Mesoamerican open spaces and mural paintings as statements of cultural identity:
The sensitive perception of a society's artistic expressions facilitates our comprehension of its ethos, enabling the meaningful communication between individuals and communities, which is the fundamental link that connects human beings. This book explores the spirit of the Mesoamerican civiliz...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publisher
2019
|
| Schlagworte: | |
| Zusammenfassung: | The sensitive perception of a society's artistic expressions facilitates our comprehension of its ethos, enabling the meaningful communication between individuals and communities, which is the fundamental link that connects human beings. This book explores the spirit of the Mesoamerican civilization from pre-history until the 20th century, interpreting its architectural legacy, both in the planned environments of the public plazas, and in the art that is integrated into structural designs, exemplified by the Mexican mural paintings. The first part studies the open areas defined by substantially symbolic architecture, providing the spatial forum for the spiritual and consequential collective manifestations of the native population throughout the history of Mesoamerica, linking past, present, and future generations. The second part focuses on mural painting, which has been a consistent universal medium for eloquent cultural interaction among Mesoamericans--back cover |
| Beschreibung: | xiv, 127 Seiten Illustrationen, Karten 22 cm |
| ISBN: | 9781527537316 |
Internformat
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| 520 | 3 | |a The sensitive perception of a society's artistic expressions facilitates our comprehension of its ethos, enabling the meaningful communication between individuals and communities, which is the fundamental link that connects human beings. This book explores the spirit of the Mesoamerican civilization from pre-history until the 20th century, interpreting its architectural legacy, both in the planned environments of the public plazas, and in the art that is integrated into structural designs, exemplified by the Mexican mural paintings. The first part studies the open areas defined by substantially symbolic architecture, providing the spatial forum for the spiritual and consequential collective manifestations of the native population throughout the history of Mesoamerica, linking past, present, and future generations. The second part focuses on mural painting, which has been a consistent universal medium for eloquent cultural interaction among Mesoamericans--back cover | |
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Datensatz im Suchindex
| _version_ | 1804180753214341120 |
|---|---|
| any_adam_object | |
| author | Barrios de Senisterra, Celina B. |
| author_GND | (DE-588)1204080658 |
| author_facet | Barrios de Senisterra, Celina B. |
| author_role | aut |
| author_sort | Barrios de Senisterra, Celina B. |
| author_variant | d s c b b dscb dscbb |
| building | Verbundindex |
| bvnumber | BV046291846 |
| contents | Part 1. The Mesoamerican open space as illusion of traditional identity -- Part 2. The Mesoamerican wall as architectural support for cultural eloquence |
| ctrlnum | (OCoLC)1140126417 (DE-599)BVBBV046291846 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Book |
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| spelling | Barrios de Senisterra, Celina B. Verfasser (DE-588)1204080658 aut Mesoamerican open spaces and mural paintings as statements of cultural identity by Celina B. Barrios de Senisterra Newcastle upon Tyne, UK Cambridge Scholars Publisher 2019 xiv, 127 Seiten Illustrationen, Karten 22 cm txt rdacontent n rdamedia nc rdacarrier Dissertation Art History and Interdisciplinary Studies Faculty, Warnborough College 2017 Part 1. The Mesoamerican open space as illusion of traditional identity -- Part 2. The Mesoamerican wall as architectural support for cultural eloquence The sensitive perception of a society's artistic expressions facilitates our comprehension of its ethos, enabling the meaningful communication between individuals and communities, which is the fundamental link that connects human beings. This book explores the spirit of the Mesoamerican civilization from pre-history until the 20th century, interpreting its architectural legacy, both in the planned environments of the public plazas, and in the art that is integrated into structural designs, exemplified by the Mexican mural paintings. The first part studies the open areas defined by substantially symbolic architecture, providing the spatial forum for the spiritual and consequential collective manifestations of the native population throughout the history of Mesoamerica, linking past, present, and future generations. The second part focuses on mural painting, which has been a consistent universal medium for eloquent cultural interaction among Mesoamericans--back cover Geschichte gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Wandmalerei (DE-588)4064542-3 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Mittelamerika (DE-588)4039660-5 gnd rswk-swf Indians of Central America / Antiquities Indians of Mexico / Antiquities Indian art / Central America Indian art / Mexico Indian architecture / Central America Indian architecture / Mexico Mural painting and decoration, Ancient / Central America Mural painting and decoration, Ancient / Mexico Indian architecture Indian art Mural painting and decoration, Ancient Central America Mexico (DE-588)4113937-9 Hochschulschrift gnd-content Mittelamerika (DE-588)4039660-5 g Kulturelle Identität (DE-588)4033542-2 s Öffentlicher Raum (DE-588)4172385-5 s Kunst (DE-588)4114333-4 s Architektur (DE-588)4002851-3 s Wandmalerei (DE-588)4064542-3 s Geschichte z DE-604 |
| spellingShingle | Barrios de Senisterra, Celina B. Mesoamerican open spaces and mural paintings as statements of cultural identity Part 1. The Mesoamerican open space as illusion of traditional identity -- Part 2. The Mesoamerican wall as architectural support for cultural eloquence Architektur (DE-588)4002851-3 gnd Kunst (DE-588)4114333-4 gnd Kulturelle Identität (DE-588)4033542-2 gnd Wandmalerei (DE-588)4064542-3 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| subject_GND | (DE-588)4002851-3 (DE-588)4114333-4 (DE-588)4033542-2 (DE-588)4064542-3 (DE-588)4172385-5 (DE-588)4039660-5 (DE-588)4113937-9 |
| title | Mesoamerican open spaces and mural paintings as statements of cultural identity |
| title_auth | Mesoamerican open spaces and mural paintings as statements of cultural identity |
| title_exact_search | Mesoamerican open spaces and mural paintings as statements of cultural identity |
| title_full | Mesoamerican open spaces and mural paintings as statements of cultural identity by Celina B. Barrios de Senisterra |
| title_fullStr | Mesoamerican open spaces and mural paintings as statements of cultural identity by Celina B. Barrios de Senisterra |
| title_full_unstemmed | Mesoamerican open spaces and mural paintings as statements of cultural identity by Celina B. Barrios de Senisterra |
| title_short | Mesoamerican open spaces and mural paintings as statements of cultural identity |
| title_sort | mesoamerican open spaces and mural paintings as statements of cultural identity |
| topic | Architektur (DE-588)4002851-3 gnd Kunst (DE-588)4114333-4 gnd Kulturelle Identität (DE-588)4033542-2 gnd Wandmalerei (DE-588)4064542-3 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| topic_facet | Architektur Kunst Kulturelle Identität Wandmalerei Öffentlicher Raum Mittelamerika Hochschulschrift |
| work_keys_str_mv | AT barriosdesenisterracelinab mesoamericanopenspacesandmuralpaintingsasstatementsofculturalidentity |