Iran and the West: cultural perceptions from the Sasanian Empire to the Islamic Republic
Saved in:
| Other Authors: | , |
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| Format: | Book |
| Language: | English |
| Published: |
London
I.B. Tauris
2020
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XXII, 344 Seiten Illustrationen |
| ISBN: | 9781838607050 9781784538569 |
Staff View
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Record in the Search Index
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| adam_text | CONTENTS Acknowledgements List of Figures Contributors Foreword by Ali M. Ansari Introduction Margaux Whiskin Misremembering Thermopylae The East-West Dichotomy Methodology Structure SECTION 1 xm xv xvn xxi 1 1 5 7 10 CLASSICAL REPRESENTATIONS 1. Tacitus and the Great Kings Leonardo Gregoratti 2. Roman and Iranian Perceptions of the Other in Late Antiquity David Bagót Roman Perceptions of the Iranians Iranian Perceptions of Romans Conclusion 21 35 36 44 46
Iran VIII and the West 3. Xerxes and Leonidas: Conversations Between Ancient Persia and Seventeenth-Century France in Fénelon’s Dialogue of the Dead Margaux Whiskin Use of Classical Sources Dialogues of the Dead Decontextualisation Educating a Future King Educating a Future Man Conclusion SECTION 2 52 55 57 58 60 61 64 LITERARY REPRESENTATIONS 4. Saadi’s Perception of the West and German Translators’ Perception of Iran in Saadi’s Gülistan (The Rose Garden) Nina Zandjani Introduction Paratexts and the Translator’s Visibility The Persian Poet Saadi’s Perception of the West German Translators’ Perception of the Persians Conclusion 5. ‘Parisian or Persian?’: An Introduction on the French Roots of the First Iranian Social Novels Ali Beh-Pajooh Introduction French Connection Reception of The Mysteries of Paris in Iran The Relationship Between The Mysteries of Paris and The Dreadful Tehran The Dreadful Tehran and its Discontents 6. Our White Hands,’ Iran and Germany’s 1968 Annie Pfeifer Nirumand’s Critique Completely Empty and Strangely White Is Farah Happy? 73 73 74 76 79 84 89 89 91 93 96 99 104 105 110 113
Contents 7. Entrapped in a Carved-Up Land: Revisiting Reading Lolita in Tehran Amir Ahmadi Arian The Truth and the Whole Truth The Carved-Up Space: Tehran Through the Window Frame People without Backgrounds The Politics of Resignation: An Avenue Towards Disappearance Conclusion 8. ‘Death to Freedom, Death to Captivity’: Beyond Shahriar Mandanipour’s ‘Islamic’ Love Story Roxanne Ellen Bibizadeh ιχ 119 121 123 125 127 129 132 9. Homeland Dramatisations and Native Gaze Demolitions in Nahid Rachlin’s Foreigner and Porochista Khakpour’s Sons and Other Flammable Objects 145 Giulia Valsecchi SECTION 3 IMAGINING THE OTHER: FACT AND FANTASY IN CULTURAL AND POLITICAL INFLUENCES 10. Tbilisi as a Bridge Between Iran and Europe, from the Nineteenth to the Early Twentieth Centuries George Sanikidze Russo-Persian Wars and Georgia Economic Interactions Europeans Visiting Tbilisi Iranians in Tbilisi 163 165 167 169 171 11. Generational Differences: American Medical Missionaries in Iran, 1834-1940 Lydia Wytenbroek 179 12. A Narrative of Historical and Cultural Ties Between Iran and Romania Elham Malekzadeh I95 Introduction Documents on the History of Cultural Relations between Iran and Romania Conclusion լ 9 J լ 98 205
x Iran and the West 13. The Great Satan and the Axis of Evil: The Politics of Démonisation in Iran and the United States Laleh Gomari-Lukscb Introduction Brief Historical Background of Iran—US Relations Post-Structuralism, Discourse and Identity Construction The Great Satan, Iranian Identity and Legitimisation of the Nuclear Programme The Axis of Evil, American Identity and Legitimisation of the ‘War on Terror’ The Legitimisation of Direct Talks Conclusion SECTION 4 207 207 209 210 213 215 217 217 VISUAL AND MEDIA REPRESENTATIONS 14. Zan-I Farangi, a Symbol of Occident: The European Women in Farangi Sazi Paintings (1666-94) Negar Habibi 225 Introduction The Iranian Occidentalist Paintings Zan-i farangi and its Diverse Persian Interpretations Conclusion 225 226 230 235 15. Meeting of Anthropology and Racial Ideology in Hollywood: Discovering ‘The Forgotten People’ and Remembering ‘The Lost Tribe’ in Grass (1925) Ali Sadidi Heris Ethnography as an Imperial Project of Ethno-Racial Classifications The Bakhtiari as True Aryans: Racial Theory and Ethnography The Life of Thousands of Years Ago: Cultural Evolution and Myth of ‘Lost Tribes’ Conclusion 16. ‘Soraya Cried for Three Days’: The Many Faces of Iranian-German Royalty in the German Popular Press in the 1950s and 1960s Birgit Röder 241 245 247 250 253 258
Contents 17. Persepolis: The Shah’s National Fiction Margaux Whiskin Social Rupture Sites of Memory On the Screens The Double Parade Celebrations as a Site of Memory 18. Vampires, Veils and the Western Gaze: Gender Images and the Notion of Beauty From Qajar to Post-Revolutionary Iran Maryam Aras Xl 270 270 274 275 277 282 286 Beauty and Gender Images in Qajar Iran The Veiled Body as a Marker of Backwardness The Veiled Body as a Marker of Anti-Imperialism The Abjection of the Islamic Body Representations of the Veiled Female Body Further Thoughts 288 290 291 294 296 299 Afterword Isfahan 1976-8: A Personal Recollection Andrew Knapp 305 Before: Iran and its Disaffected Elite Orientalism and Modernity The Western Presence The Paykan People Sex and the Gay Scene Orientalism Again Politics Bibliography Index 305 306 307 308 311 311 311 315 34 լ
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| title | Iran and the West cultural perceptions from the Sasanian Empire to the Islamic Republic |
| title_auth | Iran and the West cultural perceptions from the Sasanian Empire to the Islamic Republic |
| title_exact_search | Iran and the West cultural perceptions from the Sasanian Empire to the Islamic Republic |
| title_full | Iran and the West cultural perceptions from the Sasanian Empire to the Islamic Republic edited by David Bagot and Margaux Whiskin |
| title_fullStr | Iran and the West cultural perceptions from the Sasanian Empire to the Islamic Republic edited by David Bagot and Margaux Whiskin |
| title_full_unstemmed | Iran and the West cultural perceptions from the Sasanian Empire to the Islamic Republic edited by David Bagot and Margaux Whiskin |
| title_short | Iran and the West |
| title_sort | iran and the west cultural perceptions from the sasanian empire to the islamic republic |
| title_sub | cultural perceptions from the Sasanian Empire to the Islamic Republic |
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| topic_facet | Fremdbild Iran Westliche Welt Aufsatzsammlung |
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