New African Cinema:
New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New Brunswick, NJ
Rutgers University Press
[2017]
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| Series: | Quick Takes: Movies and Popular Culture
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| Subjects: | |
| Online Access: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
| Summary: | New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) |
| Physical Description: | 1 online resource |
| ISBN: | 9780813579580 |
Staff View
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| 520 | |a New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging | ||
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Record in the Search Index
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| author | Orlando, Valérie K. |
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| format | Electronic eBook |
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| spelling | Orlando, Valérie K. Verfasser aut New African Cinema Valérie K. Orlando New Brunswick, NJ Rutgers University Press [2017] © 2017 1 online resource txt rdacontent c rdamedia cr rdacarrier Quick Takes: Movies and Popular Culture Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging In English Geschichte 1960- gnd rswk-swf africa african culture african film african filmmaker african studies colonialism film culture film school filmmaker filmmaking political film post-colonial postcolonial PERFORMING ARTS / General bisacsh Motion pictures Social aspects Africa Motion pictures Africa History Television programs Africa Film (DE-588)4017102-4 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Afrika (DE-588)4000695-5 g Film (DE-588)4017102-4 s Geschichte 1960- z 1\p DE-604 https://www.degruyter.com/isbn/9780813579580 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Orlando, Valérie K. New African Cinema africa african culture african film african filmmaker african studies colonialism film culture film school filmmaker filmmaking political film post-colonial postcolonial PERFORMING ARTS / General bisacsh Motion pictures Social aspects Africa Motion pictures Africa History Television programs Africa Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4000695-5 |
| title | New African Cinema |
| title_auth | New African Cinema |
| title_exact_search | New African Cinema |
| title_full | New African Cinema Valérie K. Orlando |
| title_fullStr | New African Cinema Valérie K. Orlando |
| title_full_unstemmed | New African Cinema Valérie K. Orlando |
| title_short | New African Cinema |
| title_sort | new african cinema |
| topic | africa african culture african film african filmmaker african studies colonialism film culture film school filmmaker filmmaking political film post-colonial postcolonial PERFORMING ARTS / General bisacsh Motion pictures Social aspects Africa Motion pictures Africa History Television programs Africa Film (DE-588)4017102-4 gnd |
| topic_facet | africa african culture african film african filmmaker african studies colonialism film culture film school filmmaker filmmaking political film post-colonial postcolonial PERFORMING ARTS / General Motion pictures Social aspects Africa Motion pictures Africa History Television programs Africa Film Afrika |
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