The Routledge handbook to music under German occupation, 1938-1945: propaganda, myth and reality
Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject...
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| Format: | Buch |
| Sprache: | English |
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London ; New York
Routledge
2020
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| Schriftenreihe: | Routledge handbooks
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II David Fanning is Professor of Music at the University of Manchester and author and editor of books, articles and critical editions on Nielsen, Shostakovich, Weinberg, Expressionism and the 20th-century symphonic tradition. An experienced chamber music pianist and accompanist, he is also active as a critic for Gramophone and the Daily Telegraph. Erik Levi is Visiting Professor of Music at Royal Holloway, University of London. He is author and editor of several books relating to music during the Weimar Republic and the Third Reich and is active as a broadcaster and critic for BBC Music Magazine. Amongst his recent publications are Music and Displacement, co-edited with Florian Scheding (2010); Mozart and the Nazis (2010); The Impact of Nazism on Twentieth-Century Music (2014); and Hanns Eisler and England (2014). |
| Beschreibung: | xxii, 550 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781138713888 9781032082653 |
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| adam_text | CONTENTS List List List List List offigures of tables of appendices of contributors of abbreviations ix xi xii xiii xxi Introduction: the foundations of Nazi musical imperialism 1 David Fanning and Erik Levi SECTION 1 Musical life, resistance and destruction in occupied European capitals 17 1 Composers as critics in occupied Paris 19 Nigel Simeone 2 The Conservatoire in occupied Kiev (19 September 1941 to 6 November 1943) 33 Elena Zinkevych, translated by Michelle Assay 3 Nazi musical imperialism in occupied Poland 61 Katarzyna Naliwajek 4 Music and musical life in occupied Athens Alexandras Charkiolakis v 82
Contents SECTION 2 Adaptation and opportunism 101 5 The Rome-Berlin Axis: musical interactions between Fascist Italy and Nazi Germany in redrawing a ‘New Order for European Culture’ Erik Levi 6 In search of a musical identity in the Nazi-occupied Netherlands Dario van Gammeren 103 122 7 Symphonic music in occupied Belgium (1940—1944): the role of ‘German-friendly’ music societies Eric Derom 140 8 Music, culture and the Church in the German-occupied USSR: the Smolensk area and other provinces Svetlana Zvereva 170 SECTION 3 Appropriations and reputations 191 9 Celebrating a Mozart anniversary in occupied Belgium: the Mozart Herdenking in Vlaanderen (1942) Marie-Hélène Benoit-Otis and Cécile Quesney 10 The ambiguous reception of Antonin Dvorak’s music during the Reichsprotektorat Böhmen und Mähren (The Protectorate of Bohemia and Moravia), 1939—1945 Kateřina Nová, translated by Štěpán Kaňa 11 Celebrating the Nordic tone — fighting for national legacy: the Grieg Centenary, 1943 Michael Custodis and Arnulf Mattes 193 211 231 SECTION 4 Between two evils 251 12 The song collector, the year of terrors and the catastrophe that followed: a life in occupied Latvia Kevin C. Karnes 253 VI
Contents 13 The music of Čiurlionis in the context of resistance and Lithuanian national identity during the Nazi occupation (1941-1944) Vytautė Markeliūnienė 14 Power through music: strategies of the German occupation authorities in Estonia Kristel Pappel and Anu Kõlar 265 276 SECTION 5 The limits of tolerance 301 15 Getting away with Cultural Bolshevism: the first European performance of Porgy and Bess in Copenhagen, 1943 Michael Fjeldsøe 303 16 Music criticism in the Swedish Nazi daily press: the case of Dagsposten Henrik Rosengren 319 SECTION 6 Damaged careers 33 7 17 (Re) visiting the (Jewish) archive of Gideon Klein — Terezín, 1941-1944 David Fligg 339 18 Eugeniusz Morawski: life under the Nazi occupation of Warsaw Oskar Lapeta 358 SECTION 7 Symphonies of war and resistance 375 19 Religious patriotism and grotesque ridicule: responses to Nazi oppression in Pavel Haas’sunfinished war-time Symphony Martin Čurda 377 20 Paul von Klenau s Ninth Symphony: a case study Niels Krabbe vii 399
Contents 21 Shostakovich’s‘Leningrad’Symphony: music of endurance David Fanning and Michelle Assay 418 SECTION 8 Complex and uneasy legacies 449 22 Listening in the Grey Zone Michael Beckerman 451 23 The marketing of backstories: approaches to the legacies of music composed in fraught circumstances Mirjam Frank 24 Nazism, music and Tyrolean identity Kurt Drexel 459 472 25 Bartók against the Nazis: the Italian premieres of Bluebeard’s Castle (1938) and The Miraculous Mandarin (1942) Nicolò Palazzetti 489 26 Contemporary music and cultural politics in Switzerland during World War II: between neutrality and nationalism Simeon Thompson 511 Index 526 viii
Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies Involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the Impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II. David Fanning is Professor of Music at the University of Manchester and author and editor of books, articles and critical editions on Nielsen, Shostakovich, Weinberg,
Expressionism and the 20th-century symphonic tradition. An experienced chamber music pianist and accompanist, he is also active as a critic for Gramophone and the Daily Telegraph. Erik Levi is Visiting Professor of Music at Royal Holloway, University of London. He is author and editor of several books relating to music during the Weimar Republic and the Third Reich and is active as a broadcaster and critic for BBC Music Magazine. Amongst his recent publications are Music and Displacement, со-edited with Florian Scheding (2010); Mozart and the Nazis (2010); The Impact of Nazism on Twentieth-Century Music (2014); and Hanns Eisler and England (2014). MUSIC Cover image: Under the Yoke of Nazi Oppression by Jo Levi
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| spelling | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality edited by David Fanning and Erik Levi London ; New York Routledge 2020 xxii, 550 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge handbooks Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II David Fanning is Professor of Music at the University of Manchester and author and editor of books, articles and critical editions on Nielsen, Shostakovich, Weinberg, Expressionism and the 20th-century symphonic tradition. An experienced chamber music pianist and accompanist, he is also active as a critic for Gramophone and the Daily Telegraph. Erik Levi is Visiting Professor of Music at Royal Holloway, University of London. He is author and editor of several books relating to music during the Weimar Republic and the Third Reich and is active as a broadcaster and critic for BBC Music Magazine. Amongst his recent publications are Music and Displacement, co-edited with Florian Scheding (2010); Mozart and the Nazis (2010); The Impact of Nazism on Twentieth-Century Music (2014); and Hanns Eisler and England (2014). Geschichte 1938-1945 gnd rswk-swf Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Deutsche (DE-588)4070334-4 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Besatzung Militär (DE-588)4458873-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutsche (DE-588)4070334-4 s Europa (DE-588)4015701-5 g Besatzung Militär (DE-588)4458873-2 s Nationalsozialismus (DE-588)4041316-0 s Kulturpolitik (DE-588)4033581-1 s Musik (DE-588)4040802-4 s Geschichte 1938-1945 z DE-604 Levi, Erik 1949- (DE-588)114113270 edt Fanning, David 1955- (DE-588)135378281 edt Erscheint auch als Online-Ausgabe, PDF 978-1-315-23061-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031657476&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031657476&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality Nationalsozialismus (DE-588)4041316-0 gnd Deutsche (DE-588)4070334-4 gnd Kulturpolitik (DE-588)4033581-1 gnd Besatzung Militär (DE-588)4458873-2 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4041316-0 (DE-588)4070334-4 (DE-588)4033581-1 (DE-588)4458873-2 (DE-588)4040802-4 (DE-588)4015701-5 (DE-588)4143413-4 |
| title | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality |
| title_auth | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality |
| title_exact_search | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality |
| title_full | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality edited by David Fanning and Erik Levi |
| title_fullStr | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality edited by David Fanning and Erik Levi |
| title_full_unstemmed | The Routledge handbook to music under German occupation, 1938-1945 propaganda, myth and reality edited by David Fanning and Erik Levi |
| title_short | The Routledge handbook to music under German occupation, 1938-1945 |
| title_sort | the routledge handbook to music under german occupation 1938 1945 propaganda myth and reality |
| title_sub | propaganda, myth and reality |
| topic | Nationalsozialismus (DE-588)4041316-0 gnd Deutsche (DE-588)4070334-4 gnd Kulturpolitik (DE-588)4033581-1 gnd Besatzung Militär (DE-588)4458873-2 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Nationalsozialismus Deutsche Kulturpolitik Besatzung Militär Musik Europa Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031657476&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031657476&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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