Possessed voices: aural remains from modernist Hebrew theater
"Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focu...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Albany
SUNY Press
[2019]
|
Schriftenreihe: | Suny series in contemporary Jewish literature and culture
|
Schlagworte: | |
Zusammenfassung: | "Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four case studies: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). The book traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. Abeliovich shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, she develops a critical framework for the study of sound as a discipline in its own right in theater scholarship."... |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xxii, 229 Seiten Illustrationen |
ISBN: | 9781438474434 |
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490 | 0 | |a Suny series in contemporary Jewish literature and culture | |
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520 | |a "Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four case studies: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). The book traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. Abeliovich shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, she develops a critical framework for the study of sound as a discipline in its own right in theater scholarship."... | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Abeliovich, Ruthie 1978- |
author_GND | (DE-588)1203220669 |
author_facet | Abeliovich, Ruthie 1978- |
author_role | aut |
author_sort | Abeliovich, Ruthie 1978- |
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building | Verbundindex |
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callnumber-label | PN2919 |
callnumber-raw | PN2919.4 |
callnumber-search | PN2919.4 |
callnumber-sort | PN 42919.4 |
callnumber-subject | PN - General Literature |
ctrlnum | (OCoLC)1137831766 (DE-599)BVBBV046210348 |
dewey-full | 792.095694 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.095694 |
dewey-search | 792.095694 |
dewey-sort | 3792.095694 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte 1931-1965 gnd |
era_facet | Geschichte 1931-1965 |
format | Book |
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geographic | Israel (DE-588)4027808-6 gnd |
geographic_facet | Israel |
id | DE-604.BV046210348 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:38:21Z |
institution | BVB |
isbn | 9781438474434 |
language | English |
lccn | 018033265 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031589254 |
oclc_num | 1137831766 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xxii, 229 Seiten Illustrationen |
psigel | BSB_NED_20200127 |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | SUNY Press |
record_format | marc |
series2 | Suny series in contemporary Jewish literature and culture |
spelling | Abeliovich, Ruthie 1978- Verfasser (DE-588)1203220669 aut Possessed voices aural remains from modernist Hebrew theater Ruthie Abeliovich Albany SUNY Press [2019] xxii, 229 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Suny series in contemporary Jewish literature and culture Includes bibliographical references and index "Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four case studies: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). The book traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. Abeliovich shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, she develops a critical framework for the study of sound as a discipline in its own right in theater scholarship."... Geschichte 1931-1965 gnd rswk-swf Theater Israel Jewish theater Theater (DE-588)4059702-7 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Israel (DE-588)4027808-6 gnd rswk-swf Israel (DE-588)4027808-6 g Theater (DE-588)4059702-7 s Schallaufzeichnung (DE-588)4052020-1 s Geschichte 1931-1965 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4384-7445-8 |
spellingShingle | Abeliovich, Ruthie 1978- Possessed voices aural remains from modernist Hebrew theater Theater Israel Jewish theater Theater (DE-588)4059702-7 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
subject_GND | (DE-588)4059702-7 (DE-588)4052020-1 (DE-588)4027808-6 |
title | Possessed voices aural remains from modernist Hebrew theater |
title_auth | Possessed voices aural remains from modernist Hebrew theater |
title_exact_search | Possessed voices aural remains from modernist Hebrew theater |
title_full | Possessed voices aural remains from modernist Hebrew theater Ruthie Abeliovich |
title_fullStr | Possessed voices aural remains from modernist Hebrew theater Ruthie Abeliovich |
title_full_unstemmed | Possessed voices aural remains from modernist Hebrew theater Ruthie Abeliovich |
title_short | Possessed voices |
title_sort | possessed voices aural remains from modernist hebrew theater |
title_sub | aural remains from modernist Hebrew theater |
topic | Theater Israel Jewish theater Theater (DE-588)4059702-7 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
topic_facet | Theater Israel Jewish theater Theater Schallaufzeichnung Israel |
work_keys_str_mv | AT abeliovichruthie possessedvoicesauralremainsfrommodernisthebrewtheater |