The Oxford handbook of sound and imagination, Volume 1 - Grimshaw-Aagaard, Mark 1963-; Walther-Hansen, Mads ca. 20./21. Jh; Knakkergaard, Martin 1955- (Oxford University Press, 2019)
Includes bibliographical references and index
Imagining Sound as the Absolute: The Case of Sarangadeva - Saam Trivedi -- - Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning - Petter Dyndahl -- - Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound - Ulrik Volgsten -- - Musical Preferences and the Imagined Self - Alexandra Lamont -- - Burmese Spirit Worship: Music as a Medium for the Transformation of Self - Judith Becker -- - Opera and the South African Political - Christopher Ballantine -- - Noise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage - Odd Are Berkaak -- - The Sonic Abject: Sound and Violence in the Legal Imagination - Veit Erlmann -- - Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves - Kai Tuuri, Henna-Riikka Peltola -- - Sonic Branding: From Brand Image to Brand Imagination - Clara Gustafsson --
- Radio Imaginaries: Music, Space, and Broadcasting in the 1950s - Morten Michelsen -- - The Sensation of Sound and Imagination in a Historical Perspective - Sven Hroar Klempe -- - Audio Inside the Mind: The Poetics of Sound - Se an Street -- - The Acoustic Imaginations of East Asia - Kerim Yasar -- - Imagining Sonic Stories - Vincent Meelberg -- - Sound Quality, Language, and Cognitive Metaphors - Mads Walther-Hansen -- - Speech, Sound, Technology - Johannes Mulder, Theo van Leeuwen -- - Divergent Images of Early Sound Experience during Infancy and Early Childhood - Michael Forrester -- - The Aural Dimension in Comic Art - Marco Pellitteri -- - Sound, Museums, and the Modulation of the Imagination - William Whittington -- - Cinema as Social Knowledge: The Case of the Beatles in the Studio - Fran cois Ribac -- - Concerning the Iconic Signification of Music in Cinema - Michael Chanan -- - Imagining the Sounds Themselves - Malcolm Riddoch --
- Embodied Listening: A Moving Dimension of Imagination - Martine Huvenne -- - The Listener's Choice: The Sounds of Music, Meanings, and Measurements - Ola Stockfelt -- - Imagining Acoustic Spaces through Listening and Acoustic Ecology - Barry Truax -- - Presence, Environment, and Sound and the Role of Imagination - Mark Grimshaw-Aagaard -- - Music Places: Imaginative Transports of Listening - Judy I. Lochhead -- - Beacons of Sound - Martin Knakkergaard -- - Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation - Zohar Eitan, Hila Tamir-Ostrover -- - Auditory Mirrors: About the Politics of Hearing - Sabine Sanio -- - What We Hear is Where We Are - Linda-Ruth Salter -- - Bridging the Other-Real: Video Game Sound and the Imagination - Tom A. Garner -- - Auditory Imagination: A Phenomenological Perspective - Daniel A. Schmicking -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard --
- The Necessity of Vagueness and Ambiguity to the Imagining of Sound - Mark Grimshaw-Aagaard -- - Listening and/as Imagination - Marcel Cobussen -- - Imagination, Multimodality, and Sound - Joaquim Braga -- - Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery - Timothy L. Hubbard -- - Into the Sounds of War: Imagination, Media, and Experience - Michael Bull