Shipwreck in French renaissance writing: the direful spectacle
In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships-both real and symbolic-are threat...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford
Oxford University Press
2019
|
Ausgabe: | First edition |
Schriftenreihe: | Oxford modern languages and literature monographs
|
Schlagworte: | |
Zusammenfassung: | In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships-both real and symbolic-are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck-imagined through the Lucretian suave mari magno commonplace-is constantly undermined, not least through a sustained focus on the corporeal.0This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story |
Beschreibung: | xii, 223 Seiten 7 Illustrationen 24 cm |
ISBN: | 9780198831709 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046317888 | ||
003 | DE-604 | ||
005 | 20200224 | ||
007 | t | ||
008 | 191227s2019 a||| b||| 00||| eng d | ||
020 | |a 9780198831709 |c hardback |9 978-0-19-883170-9 | ||
035 | |a (OCoLC)1128049007 | ||
035 | |a (DE-599)BVBBV046317888 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
100 | 1 | |a Oliver, Jennifer H. |e Verfasser |0 (DE-588)1195196229 |4 aut | |
245 | 1 | 0 | |a Shipwreck in French renaissance writing |b the direful spectacle |c Jennifer H. Oliver |
250 | |a First edition | ||
264 | 1 | |a Oxford |b Oxford University Press |c 2019 | |
300 | |a xii, 223 Seiten |b 7 Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Oxford modern languages and literature monographs | |
520 | 3 | |a In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships-both real and symbolic-are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck-imagined through the Lucretian suave mari magno commonplace-is constantly undermined, not least through a sustained focus on the corporeal.0This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story | |
648 | 7 | |a Geschichte 1420-1600 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Französisch |0 (DE-588)4113615-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Schiffbruch |g Motiv |0 (DE-588)4125843-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Wrack |g Motiv |0 (DE-588)1047093065 |2 gnd |9 rswk-swf |
651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
653 | 0 | |a French literature / 16th century / History and criticism | |
653 | 0 | |a Shipwrecks in literature | |
653 | 0 | |a French literature | |
653 | 0 | |a Shipwrecks in literature | |
653 | 4 | |a 1500-1599 | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
689 | 0 | 1 | |a Französisch |0 (DE-588)4113615-9 |D s |
689 | 0 | 2 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 0 | 3 | |a Schiffbruch |g Motiv |0 (DE-588)4125843-5 |D s |
689 | 0 | 4 | |a Wrack |g Motiv |0 (DE-588)1047093065 |D s |
689 | 0 | 5 | |a Geschichte 1420-1600 |A z |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-031694950 |
Datensatz im Suchindex
_version_ | 1804180797481025536 |
---|---|
any_adam_object | |
author | Oliver, Jennifer H. |
author_GND | (DE-588)1195196229 |
author_facet | Oliver, Jennifer H. |
author_role | aut |
author_sort | Oliver, Jennifer H. |
author_variant | j h o jh jho |
building | Verbundindex |
bvnumber | BV046317888 |
ctrlnum | (OCoLC)1128049007 (DE-599)BVBBV046317888 |
edition | First edition |
era | Geschichte 1420-1600 gnd |
era_facet | Geschichte 1420-1600 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03469nam a2200529 c 4500</leader><controlfield tag="001">BV046317888</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200224 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">191227s2019 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780198831709</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19-883170-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1128049007</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046317888</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Oliver, Jennifer H.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1195196229</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shipwreck in French renaissance writing</subfield><subfield code="b">the direful spectacle</subfield><subfield code="c">Jennifer H. Oliver</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 223 Seiten</subfield><subfield code="b">7 Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford modern languages and literature monographs</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships-both real and symbolic-are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck-imagined through the Lucretian suave mari magno commonplace-is constantly undermined, not least through a sustained focus on the corporeal.0This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1420-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schiffbruch</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4125843-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wrack</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)1047093065</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">French literature / 16th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Shipwrecks in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">French literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Shipwrecks in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1500-1599</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Schiffbruch</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4125843-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Wrack</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)1047093065</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1420-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031694950</subfield></datafield></record></collection> |
geographic | Frankreich (DE-588)4018145-5 gnd |
geographic_facet | Frankreich |
id | DE-604.BV046317888 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:41:28Z |
institution | BVB |
isbn | 9780198831709 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031694950 |
oclc_num | 1128049007 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xii, 223 Seiten 7 Illustrationen 24 cm |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Oxford University Press |
record_format | marc |
series2 | Oxford modern languages and literature monographs |
spelling | Oliver, Jennifer H. Verfasser (DE-588)1195196229 aut Shipwreck in French renaissance writing the direful spectacle Jennifer H. Oliver First edition Oxford Oxford University Press 2019 xii, 223 Seiten 7 Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Oxford modern languages and literature monographs In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships-both real and symbolic-are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck-imagined through the Lucretian suave mari magno commonplace-is constantly undermined, not least through a sustained focus on the corporeal.0This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story Geschichte 1420-1600 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Schiffbruch Motiv (DE-588)4125843-5 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Wrack Motiv (DE-588)1047093065 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf French literature / 16th century / History and criticism Shipwrecks in literature French literature 1500-1599 Criticism, interpretation, etc Frankreich (DE-588)4018145-5 g Französisch (DE-588)4113615-9 s Literatur (DE-588)4035964-5 s Schiffbruch Motiv (DE-588)4125843-5 s Wrack Motiv (DE-588)1047093065 s Geschichte 1420-1600 z DE-604 |
spellingShingle | Oliver, Jennifer H. Shipwreck in French renaissance writing the direful spectacle Französisch (DE-588)4113615-9 gnd Schiffbruch Motiv (DE-588)4125843-5 gnd Literatur (DE-588)4035964-5 gnd Wrack Motiv (DE-588)1047093065 gnd |
subject_GND | (DE-588)4113615-9 (DE-588)4125843-5 (DE-588)4035964-5 (DE-588)1047093065 (DE-588)4018145-5 |
title | Shipwreck in French renaissance writing the direful spectacle |
title_auth | Shipwreck in French renaissance writing the direful spectacle |
title_exact_search | Shipwreck in French renaissance writing the direful spectacle |
title_full | Shipwreck in French renaissance writing the direful spectacle Jennifer H. Oliver |
title_fullStr | Shipwreck in French renaissance writing the direful spectacle Jennifer H. Oliver |
title_full_unstemmed | Shipwreck in French renaissance writing the direful spectacle Jennifer H. Oliver |
title_short | Shipwreck in French renaissance writing |
title_sort | shipwreck in french renaissance writing the direful spectacle |
title_sub | the direful spectacle |
topic | Französisch (DE-588)4113615-9 gnd Schiffbruch Motiv (DE-588)4125843-5 gnd Literatur (DE-588)4035964-5 gnd Wrack Motiv (DE-588)1047093065 gnd |
topic_facet | Französisch Schiffbruch Motiv Literatur Wrack Motiv Frankreich |
work_keys_str_mv | AT oliverjenniferh shipwreckinfrenchrenaissancewritingthedirefulspectacle |