Abjection incorporated: mediating the politics of pleasure and violence
"From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple cri...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2020
|
| Schlagworte: | |
| Zusammenfassung: | "From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested form of political and cultural capital--empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human, and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics"-- |
| Beschreibung: | 334 Seiten Illustrationen 24 cm |
| ISBN: | 9781478001898 1478001895 9781478003021 1478003022 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046401760 | ||
| 003 | DE-604 | ||
| 005 | 20200602 | ||
| 007 | t| | ||
| 008 | 200201s2020 xx a||| b||| 00||| eng d | ||
| 020 | |a 9781478001898 |9 9781478001898 | ||
| 020 | |a 1478001895 |9 1478001895 | ||
| 020 | |a 9781478003021 |c paperback |9 978-1-4780-0302-1 | ||
| 020 | |a 1478003022 |c paperback |9 1-4780-0302-2 | ||
| 035 | |a (OCoLC)1142681055 | ||
| 035 | |a (DE-599)BVBBV046401760 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 245 | 1 | 0 | |a Abjection incorporated |b mediating the politics of pleasure and violence |c edited by Maggie Hennefeld and Nicholas Sammond |
| 264 | 1 | |a Durham ; London |b Duke University Press |c 2020 | |
| 300 | |a 334 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean Girl Comedy / Michelle Cho -- Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abject Aesthetics / Rebecca Wanzo. -- Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter / Maggie Hennefeld. -- Part II: Abject Bodies: Humans, Animals, Objects. -- The Animal and the Animalistic in China?s Late China?s Late 1950s Socialist Satirical Comedy / Yiman Wang -- Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta -- Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith Bak -- Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill -- Why, An Abject Art / Marc Mulroney -- Abject Aesthetics: Structure, Form, System -- A Matter of Fluids: EC Comics and Vernacular Abjection / Nic Sammond -- Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eubgenie Brinkema -- Abjection Serialized: Fabulation and Abjection in Shojo Manga / Thomas Lamarre -- Between the Abject and the Absurd: The Comic Sources of Louie / Rob King | |
| 520 | 3 | |a "From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested form of political and cultural capital--empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human, and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics"-- | |
| 650 | 0 | 7 | |a Diskriminierung |0 (DE-588)4012472-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Gewalt |g Motiv |0 (DE-588)4113748-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Popkultur |0 (DE-588)4175361-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Massenmedien |0 (DE-588)4037877-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Erniedrigung |g Motiv |0 (DE-588)4299981-9 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Critical theory | |
| 653 | 0 | |a Abjection in motion pictures | |
| 653 | 0 | |a Abjection in literature | |
| 653 | 0 | |a Political culture | |
| 653 | 0 | |a Marginality, Social / Political aspects | |
| 653 | 0 | |a Feminist theory | |
| 653 | 0 | |a Abjection in literature | |
| 653 | 0 | |a Abjection in motion pictures | |
| 653 | 0 | |a Critical theory | |
| 653 | 0 | |a Feminist theory | |
| 653 | 0 | |a Marginality, Social / Political aspects | |
| 653 | 0 | |a Political culture | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 1 | |a Popkultur |0 (DE-588)4175361-6 |D s |
| 689 | 0 | 2 | |a Massenmedien |0 (DE-588)4037877-9 |D s |
| 689 | 0 | 3 | |a Erniedrigung |g Motiv |0 (DE-588)4299981-9 |D s |
| 689 | 0 | 4 | |a Gewalt |g Motiv |0 (DE-588)4113748-6 |D s |
| 689 | 0 | 5 | |a Diskriminierung |0 (DE-588)4012472-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Hennefeld, Maggie |d 1984- |0 (DE-588)1160484015 |4 edt | |
| 700 | 1 | |a Sammond, Nicholas |0 (DE-588)1081254483 |4 edt | |
| 776 | 0 | 8 | |i Online version |t Abjection incorporated |d Durham : 2020 |z 9781478003410 |
| 940 | 1 | |q BSB_NED_20200602 | |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031814503 | |
Datensatz im Suchindex
| _version_ | 1818428366891515904 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Hennefeld, Maggie 1984- Sammond, Nicholas |
| author2_role | edt edt |
| author2_variant | m h mh n s ns |
| author_GND | (DE-588)1160484015 (DE-588)1081254483 |
| author_facet | Hennefeld, Maggie 1984- Sammond, Nicholas |
| building | Verbundindex |
| bvnumber | BV046401760 |
| contents | Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean Girl Comedy / Michelle Cho -- Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abject Aesthetics / Rebecca Wanzo. -- Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter / Maggie Hennefeld. -- Part II: Abject Bodies: Humans, Animals, Objects. -- The Animal and the Animalistic in China?s Late China?s Late 1950s Socialist Satirical Comedy / Yiman Wang -- Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta -- Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith Bak -- Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill -- Why, An Abject Art / Marc Mulroney -- Abject Aesthetics: Structure, Form, System -- A Matter of Fluids: EC Comics and Vernacular Abjection / Nic Sammond -- Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eubgenie Brinkema -- Abjection Serialized: Fabulation and Abjection in Shojo Manga / Thomas Lamarre -- Between the Abject and the Absurd: The Comic Sources of Louie / Rob King |
| ctrlnum | (OCoLC)1142681055 (DE-599)BVBBV046401760 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV046401760</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200602</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200201s2020 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478001898</subfield><subfield code="9">9781478001898</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1478001895</subfield><subfield code="9">1478001895</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478003021</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4780-0302-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1478003022</subfield><subfield code="c">paperback</subfield><subfield code="9">1-4780-0302-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1142681055</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046401760</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Abjection incorporated</subfield><subfield code="b">mediating the politics of pleasure and violence</subfield><subfield code="c">edited by Maggie Hennefeld and Nicholas Sammond</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham ; London</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">334 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean Girl Comedy / Michelle Cho -- Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abject Aesthetics / Rebecca Wanzo. -- Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter / Maggie Hennefeld. -- Part II: Abject Bodies: Humans, Animals, Objects. -- The Animal and the Animalistic in China?s Late China?s Late 1950s Socialist Satirical Comedy / Yiman Wang -- Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta -- Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith Bak -- Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill -- Why, An Abject Art / Marc Mulroney -- Abject Aesthetics: Structure, Form, System -- A Matter of Fluids: EC Comics and Vernacular Abjection / Nic Sammond -- Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eubgenie Brinkema -- Abjection Serialized: Fabulation and Abjection in Shojo Manga / Thomas Lamarre -- Between the Abject and the Absurd: The Comic Sources of Louie / Rob King</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested form of political and cultural capital--empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human, and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Diskriminierung</subfield><subfield code="0">(DE-588)4012472-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gewalt</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113748-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popkultur</subfield><subfield code="0">(DE-588)4175361-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Massenmedien</subfield><subfield code="0">(DE-588)4037877-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Erniedrigung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4299981-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Critical theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Abjection in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Abjection in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Political culture</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Marginality, Social / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Abjection in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Abjection in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Critical theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Marginality, Social / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Political culture</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Popkultur</subfield><subfield code="0">(DE-588)4175361-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Massenmedien</subfield><subfield code="0">(DE-588)4037877-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Erniedrigung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4299981-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Gewalt</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113748-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Diskriminierung</subfield><subfield code="0">(DE-588)4012472-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hennefeld, Maggie</subfield><subfield code="d">1984-</subfield><subfield code="0">(DE-588)1160484015</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sammond, Nicholas</subfield><subfield code="0">(DE-588)1081254483</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="t">Abjection incorporated</subfield><subfield code="d">Durham : 2020</subfield><subfield code="z">9781478003410</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200602</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031814503</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046401760 |
| illustrated | Illustrated |
| indexdate | 2024-12-14T15:00:29Z |
| institution | BVB |
| isbn | 9781478001898 1478001895 9781478003021 1478003022 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031814503 |
| oclc_num | 1142681055 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 334 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20200602 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Abjection incorporated mediating the politics of pleasure and violence edited by Maggie Hennefeld and Nicholas Sammond Durham ; London Duke University Press 2020 334 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean Girl Comedy / Michelle Cho -- Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abject Aesthetics / Rebecca Wanzo. -- Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter / Maggie Hennefeld. -- Part II: Abject Bodies: Humans, Animals, Objects. -- The Animal and the Animalistic in China?s Late China?s Late 1950s Socialist Satirical Comedy / Yiman Wang -- Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta -- Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith Bak -- Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill -- Why, An Abject Art / Marc Mulroney -- Abject Aesthetics: Structure, Form, System -- A Matter of Fluids: EC Comics and Vernacular Abjection / Nic Sammond -- Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eubgenie Brinkema -- Abjection Serialized: Fabulation and Abjection in Shojo Manga / Thomas Lamarre -- Between the Abject and the Absurd: The Comic Sources of Louie / Rob King "From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested form of political and cultural capital--empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human, and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics"-- Diskriminierung (DE-588)4012472-1 gnd rswk-swf Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Popkultur (DE-588)4175361-6 gnd rswk-swf Massenmedien (DE-588)4037877-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Erniedrigung Motiv (DE-588)4299981-9 gnd rswk-swf Critical theory Abjection in motion pictures Abjection in literature Political culture Marginality, Social / Political aspects Feminist theory (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Popkultur (DE-588)4175361-6 s Massenmedien (DE-588)4037877-9 s Erniedrigung Motiv (DE-588)4299981-9 s Gewalt Motiv (DE-588)4113748-6 s Diskriminierung (DE-588)4012472-1 s DE-604 Hennefeld, Maggie 1984- (DE-588)1160484015 edt Sammond, Nicholas (DE-588)1081254483 edt Online version Abjection incorporated Durham : 2020 9781478003410 |
| spellingShingle | Abjection incorporated mediating the politics of pleasure and violence Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean Girl Comedy / Michelle Cho -- Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abject Aesthetics / Rebecca Wanzo. -- Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter / Maggie Hennefeld. -- Part II: Abject Bodies: Humans, Animals, Objects. -- The Animal and the Animalistic in China?s Late China?s Late 1950s Socialist Satirical Comedy / Yiman Wang -- Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta -- Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith Bak -- Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill -- Why, An Abject Art / Marc Mulroney -- Abject Aesthetics: Structure, Form, System -- A Matter of Fluids: EC Comics and Vernacular Abjection / Nic Sammond -- Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eubgenie Brinkema -- Abjection Serialized: Fabulation and Abjection in Shojo Manga / Thomas Lamarre -- Between the Abject and the Absurd: The Comic Sources of Louie / Rob King Diskriminierung (DE-588)4012472-1 gnd Gewalt Motiv (DE-588)4113748-6 gnd Popkultur (DE-588)4175361-6 gnd Massenmedien (DE-588)4037877-9 gnd Film (DE-588)4017102-4 gnd Erniedrigung Motiv (DE-588)4299981-9 gnd |
| subject_GND | (DE-588)4012472-1 (DE-588)4113748-6 (DE-588)4175361-6 (DE-588)4037877-9 (DE-588)4017102-4 (DE-588)4299981-9 (DE-588)4143413-4 |
| title | Abjection incorporated mediating the politics of pleasure and violence |
| title_auth | Abjection incorporated mediating the politics of pleasure and violence |
| title_exact_search | Abjection incorporated mediating the politics of pleasure and violence |
| title_full | Abjection incorporated mediating the politics of pleasure and violence edited by Maggie Hennefeld and Nicholas Sammond |
| title_fullStr | Abjection incorporated mediating the politics of pleasure and violence edited by Maggie Hennefeld and Nicholas Sammond |
| title_full_unstemmed | Abjection incorporated mediating the politics of pleasure and violence edited by Maggie Hennefeld and Nicholas Sammond |
| title_short | Abjection incorporated |
| title_sort | abjection incorporated mediating the politics of pleasure and violence |
| title_sub | mediating the politics of pleasure and violence |
| topic | Diskriminierung (DE-588)4012472-1 gnd Gewalt Motiv (DE-588)4113748-6 gnd Popkultur (DE-588)4175361-6 gnd Massenmedien (DE-588)4037877-9 gnd Film (DE-588)4017102-4 gnd Erniedrigung Motiv (DE-588)4299981-9 gnd |
| topic_facet | Diskriminierung Gewalt Motiv Popkultur Massenmedien Film Erniedrigung Motiv Aufsatzsammlung |
| work_keys_str_mv | AT hennefeldmaggie abjectionincorporatedmediatingthepoliticsofpleasureandviolence AT sammondnicholas abjectionincorporatedmediatingthepoliticsofpleasureandviolence |