Rodney Graham's unexpected interrupters:
The works of Rodney Graham that are analysed in this article, Phonokinétoscope (2001), Super-Heavy Flute (2012) and The King’s Part (1999), are invitations to multiple understandings, references which are pointed to or affirmed taking the spectator onto unexpected ground. Whether from visual art, ci...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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28.01.2020
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| Zusammenfassung: | The works of Rodney Graham that are analysed in this article, Phonokinétoscope (2001), Super-Heavy Flute (2012) and The King’s Part (1999), are invitations to multiple understandings, references which are pointed to or affirmed taking the spectator onto unexpected ground. Whether from visual art, cinema, music, sound practices, literature or poetry, all these approaches are interconnected, as the works of Graham interweave different fields and temporalities. The boundaries between them are constantly pushed and their limits altered. The sound material that traverses his works, which can be suggested, silenced, interrupted, mute or broadcast at a high volume, prove the way Graham realizes the "mental gyration on the heel" described by Edgar Allan Poe, and a singular way of questioning the world. |
| Beschreibung: | 9 Seiten 9 Illustrationen |
| ISSN: | 1618-8101 |
| DOI: | 10.18452/21088 |
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| physical | 9 Seiten 9 Illustrationen |
| publishDate | 2020 |
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| spelling | Cauchy, Séverine Verfasser aut Rodney Graham's unexpected interrupters Séverine Cauchy 28.01.2020 9 Seiten 9 Illustrationen txt rdacontent c rdamedia cr rdacarrier The works of Rodney Graham that are analysed in this article, Phonokinétoscope (2001), Super-Heavy Flute (2012) and The King’s Part (1999), are invitations to multiple understandings, references which are pointed to or affirmed taking the spectator onto unexpected ground. Whether from visual art, cinema, music, sound practices, literature or poetry, all these approaches are interconnected, as the works of Graham interweave different fields and temporalities. The boundaries between them are constantly pushed and their limits altered. The sound material that traverses his works, which can be suggested, silenced, interrupted, mute or broadcast at a high volume, prove the way Graham realizes the "mental gyration on the heel" described by Edgar Allan Poe, and a singular way of questioning the world. Graham, Rodney 1949-2022 (DE-588)11924778X gnd rswk-swf Geschichte 1999-2012 gnd rswk-swf Installation Kunst (DE-588)4131808-0 gnd rswk-swf Graham, Rodney 1949-2022 (DE-588)11924778X p Installation Kunst (DE-588)4131808-0 s Geschichte 1999-2012 z DE-604 Kunsttexte.de [S.l.], 2020 Ausgabe 1 (2020): Auditive Perspektiven (DE-604)BV014034525 1618-8101 (DE-600)2063498-5 application/pdf 851,1 KB https://edoc.hu-berlin.de/bitstream/handle/18452/21843/3-SCauchy_kunsttexte2020AP.pdf Resolving-System kostenfrei Volltext https://doi.org/10.18452/21088 Resolving-System kostenfrei Volltext |
| spellingShingle | Cauchy, Séverine Rodney Graham's unexpected interrupters Graham, Rodney 1949-2022 (DE-588)11924778X gnd Installation Kunst (DE-588)4131808-0 gnd |
| subject_GND | (DE-588)11924778X (DE-588)4131808-0 |
| title | Rodney Graham's unexpected interrupters |
| title_auth | Rodney Graham's unexpected interrupters |
| title_exact_search | Rodney Graham's unexpected interrupters |
| title_full | Rodney Graham's unexpected interrupters Séverine Cauchy |
| title_fullStr | Rodney Graham's unexpected interrupters Séverine Cauchy |
| title_full_unstemmed | Rodney Graham's unexpected interrupters Séverine Cauchy |
| title_short | Rodney Graham's unexpected interrupters |
| title_sort | rodney graham s unexpected interrupters |
| topic | Graham, Rodney 1949-2022 (DE-588)11924778X gnd Installation Kunst (DE-588)4131808-0 gnd |
| topic_facet | Graham, Rodney 1949-2022 Installation Kunst |
| url | https://edoc.hu-berlin.de/bitstream/handle/18452/21843/3-SCauchy_kunsttexte2020AP.pdf https://doi.org/10.18452/21088 |
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