Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä:
This dissertation focuses on the concept "1920’s musical modernism in Finland" and what it means in Väinö Raitio’s (1891–1945) orchestral works from 1921–1923 and their reception. The examined compositions are Fantasia estatica op. 21 (1921), Antigone op. 23 (1921–1922), Kuutamo Jupiteriss...
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| Format: | Abschlussarbeit Buch |
| Sprache: | Finnish |
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Helsinki
Helsingin yliopisto
2019
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| Schriftenreihe: | Studia musicologica Universitatis Helsingiensis
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| Zusammenfassung: | This dissertation focuses on the concept "1920’s musical modernism in Finland" and what it means in Väinö Raitio’s (1891–1945) orchestral works from 1921–1923 and their reception. The examined compositions are Fantasia estatica op. 21 (1921), Antigone op. 23 (1921–1922), Kuutamo Jupiterissa [Moonlight on Jupiter] op. 24 (1922–1923) and Fantasia poetica op. 25 (1923). The works were written for a full symphony orchestra and premiered in Helsinki in the early 1920s. Their style has often been referred to as modernist. The more detailed analysis focuses on the reviews these aforementioned works received at their premieres. The reviews are examined in relation to Raitio’s own writings, the context of the musical life in Helsinki in 1920s, the modernist traits on the works themselves, as well as the image written music history has established of Raitio as a neglected and misunderstood composer. The dissertation also includes an extensive biographical chapter, which brings out new material about Raitio’s compositions, his aesthetic principles and his life. The viewpoint of this dissertation is biographical and reception-historical (verbal), and the main methods used are close reading and comparative analysis. When examining the reviews of the premieres, the focus is on the special vocabulary the critics used when describing the works as modernist. Some of the words are now used in a slightly different way and have slightly different meanings. On the strength of the modernism-associated vocabulary, I have chosen the parameters – timbre, harmony, thematics and form – which I examine using music analytical methods. Besides biographical and reception history, other research approaches that have influenced this dissertation are microhistory and cultural musicology. [...] |
| Beschreibung: | 346 Seiten |
| ISBN: | 9789515152848 |
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Datensatz im Suchindex
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| id | DE-604.BV046299422 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:41:00Z |
| institution | BVB |
| isbn | 9789515152848 |
| language | Finnish |
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| series | Studia musicologica Universitatis Helsingiensis |
| series2 | Studia musicologica Universitatis Helsingiensis |
| spelling | Isolammi, Hanna Verfasser (DE-588)1028865759 aut Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä Hanna Isolammi Helsinki Helsingin yliopisto 2019 346 Seiten txt rdacontent n rdamedia nc rdacarrier Studia musicologica Universitatis Helsingiensis 28 Dissertation Helsingin yliopisto This dissertation focuses on the concept "1920’s musical modernism in Finland" and what it means in Väinö Raitio’s (1891–1945) orchestral works from 1921–1923 and their reception. The examined compositions are Fantasia estatica op. 21 (1921), Antigone op. 23 (1921–1922), Kuutamo Jupiterissa [Moonlight on Jupiter] op. 24 (1922–1923) and Fantasia poetica op. 25 (1923). The works were written for a full symphony orchestra and premiered in Helsinki in the early 1920s. Their style has often been referred to as modernist. The more detailed analysis focuses on the reviews these aforementioned works received at their premieres. The reviews are examined in relation to Raitio’s own writings, the context of the musical life in Helsinki in 1920s, the modernist traits on the works themselves, as well as the image written music history has established of Raitio as a neglected and misunderstood composer. The dissertation also includes an extensive biographical chapter, which brings out new material about Raitio’s compositions, his aesthetic principles and his life. The viewpoint of this dissertation is biographical and reception-historical (verbal), and the main methods used are close reading and comparative analysis. When examining the reviews of the premieres, the focus is on the special vocabulary the critics used when describing the works as modernist. Some of the words are now used in a slightly different way and have slightly different meanings. On the strength of the modernism-associated vocabulary, I have chosen the parameters – timbre, harmony, thematics and form – which I examine using music analytical methods. Besides biographical and reception history, other research approaches that have influenced this dissertation are microhistory and cultural musicology. [...] Raitio, Väinö 1891-1945 (DE-588)124856004 gnd rswk-swf Geschichte 1920-1930 gnd rswk-swf Geschichte 1921-1923 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Finnland (DE-588)4017243-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Raitio, Väinö 1891-1945 (DE-588)124856004 p Komposition Musik (DE-588)4133320-2 s Rezeption (DE-588)4049716-1 s Geschichte 1921-1923 z DE-604 Finnland (DE-588)4017243-0 g Musik (DE-588)4040802-4 s Moderne (DE-588)4039827-4 s Geschichte 1920-1930 z Erscheint auch als Online-Ausgabe 978-951-51-5285-5 Studia musicologica Universitatis Helsingiensis 28 (DE-604)BV010346576 28 https://helda.helsinki.fi/bitstream/handle/10138/302038/V%c3%a4in%c3%b6Rai.pdf?sequence=1&isAllowed=y Verlag kostenfrei Volltext |
| spellingShingle | Isolammi, Hanna Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä Studia musicologica Universitatis Helsingiensis Raitio, Väinö 1891-1945 (DE-588)124856004 gnd Komposition Musik (DE-588)4133320-2 gnd Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)124856004 (DE-588)4133320-2 (DE-588)4049716-1 (DE-588)4040802-4 (DE-588)4039827-4 (DE-588)4017243-0 (DE-588)4113937-9 |
| title | Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä |
| title_auth | Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä |
| title_exact_search | Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä |
| title_full | Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä Hanna Isolammi |
| title_fullStr | Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä Hanna Isolammi |
| title_full_unstemmed | Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä Hanna Isolammi |
| title_short | Väinö Raition orkesteriteosten modernismi ja sen vastaanotto 1920-luvun Helsingissä |
| title_sort | vaino raition orkesteriteosten modernismi ja sen vastaanotto 1920 luvun helsingissa |
| topic | Raitio, Väinö 1891-1945 (DE-588)124856004 gnd Komposition Musik (DE-588)4133320-2 gnd Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Raitio, Väinö 1891-1945 Komposition Musik Rezeption Musik Moderne Finnland Hochschulschrift |
| url | https://helda.helsinki.fi/bitstream/handle/10138/302038/V%c3%a4in%c3%b6Rai.pdf?sequence=1&isAllowed=y |
| volume_link | (DE-604)BV010346576 |
| work_keys_str_mv | AT isolammihanna vainoraitionorkesteriteostenmodernismijasenvastaanotto1920luvunhelsingissa |