Ostashewiski (Re)Presenting indigenous activism in the nation's capital : signifying resistance across time and place through music in Alanis Obomsawin's Trick or treaty? (2014) Anna Hoefnagels "Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange and interpretation, and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes."-- Geschichte 1900- gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Soziale Identität (DE-588)4077567-7 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Multikulturelle Gesellschaft (DE-588)4214151-5 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf Folk music / Canada / History and criticism Music / Canada / 21st century / History and criticism Dance / Canada Multiculturalism / Canada Canada / Civilization / 1945- Civilization Dance Folk music Multiculturalism Music Canada Since 1945 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Kanada (DE-588)4029456-0 g Musikleben (DE-588)4075128-4 s Tanz (DE-588)4059028-8 s Multikulturelle Gesellschaft (DE-588)4214151-5 s Musikethnologie (DE-588)4127833-1 s Soziale Identität (DE-588)4077567-7 s Geschichte 1900- z DE-604 Hoefnagels, Anna (DE-588)1057027987 edt Erscheint auch als Online-Ausgabe, ePDF 978-0-228-00014-3 Erscheint auch als Online-Ausgabe, ePUB 978-0-228-00015-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835085&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Contemporary musical expressions in Canada Foreword Introduction : Judith Klassen, Anna Hoefnagels, and Sherry Johnson -- The study of music in Canada : ethnomusicological sources and institutional priorities Part one : Transforming musical traditions Introduction Le bon vieux temps : the veillée in twentieth-century Quebec Kathak in Canada : classical and contemporary Taking the piss out : presentational and participatory elements in the history of the Cape Breton milling frolic Improvising on the margins : tradition and musical agency in les Îles-de-la-Madeleine The continuities and legacies of English song traditions in Nova Scotia Part two : Rethinking genres and artistic practices Metis (style) fiddling : from historical roots to contemporary practice War drums in Chinatown : Chinese Canadian lion dance percussion as martial art "Holy jeez, I can hear everything" : liveness in Cape Breton fiddle recordings Fantastic voyage : the diasporic roots and routes of early Toronto hip hop Identity, aesthetics, and place in Medicine Dream's "In this world" Part three : Heterogeneity, diversity, and the possibility of alternatives A view from Toronto : local perspectives on music making, ethnocultural difference, and the cultural life of a city Re-imagining the nation : the CBC as a mediator of ethnocultural encounter in St John's, Newfoundland and Labrador Music, mimesis, and modulation among Mennonites in rural Manitoba Ukrainian Catholic congregational singing in Canada : sounds in service and celebration (Re)Presenting indigenous activism in the nation's capital : signifying resistance across time and place through music in Alanis Obomsawin's Trick or treaty? (2014) Musikleben (DE-588)4075128-4 gnd Musikethnologie (DE-588)4127833-1 gnd Soziale Identität (DE-588)4077567-7 gnd Tanz (DE-588)4059028-8 gnd Multikulturelle Gesellschaft (DE-588)4214151-5 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4127833-1 (DE-588)4077567-7 (DE-588)4059028-8 (DE-588)4214151-5 (DE-588)4029456-0 (DE-588)4143413-4 |
| title | Contemporary musical expressions in Canada |
| title_alt | Foreword Introduction : Judith Klassen, Anna Hoefnagels, and Sherry Johnson -- The study of music in Canada : ethnomusicological sources and institutional priorities Part one : Transforming musical traditions Introduction Le bon vieux temps : the veillée in twentieth-century Quebec Kathak in Canada : classical and contemporary Taking the piss out : presentational and participatory elements in the history of the Cape Breton milling frolic Improvising on the margins : tradition and musical agency in les Îles-de-la-Madeleine The continuities and legacies of English song traditions in Nova Scotia Part two : Rethinking genres and artistic practices Metis (style) fiddling : from historical roots to contemporary practice War drums in Chinatown : Chinese Canadian lion dance percussion as martial art "Holy jeez, I can hear everything" : liveness in Cape Breton fiddle recordings Fantastic voyage : the diasporic roots and routes of early Toronto hip hop Identity, aesthetics, and place in Medicine Dream's "In this world" Part three : Heterogeneity, diversity, and the possibility of alternatives A view from Toronto : local perspectives on music making, ethnocultural difference, and the cultural life of a city Re-imagining the nation : the CBC as a mediator of ethnocultural encounter in St John's, Newfoundland and Labrador Music, mimesis, and modulation among Mennonites in rural Manitoba Ukrainian Catholic congregational singing in Canada : sounds in service and celebration (Re)Presenting indigenous activism in the nation's capital : signifying resistance across time and place through music in Alanis Obomsawin's Trick or treaty? (2014) |
| title_auth | Contemporary musical expressions in Canada |
| title_exact_search | Contemporary musical expressions in Canada |
| title_full | Contemporary musical expressions in Canada edited by Anna Hoefnagels, Judith Klassen, and Sherry Johnson |
| title_fullStr | Contemporary musical expressions in Canada edited by Anna Hoefnagels, Judith Klassen, and Sherry Johnson |
| title_full_unstemmed | Contemporary musical expressions in Canada edited by Anna Hoefnagels, Judith Klassen, and Sherry Johnson |
| title_short | Contemporary musical expressions in Canada |
| title_sort | contemporary musical expressions in canada |
| topic | Musikleben (DE-588)4075128-4 gnd Musikethnologie (DE-588)4127833-1 gnd Soziale Identität (DE-588)4077567-7 gnd Tanz (DE-588)4059028-8 gnd Multikulturelle Gesellschaft (DE-588)4214151-5 gnd |
| topic_facet | Musikleben Musikethnologie Soziale Identität Tanz Multikulturelle Gesellschaft Kanada Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835085&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hoefnagelsanna contemporarymusicalexpressionsincanada |