Miguel Venegas and the earliest Jesuit theater: choruses for tragedies in sixteenth-century Europe
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2019]
|
| Schriftenreihe: | Jesuit studies
volume 23 |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, 240 Seiten |
| ISBN: | 9789004340428 |
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Datensatz im Suchindex
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| adam_text |
IN
MIGUEL
VENEGAS AND THE
EARLIEST
JESUIT
THEATER, MARGARIDA
MIRANDA
LAKES A FRESH LOOK AT THE ORIGINS OF JESUIT
THEATER
AND
PROVIDES A DETAILED ACCOUNT OF THE
LIFE
AND WORK OF MIGUEL
VENEGAS (1529 AFTER 1588)
WITHIN
THE IBERIAN TRADITION. THE
BOOK DETAILS VENEGAS'S ROLE AS THE FOUNDER OF JESUIT
THEATER
IN
PORTUGAL (AND THE CREATOR OF A NEW MUSICAL GENRE, CHORUSES
FOR
TRAGEDIES),
WHICH
WAS GRADUALLY CODIFIED AND EMULATED BY
SUCCESSIVE
GENERATIONS OF JESUITS. VENEGAS'S
LATIN
TRAGEDIES
IN
TURN PROVIDED THE MODEL FOR REGULAR DRAMATIC ACTIVITIES IN
THE GLOBAL NETWORK OF JESUIT SCHOOLS, INCLUDING, SIGNIFICANTLY,
THE
FIRST
TRAGEDIES TO BE STAGED IN ROME: SAUL GELBOENS AND
ACLIALMS,
BOTH OF
WHICH
HAD ORIGINALLY BEEN PERFORMED IN
COIMBRA
IN THE MID-SIXTEENTH CENTURY.
MARGARIDA
MIRANDA,
PHD (COIMBRA
UNIVERSITY,
2002) IS
PROFESSOR OF
CLASSICAL
AND HUMANISTIC STUDIES AT COIMBRA
UNIVERSITY.
SHE HAS PUBLISHED
MONOGRAPHS
AND MANY ARTICLES
ON
CLASSICAL
AND JESUIT STUDIES, INCLUDING A MODERN PORTUGUESE
TRANSLATION OF THE RATIO STUDIONIM
(1599).
CONTENTS
ACKNOWLEDGMENTS XI
LIST
OF
ABBREVIATIONS XII
INTRODUCTION
XIV
1
MIGUEL
VENEGAS
OF
AVILA 1
1
VENEGAS, VANEGAS,
OR
BANEGAS?
2
2 A TEACHER FROM ALCALA
JOINS
THE SOCIETY
OF
JESUS
8
2 MIGUEL
VENEGAS:
THE MASTER AND THE
JESUIT
12
1
THE DAYS IN PLASENCIA 12
2 MIGUEL
VENEGAS
AND THE
FIRST
JESUIT
PERFORMANCES IN PORTUGAL: AT THE
COLEGIO
DE
JESUS
OR
SANTO
ANTAO,
IN
LISBON 16
3
AT
THE
COLEGIO
REAL OR
COLEGIO
DAS ARTES
IN
COIMBRA 24
4
IN
ROME
(1563)
30
5
IN
PARIS
(1564-66)
33
6
A LONG PILGRIMAGE: FROM PARIS TO
ROME
AND FROM
ROME
TO AVILA AND
ALCALA 39
7 MIGUEL
VENEGAS,
TEACHER OF RHETORIC IN SALAMANCA 52
3 THE
ALCALA
LEGACY:
FROM GRAMMAR TO THE BIBLE, FROM RHETORIC TO
THEATER 59
1
GRAMMAR AS THE BASIS
OF
ALL
STUDIES: FROM GRAMMARIAN TO
THEOLOGIAN 65
2
FROM
THE TEACHING OF
LANGUAGES
TO THE POLYGLOT BIBLE 67
3
THE SPECIFIC FEATURES OF THE
COLEGIO
TRILINGUEE DE SAN JERONIMO 70
4 THE COMPLUTENSIAN SCHOOL OF RHETORIC 78
5 THE
CHRISTIAN
HUMANISM
OF
ALCALA AND THE DRAMATIC
WORKS
OF
VENEGAS
86
6
CONCLUSIONS 90
4 MIGUEL
VENEGAS
AND THE DRAMATIC
TRADITION
IN SPAIN 92
1
THE
BIBLICAL
THEATER OF MIGUEL
VENEGAS
AND THE DRAMATIC CONTEXT IN
SPAIN 92
2 THE
BIBLICAL
PLAYS OF MIGUEL
VENEGAS
AND
JESUIT
THEATER
IN
SPAIN 93
3
THE PLAYS OF
MIGUETVENEGAS
AND UNIVERSITY
HUMANIST
THEATER IN
SPAIN 96
VIII
CONTENTS
4 NEW FORMS OF
DRAMA
IN
NON-SCHOOL THEATER 106
5 THE
LATIN
TRAGEDY SAULFURENS
(1555)
114
6
CONCLUSIONS 118
5 SCHOOL THEATER
IN
COIMBRA DURING THE
TIME OF
MIGUEL
VENEGAS:
THE
COLEGIO
DAS ARTES 121
1
GEORGE
BUCHANAN, GUILLAUME DE GUERENTE, MARC-ANTOINE DE
MURET 121
2 STUDENT THEATER AT COIMBRA UNIVERSITY 124
3
THEATER
IN
THE COIMBRA
COLEGIO
DAS ARTES
BEFORE
THE JESUITS:
DIOGO
DE
TEIVE
126
4 PERFORMING PLAUTUES OR
SENECA?:
THE TESTIMONY OF
LUIS
DA CRUZ 128
6
THE
LITERARY WORKS
MIGUEL
VENEGAS
PRODUCED IN PORTUGAL
(I559~62) 130
1
SAUL
GELBOEUS
(1559)
131
2
ORATION
IN
PRAISE OF
KING
JOHN
ILL
(1559)
135
3
IN
DIE
PRAEMIORUM DIALOGUS
(1561)
136
4 GRATULATIO AND THE
ORATIONS
BY
THE
FOUR
ARTS
(1561)
139
5
POEMS
(1559-62)
142
6
ORATION
IN
PRAISE OF
ST.
ELIZABETH
OF PORTUGAL
(1562)
143
7
DIALOGUS
IN
PRAEMIA
AND ACHABUS
(1562)
144
7 DRAMA SACRUM ET
LATINUM:
THE TRAGOEDIA SACRA EXGLB. REGUM
CAP.
18-20-21
AND THE BEGINNING OF A CYCLE
OF
TRAGIC
PLAYS 149
1
TRAGOEDIAE
SACRAE:
THE
FIRST
JESUIT TRAGEDIES IN ROME AND THE GRADUAL
CODIFICATION
OF A
DRAMATIC
GENRE 151
1.1
7565;
ACHABUS AT
THE
COLLEGIO
GERMANICO
151
1.2
1566:
SAUL AT
THE
COLLEGIO
GERMANICO
155
!-3
I57
:
DRAMA
SACRUM ET
LATINUM
DECRETUM
EST 156
2
VENEGAS'S
TRAGEDIES AND THE POETICS OF SACRED TRAGEDY 157
3
THE BEGINNING OF A CYCLE
OF
TRAGEDIES 163
4 THE COMEDY
TOBIAH
AND THE TRAGEDY ABSALOM 167
8
OPTIME
MORE TRAGICO CANEBANTUR. FRANCISCO DE SANTA MARIA AND THE
DRAMATIC
CHORUSES
OF
MIGUEL
VENEGAS,
1559-62
174
1
CHORUSES
IN
JESUIT
DRAMA:
SINE
HARMONIA
THEATRUM
NON DELECTAT
(THEATER
DOES NOT DELIGHT WITHOUT
MUSIC)
174
2 PERO DIAS'S LETTER:
"THE
PERFORMANCE COULD NOT HAVE BEEN BETTERED IN
ANCIENT
GREECE
[.]"
176
CONTENTS
IX
3 THE
LATIN
VERSION OF THE
SAME
LETTER: UPTIME
MORE
TRAGICO CANEBANTUR
(SUNG IN THE FINEST TRAGIC STYLE) 183
4 THE CHORUSES IN MM 70: "THEY ARE USUALLY SUNG, ACCOMPANIED BY
RECORDERS
AT FESTIVALS IN THE MAIN CHURCH" 186
CONCLUSION 196
APPENDIX: MIGUEL
VENEGAS'S
WRITINGS 201
BIBLIOGRAPHY 209
INDEX 221 |
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| spelling | Miranda, Maria Margarida Lopes de 1966- Verfasser (DE-588)1089437331 aut Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe by Margarida Miranda Leiden ; Boston Brill [2019] © 2019 XVI, 240 Seiten txt rdacontent n rdamedia nc rdacarrier Jesuit studies volume 23 Includes bibliographical references and index Venegas, Miguel (DE-588)119857480 gnd rswk-swf Jesuiten (DE-588)80092-2 gnd rswk-swf Geschichte gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Portugal (DE-588)4046843-4 gnd rswk-swf Venegas, Miguel / 1531- / Criticism and interpretation Jesuit theater / Portugal / History / 16th century Latin drama (Tragedy) / History and criticism Venegas, Miguel (DE-588)119857480 p Portugal (DE-588)4046843-4 g Jesuiten (DE-588)80092-2 b Theater (DE-588)4059702-7 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-90-04-40705-3 Jesuit studies volume 23 (DE-604)BV041447202 23 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031585696&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031585696&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Miranda, Maria Margarida Lopes de 1966- Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe Jesuit studies Venegas, Miguel (DE-588)119857480 gnd Jesuiten (DE-588)80092-2 gnd Theater (DE-588)4059702-7 gnd |
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| title | Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe |
| title_auth | Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe |
| title_exact_search | Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe |
| title_full | Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe by Margarida Miranda |
| title_fullStr | Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe by Margarida Miranda |
| title_full_unstemmed | Miguel Venegas and the earliest Jesuit theater choruses for tragedies in sixteenth-century Europe by Margarida Miranda |
| title_short | Miguel Venegas and the earliest Jesuit theater |
| title_sort | miguel venegas and the earliest jesuit theater choruses for tragedies in sixteenth century europe |
| title_sub | choruses for tragedies in sixteenth-century Europe |
| topic | Venegas, Miguel (DE-588)119857480 gnd Jesuiten (DE-588)80092-2 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Venegas, Miguel Jesuiten Theater Portugal |
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