French blockbusters: cultural politics of a transnational cinema
The digitised spectacles conjured by a word like 'blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic 'cultural...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2019]
|
| Schriftenreihe: | Traditions in world cinema
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The digitised spectacles conjured by a word like 'blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic 'cultural exception' remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions. Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of recent popular films that are rapidly changing what it means to make - or to see - a 'French' film today. From English-language action vehicles like Valerian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Toledano & Nakache, 2011), the variously filiated 'local blockbusters' from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a forceful counter-history |
| Beschreibung: | xvii, 236 Seiten Illustrationen, Portraits 25 cm |
| ISBN: | 9781474424233 1474424236 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Figures Acknowledgements Traditions in World Cinema Foreword by Frédéric Gimello-Mesplomb Introduction: French Blockbusters? vi viii xii xiv 1 1. The Lang Plan and its Aftermath 29 2. Popular French Cinema and ‘Cultural Diversity’ 59 3. The Debatable Destiny of Amélie Poulain 91 4. Valerian and the Planet of a Thousand Critics 114 5. Countercurrents in French Action Cinema 142 6. Serial (Bad?) French Comedies 178 Conclusion: A Disputed Heritage 213 Index 226
The digitised spectacles conjured by a word like‘blockbuster’ may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic ‘cultural exception’ remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions. Cutting a swath through recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of a recent grouping of popular films that are rapidly changing what it means, to make - or to see - a Trench’ film today. From English-language action Vehicles like Valerian and the City of a Thousand Planets (Besson, 2017) to revisionist historical filmslike Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Toledano Nakache, 2011), the variously filiated ‘local blockbusters’ from contemporary, France brim with the seeds of cultural contradiction, but also with the energy of a counter-history. Charlie Michael earned his PhD from the University of Wisconsin-Madison and currently teaches film and media studies in the Atlanta area. He со-edited the Directory of World Cinema France (2013) and his work has also appeared in SubStance, The Velvet Light Trap, Quebec Studies, French Politics,
Culture Society and A Companion to Contemporary French Cinema.
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