Káma-Kapúska!: making marks in Indian country, 1833-34
Over the winter of 1833–34, the Numak'aki (Mandan) war chief Mató-Tópe (ca. 1784–1837) visited the painting studio kept by Swiss painter Karl Bodmer (1809–93) at Fort Clark, a trading post in what is now North Dakota, fifty-five times. This project argues that this shared studio space and its a...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
[2019]
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| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | Over the winter of 1833–34, the Numak'aki (Mandan) war chief Mató-Tópe (ca. 1784–1837) visited the painting studio kept by Swiss painter Karl Bodmer (1809–93) at Fort Clark, a trading post in what is now North Dakota, fifty-five times. This project argues that this shared studio space and its activities are an extension of the Middle Ground, or the cultural arena co-created by Native and non-Native peoples on the French frontier. The Numak'aki name that local warriors bestowed upon Bodmer (Kapúska, or "Forcefully Makes Marks") demonstrates this co-creation by describing the artist’s practices through a Numak'aki lens, rather than a Western one—a testimony to the co-operation of two distinct cultural systems within the Fort Clark studio. The project’s digital platform then models this argument in presenting the project’s related archives through both Native and non-Native frameworks. |
| ISSN: | 1543-1002 |
| DOI: | 10.29411/ncaw.2019.18.2.23 |
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| 520 | 3 | |a Over the winter of 1833–34, the Numak'aki (Mandan) war chief Mató-Tópe (ca. 1784–1837) visited the painting studio kept by Swiss painter Karl Bodmer (1809–93) at Fort Clark, a trading post in what is now North Dakota, fifty-five times. This project argues that this shared studio space and its activities are an extension of the Middle Ground, or the cultural arena co-created by Native and non-Native peoples on the French frontier. The Numak'aki name that local warriors bestowed upon Bodmer (Kapúska, or "Forcefully Makes Marks") demonstrates this co-creation by describing the artist’s practices through a Numak'aki lens, rather than a Western one—a testimony to the co-operation of two distinct cultural systems within the Fort Clark studio. The project’s digital platform then models this argument in presenting the project’s related archives through both Native and non-Native frameworks. | |
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Datensatz im Suchindex
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| spelling | Ronan, Kristine K. Verfasser aut Káma-Kapúska! making marks in Indian country, 1833-34 by Kristine K. Ronan with Allan McLeod [2019] txt rdacontent c rdamedia cr rdacarrier Over the winter of 1833–34, the Numak'aki (Mandan) war chief Mató-Tópe (ca. 1784–1837) visited the painting studio kept by Swiss painter Karl Bodmer (1809–93) at Fort Clark, a trading post in what is now North Dakota, fifty-five times. This project argues that this shared studio space and its activities are an extension of the Middle Ground, or the cultural arena co-created by Native and non-Native peoples on the French frontier. The Numak'aki name that local warriors bestowed upon Bodmer (Kapúska, or "Forcefully Makes Marks") demonstrates this co-creation by describing the artist’s practices through a Numak'aki lens, rather than a Western one—a testimony to the co-operation of two distinct cultural systems within the Fort Clark studio. The project’s digital platform then models this argument in presenting the project’s related archives through both Native and non-Native frameworks. Bodmer, Karl 1809-1893 (DE-588)118512323 gnd rswk-swf Geschichte 1830-1840 gnd rswk-swf Kulturkontakt (DE-588)4033569-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Sioux (DE-588)4055139-8 gnd rswk-swf North Dakota (DE-588)4075498-4 gnd rswk-swf Sioux (DE-588)4055139-8 s Bodmer, Karl 1809-1893 (DE-588)118512323 p North Dakota (DE-588)4075498-4 g Kulturkontakt (DE-588)4033569-0 s Kunst (DE-588)4114333-4 s Geschichte 1830-1840 z DE-604 McLeod, Allan Sonstige oth Nineteenth century art worldwide / Association of Historians of nineteenth century Art (AHNCA) College Park, Md., 2019 Volume 18, issue 2 (autumn 2019) (DE-604)BV017067311 1543-1002 (DE-600)2107291-7 text/html http://www.19thc-artworldwide.org/autumn19/ronan-on-kama-kapuska-making-marks-in-indian-country-1833-34 Verlag kostenfrei Volltext https://doi.org/10.29411/ncaw.2019.18.2.23 Resolving-System Volltext |
| spellingShingle | Ronan, Kristine K. Káma-Kapúska! making marks in Indian country, 1833-34 Bodmer, Karl 1809-1893 (DE-588)118512323 gnd Kulturkontakt (DE-588)4033569-0 gnd Kunst (DE-588)4114333-4 gnd Sioux (DE-588)4055139-8 gnd |
| subject_GND | (DE-588)118512323 (DE-588)4033569-0 (DE-588)4114333-4 (DE-588)4055139-8 (DE-588)4075498-4 |
| title | Káma-Kapúska! making marks in Indian country, 1833-34 |
| title_auth | Káma-Kapúska! making marks in Indian country, 1833-34 |
| title_exact_search | Káma-Kapúska! making marks in Indian country, 1833-34 |
| title_full | Káma-Kapúska! making marks in Indian country, 1833-34 by Kristine K. Ronan with Allan McLeod |
| title_fullStr | Káma-Kapúska! making marks in Indian country, 1833-34 by Kristine K. Ronan with Allan McLeod |
| title_full_unstemmed | Káma-Kapúska! making marks in Indian country, 1833-34 by Kristine K. Ronan with Allan McLeod |
| title_short | Káma-Kapúska! |
| title_sort | kama kapuska making marks in indian country 1833 34 |
| title_sub | making marks in Indian country, 1833-34 |
| topic | Bodmer, Karl 1809-1893 (DE-588)118512323 gnd Kulturkontakt (DE-588)4033569-0 gnd Kunst (DE-588)4114333-4 gnd Sioux (DE-588)4055139-8 gnd |
| topic_facet | Bodmer, Karl 1809-1893 Kulturkontakt Kunst Sioux North Dakota |
| url | http://www.19thc-artworldwide.org/autumn19/ronan-on-kama-kapuska-making-marks-in-indian-country-1833-34 https://doi.org/10.29411/ncaw.2019.18.2.23 |
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