Gaelic games on film: from silent films to Hollywood hurling, horror and the emergence of Irish cinema
Gaelic games have repeatedly provided filmmakers and producers with a resonant motif through which they have represented 'perceived' aspects of Irish identity, 'perceived' as this representation has been neither straightforward nor unproblematic: in international productions in p...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cork
Cork University Press
2019
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| Schlagworte: | |
| Zusammenfassung: | Gaelic games have repeatedly provided filmmakers and producers with a resonant motif through which they have represented 'perceived' aspects of Irish identity, 'perceived' as this representation has been neither straightforward nor unproblematic: in international productions in particular, Gaelic games have provided on occasion a short hand for regressive stereotypes associated with Irish people, including their alleged propensity for violence. For indigenous producers, on the other hand, Gaelic games afforded distinctive Irish cultural practices and as such were employed to promote and affirm the Irish nation, particularly as an indigenous film culture began to develop in the aftermath of World War II. As we enter the late twentieth century, a critical turn is evident within indigenous productions featuring Gaelic games though the dominant stereotypes of the past continue to appear. This study provides the first major monograph examination of filmic representations of Gaelic games, charting these representations from the earliest years of the twentieth century, including silent films such as Knocknagow (1918) to more recent productions Michael Collins (1996) and The Wind that Shakes the Barley (2006). Among the areas examined are newsreel depictions of Gaelic games; Hollywood's fascination with hurling in the mid-20th century (including in the work of Oscar-winning director John Ford), which led to a range of productions featuring the sport culminating with the Oscar-nominated short Three Kisses (Paramount, 1955); the importance of the depictions of Gaelic games to the emergence of a distinctive Irish film culture post WWII; and the role of Gaelic games in contemporary cinema |
| Beschreibung: | x, 232 Seiten Illustrationen 25 cm |
| ISBN: | 9781782052470 |
Internformat
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| 505 | 8 | |a Gaelic games in early cinema -- Gaelic games in the newsreel era -- Hollywood hurling : representing Gaelic games in American cinema, 1930-60 -- 'Keep the mummers off the green ground of Croke Park' : remembering Rooney (1958) -- 'Ar son an náisiúin' : the National Film Institute of Ireland's All-Ireland-final films -- Coaching Irishness through film : Gaelic games in the film work of Gael Linn -- The critical turn : Gaelic games in film between the 1960s and 1980s -- 'The hurley is the new chainsaw' : Gaelic games in contemporary cinema -- Conclusion | |
| 520 | 3 | |a Gaelic games have repeatedly provided filmmakers and producers with a resonant motif through which they have represented 'perceived' aspects of Irish identity, 'perceived' as this representation has been neither straightforward nor unproblematic: in international productions in particular, Gaelic games have provided on occasion a short hand for regressive stereotypes associated with Irish people, including their alleged propensity for violence. For indigenous producers, on the other hand, Gaelic games afforded distinctive Irish cultural practices and as such were employed to promote and affirm the Irish nation, particularly as an indigenous film culture began to develop in the aftermath of World War II. As we enter the late twentieth century, a critical turn is evident within indigenous productions featuring Gaelic games though the dominant stereotypes of the past continue to appear. This study provides the first major monograph examination of filmic representations of Gaelic games, charting these representations from the earliest years of the twentieth century, including silent films such as Knocknagow (1918) to more recent productions Michael Collins (1996) and The Wind that Shakes the Barley (2006). Among the areas examined are newsreel depictions of Gaelic games; Hollywood's fascination with hurling in the mid-20th century (including in the work of Oscar-winning director John Ford), which led to a range of productions featuring the sport culminating with the Oscar-nominated short Three Kisses (Paramount, 1955); the importance of the depictions of Gaelic games to the emergence of a distinctive Irish film culture post WWII; and the role of Gaelic games in contemporary cinema | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Crosson, Seán 1973- |
| author_GND | (DE-588)1050652290 |
| author_facet | Crosson, Seán 1973- |
| author_role | aut |
| author_sort | Crosson, Seán 1973- |
| author_variant | s c sc |
| building | Verbundindex |
| bvnumber | BV046317295 |
| contents | Gaelic games in early cinema -- Gaelic games in the newsreel era -- Hollywood hurling : representing Gaelic games in American cinema, 1930-60 -- 'Keep the mummers off the green ground of Croke Park' : remembering Rooney (1958) -- 'Ar son an náisiúin' : the National Film Institute of Ireland's All-Ireland-final films -- Coaching Irishness through film : Gaelic games in the film work of Gael Linn -- The critical turn : Gaelic games in film between the 1960s and 1980s -- 'The hurley is the new chainsaw' : Gaelic games in contemporary cinema -- Conclusion |
| ctrlnum | (OCoLC)1137846828 (DE-599)BVBBV046317295 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| institution | BVB |
| isbn | 9781782052470 |
| language | English |
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| physical | x, 232 Seiten Illustrationen 25 cm |
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| spelling | Crosson, Seán 1973- Verfasser (DE-588)1050652290 aut Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema Seán Crosson Cork Cork University Press 2019 x, 232 Seiten Illustrationen 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Gaelic games in early cinema -- Gaelic games in the newsreel era -- Hollywood hurling : representing Gaelic games in American cinema, 1930-60 -- 'Keep the mummers off the green ground of Croke Park' : remembering Rooney (1958) -- 'Ar son an náisiúin' : the National Film Institute of Ireland's All-Ireland-final films -- Coaching Irishness through film : Gaelic games in the film work of Gael Linn -- The critical turn : Gaelic games in film between the 1960s and 1980s -- 'The hurley is the new chainsaw' : Gaelic games in contemporary cinema -- Conclusion Gaelic games have repeatedly provided filmmakers and producers with a resonant motif through which they have represented 'perceived' aspects of Irish identity, 'perceived' as this representation has been neither straightforward nor unproblematic: in international productions in particular, Gaelic games have provided on occasion a short hand for regressive stereotypes associated with Irish people, including their alleged propensity for violence. For indigenous producers, on the other hand, Gaelic games afforded distinctive Irish cultural practices and as such were employed to promote and affirm the Irish nation, particularly as an indigenous film culture began to develop in the aftermath of World War II. As we enter the late twentieth century, a critical turn is evident within indigenous productions featuring Gaelic games though the dominant stereotypes of the past continue to appear. This study provides the first major monograph examination of filmic representations of Gaelic games, charting these representations from the earliest years of the twentieth century, including silent films such as Knocknagow (1918) to more recent productions Michael Collins (1996) and The Wind that Shakes the Barley (2006). Among the areas examined are newsreel depictions of Gaelic games; Hollywood's fascination with hurling in the mid-20th century (including in the work of Oscar-winning director John Ford), which led to a range of productions featuring the sport culminating with the Oscar-nominated short Three Kisses (Paramount, 1955); the importance of the depictions of Gaelic games to the emergence of a distinctive Irish film culture post WWII; and the role of Gaelic games in contemporary cinema Geschichte gnd rswk-swf Spiel Motiv (DE-588)4295927-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Gälische Sprachen (DE-588)4120186-3 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Sports in motion pictures Gaelic games Ireland / In motion pictures Motion pictures Ireland Irland (DE-588)4027667-3 g Film (DE-588)4017102-4 s Gälische Sprachen (DE-588)4120186-3 s Spiel Motiv (DE-588)4295927-5 s Geschichte z DE-604 |
| spellingShingle | Crosson, Seán 1973- Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema Gaelic games in early cinema -- Gaelic games in the newsreel era -- Hollywood hurling : representing Gaelic games in American cinema, 1930-60 -- 'Keep the mummers off the green ground of Croke Park' : remembering Rooney (1958) -- 'Ar son an náisiúin' : the National Film Institute of Ireland's All-Ireland-final films -- Coaching Irishness through film : Gaelic games in the film work of Gael Linn -- The critical turn : Gaelic games in film between the 1960s and 1980s -- 'The hurley is the new chainsaw' : Gaelic games in contemporary cinema -- Conclusion Spiel Motiv (DE-588)4295927-5 gnd Film (DE-588)4017102-4 gnd Gälische Sprachen (DE-588)4120186-3 gnd |
| subject_GND | (DE-588)4295927-5 (DE-588)4017102-4 (DE-588)4120186-3 (DE-588)4027667-3 |
| title | Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema |
| title_auth | Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema |
| title_exact_search | Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema |
| title_full | Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema Seán Crosson |
| title_fullStr | Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema Seán Crosson |
| title_full_unstemmed | Gaelic games on film from silent films to Hollywood hurling, horror and the emergence of Irish cinema Seán Crosson |
| title_short | Gaelic games on film |
| title_sort | gaelic games on film from silent films to hollywood hurling horror and the emergence of irish cinema |
| title_sub | from silent films to Hollywood hurling, horror and the emergence of Irish cinema |
| topic | Spiel Motiv (DE-588)4295927-5 gnd Film (DE-588)4017102-4 gnd Gälische Sprachen (DE-588)4120186-3 gnd |
| topic_facet | Spiel Motiv Film Gälische Sprachen Irland |
| work_keys_str_mv | AT crossonsean gaelicgamesonfilmfromsilentfilmstohollywoodhurlinghorrorandtheemergenceofirishcinema |