The Oxford handbook of musical theatre screen adaptations:
"Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance dr...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2019]
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| Schriftenreihe: | [Oxford handbooks]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies"-- |
| Beschreibung: | xiv, 673 Seiten Illustrationen, Notenbeispiele 26 cm |
| ISBN: | 9780190469993 0190469994 |
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| 505 | 8 | |a "And I'll sing once more": a historical overview of the Broadway musical on the silver screen / Dominic McHugh -- From novel to stage to screen: adapting Roberta / Geoffrey Block -- Getting real: stage musical vs. filmic realism in film adaptations from Camelot to Cabaret / Raymond Knapp -- The party's over: on the town, bells are ringing, and the problem of adapting postwar New York / Martha Shearer -- Into the woods from stage to screen / Mark Eden Horowitz -- Li'l Abner from comic strip to Hollywood / James Lovensheimer -- Fidelity vs. freedom in Milo Forman's film version of Hair / Andrew Buchman -- "An elegant legacy": the aborted cartoon adaptation of Finian's Rainbow / Danielle Birkett -- Little shop of horrors: breaking the rules all the way to the big (enormous, 12-inch) screen / Jonas Westover -- The fascinating moment of godspell: its cinematic adaptation in the shadow of Jesus Christ Superstar and Leonard Bernstein's Mass / Paul Laird -- Adapting pal Joey: post-war anxieties and the playmate / Julianne Lindberg -- "Too darn hot": reimagining Kiss me, Kate for the silver screen / Hannah Robbins -- "A humane, practical, and beautiful solution": adaptation and triangulation in Paint your wagon / Megan Woller -- "A great American service": George M. Cohan, the stage, and the nation in Yankee Doodle dandy / Elizabeth Craft -- Cole Porter's list songs on stage and screen / Cliff Eisen -- Loud, pretty, strong, white [repeat]: the Jeanette MacDonald and Nelson Eddy operettas at MGM (1935-1942) / Todd Decker -- Brigadoon and its transition to MGM musical: adapting a stage show for star dancers / Susan Smith -- "Is this the right material, girl?": how Madonna makes us like Eva but not necessarily Evita / Richard Allen -- The Streisand adaptations / Dominic McHugh -- The shifting sand of orientalism: The desert song on stage and screen / William A. Everett -- | |
| 505 | 8 | |a "You will know that she is our Annie": comparing three adaptations of a Broadway classic / Ian Sapiro -- The three faces of Rio Rita / John Graziano -- Lost in translation: the strange case of Rodgers and Hammerstein's Carousel / Tim Carter -- Carol Burnett and the ends of variety: parody, nostalgia, and analysis of the American musical / Robynn Stilwell -- Flamboyance, exuberance, and Schmaltz: half a sixpence and the Broadway adaptation in 1960s Hollywood / Amanda McQueen -- The producers and Hairspray: the hazards and rewards of recursive adaptation / Dean Adams -- Rescoring Anything goes in 1930s Hollywood / Allison Robbins | |
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Datensatz im Suchindex
| _version_ | 1804180427570675712 |
|---|---|
| adam_text | THE OXFORD HANDBOOK OF
MUSICAL
Edited by
DOMINIC McHUGH
OXFORD
UNIVERSITY PRESS
Contents
Acknowledgements xi
Contributors xiii
About the Companion Website xv
Introduction 1
Dominic McHugh
PART I AN INTRODUCTION TO THE
STAGE-TO SCREEN ADAPTATION
1 ‘And I’ll Sing Once More’: A Historical Overview of the
Broadway Musical on the Silver Screen 13
Dominic McHugh
2 Refashioning Roberta: From Novel to Stage to Screen 29
Geoffrey Block :
3 Getting Real: Stage Musical versus Filmic Realism in Film
Adaptations from Camelot to Cabaret 55
Raymond Knapp
4 The Party’s Over: On the Town, Bells Are Ringing, and the
Problem of Adapting Postwar New York 85
Martha Shearer ,
5 Into the Woods from Stage to Screen 107
Mark Eden Horowitz
PART II THE POLITICS OF ADAPTATION
6 Li’l Abner from Comic Strip to Hollywood 127
Jim Lovensheimer
Viii CONTENTS
7 Fidelity versus Freedom in Milos Forman’s Film Version of Hair 151
Andrew Buchman
8 ‘An Elegant Legacy?’: The Aborted Cartoon Adaptation of
Finiaris Rainbow 183
Danielle Birkett
9 Little Shop of Horrors: Breaking the Rules All the Way to the
Big (Enormous, Twelve-inch) Screen 205
Jonas Westover
10 The Fascinating Moment of Godspell: Its Cinematic Adaptation in
the Shadow of Jesus Christ Superstar and Leonard Bernstein’s Mass 229
Paul R Laird
PART III BIOGRAPHY AND IDENTITIES:
RACE, SEXUALITY, AND GENDER
11 Adapting Pal Joey: Postwar Anxieties and the Playmate 253
Julianne Lindberg
12 ‘Too Darn Hot’: Reimagining Kiss Me, Kate for the Silver Screen 275
Hannah Robbins
13 ‘A Humane, Practical, and Beautiful Solution: Adaptation and
Triangulation in Paint Your Wagon 293
Megan Woller
14 ‘A Great American Service’: George M Cohan, the Stage,
and the Nation in Yankee Doodle Dandy 315
Elizabeth Titrington Craft
15 Cole Porter’s List Songs on Stage and Screen 337
Cliff Eisen
PART IV STARS AND ADAPTATION
16 Loud, Pretty, Strong, White [Repeat]: The Jeanette MacDonald
and Nelson Eddy Operettas at MGM (1935-1942) 355
Todd Decker
CONTENTS ix
17 ‘Is this the right material, girl?’: How Madonna Makes Us
Like Eva, but Not Necessarily Evita
Richard J Allen
18 Brigado on and its Transition to MGM Dance Musical: Adapting a
Stage Show for Star Dancers
Susan Smith
19 ‘I’m Once Again the Previous Me’: Performance and Stardom
in the Barbra Streisand Stage-to-Screen Adaptations
Dominic McHugh,
PART V MULTIPLE ADAPTATIONS
OF A SINGLE WORK
20 The Shifting Sand of Orientalism: The Desert Song on
Stage and Screen
William A Everett
21 ‘You Will Know That She is Our Annie’: Comparing Three
Adaptations of a Broadway Classic
Ian Sapiro
22 The Many Faces of Rio Rita
John Graziano
PART VI STUDIOS, AUDIENCES,
TECHNOLOGY
23 Lost in Translation: Rodgers and Hammerstein’s Carousel on
the Silver Screen
Tim Carter
24 Carol Burnett and the Ends of Variety: Parody, Nostalgia, and
Analysis of the American Musical
Robynn J Stilwell
25 Flamboyance, Exuberance, and Schmaltz: Haifa Sixpence and
the Broadway Adaptation in 1960s Hollywood
Amanda McQueen
X CONTENTS
26 The Producers and Hairspray: The Hazards and Rewards of
Recursive Adaptation 591
Dean Adams
27 Rescoring Anything Goes in 1930s Hollywood 613
Allison Robbins
Select Bibliography 635
Index 643
|
| any_adam_object | 1 |
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| author_facet | McHugh, Dominic ca. 20./21. Jh |
| building | Verbundindex |
| bvnumber | BV046112145 |
| classification_rvk | LR 53509 LR 54137 |
| contents | "And I'll sing once more": a historical overview of the Broadway musical on the silver screen / Dominic McHugh -- From novel to stage to screen: adapting Roberta / Geoffrey Block -- Getting real: stage musical vs. filmic realism in film adaptations from Camelot to Cabaret / Raymond Knapp -- The party's over: on the town, bells are ringing, and the problem of adapting postwar New York / Martha Shearer -- Into the woods from stage to screen / Mark Eden Horowitz -- Li'l Abner from comic strip to Hollywood / James Lovensheimer -- Fidelity vs. freedom in Milo Forman's film version of Hair / Andrew Buchman -- "An elegant legacy": the aborted cartoon adaptation of Finian's Rainbow / Danielle Birkett -- Little shop of horrors: breaking the rules all the way to the big (enormous, 12-inch) screen / Jonas Westover -- The fascinating moment of godspell: its cinematic adaptation in the shadow of Jesus Christ Superstar and Leonard Bernstein's Mass / Paul Laird -- Adapting pal Joey: post-war anxieties and the playmate / Julianne Lindberg -- "Too darn hot": reimagining Kiss me, Kate for the silver screen / Hannah Robbins -- "A humane, practical, and beautiful solution": adaptation and triangulation in Paint your wagon / Megan Woller -- "A great American service": George M. Cohan, the stage, and the nation in Yankee Doodle dandy / Elizabeth Craft -- Cole Porter's list songs on stage and screen / Cliff Eisen -- Loud, pretty, strong, white [repeat]: the Jeanette MacDonald and Nelson Eddy operettas at MGM (1935-1942) / Todd Decker -- Brigadoon and its transition to MGM musical: adapting a stage show for star dancers / Susan Smith -- "Is this the right material, girl?": how Madonna makes us like Eva but not necessarily Evita / Richard Allen -- The Streisand adaptations / Dominic McHugh -- The shifting sand of orientalism: The desert song on stage and screen / William A. Everett -- "You will know that she is our Annie": comparing three adaptations of a Broadway classic / Ian Sapiro -- The three faces of Rio Rita / John Graziano -- Lost in translation: the strange case of Rodgers and Hammerstein's Carousel / Tim Carter -- Carol Burnett and the ends of variety: parody, nostalgia, and analysis of the American musical / Robynn Stilwell -- Flamboyance, exuberance, and Schmaltz: half a sixpence and the Broadway adaptation in 1960s Hollywood / Amanda McQueen -- The producers and Hairspray: the hazards and rewards of recursive adaptation / Dean Adams -- Rescoring Anything goes in 1930s Hollywood / Allison Robbins |
| ctrlnum | (OCoLC)1124783536 (DE-599)BVBBV046112145 |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV046112145 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:35:35Z |
| institution | BVB |
| isbn | 9780190469993 0190469994 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031492722 |
| oclc_num | 1124783536 |
| open_access_boolean | |
| owner | DE-11 DE-703 DE-824 |
| owner_facet | DE-11 DE-703 DE-824 |
| physical | xiv, 673 Seiten Illustrationen, Notenbeispiele 26 cm |
| psigel | BSB_NED_20191213 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | [Oxford handbooks] |
| spelling | The Oxford handbook of musical theatre screen adaptations edited by Dominic McHugh Musical theatre screen adaptations New York, NY Oxford University Press [2019] © 2019 xiv, 673 Seiten Illustrationen, Notenbeispiele 26 cm txt rdacontent n rdamedia nc rdacarrier [Oxford handbooks] "And I'll sing once more": a historical overview of the Broadway musical on the silver screen / Dominic McHugh -- From novel to stage to screen: adapting Roberta / Geoffrey Block -- Getting real: stage musical vs. filmic realism in film adaptations from Camelot to Cabaret / Raymond Knapp -- The party's over: on the town, bells are ringing, and the problem of adapting postwar New York / Martha Shearer -- Into the woods from stage to screen / Mark Eden Horowitz -- Li'l Abner from comic strip to Hollywood / James Lovensheimer -- Fidelity vs. freedom in Milo Forman's film version of Hair / Andrew Buchman -- "An elegant legacy": the aborted cartoon adaptation of Finian's Rainbow / Danielle Birkett -- Little shop of horrors: breaking the rules all the way to the big (enormous, 12-inch) screen / Jonas Westover -- The fascinating moment of godspell: its cinematic adaptation in the shadow of Jesus Christ Superstar and Leonard Bernstein's Mass / Paul Laird -- Adapting pal Joey: post-war anxieties and the playmate / Julianne Lindberg -- "Too darn hot": reimagining Kiss me, Kate for the silver screen / Hannah Robbins -- "A humane, practical, and beautiful solution": adaptation and triangulation in Paint your wagon / Megan Woller -- "A great American service": George M. Cohan, the stage, and the nation in Yankee Doodle dandy / Elizabeth Craft -- Cole Porter's list songs on stage and screen / Cliff Eisen -- Loud, pretty, strong, white [repeat]: the Jeanette MacDonald and Nelson Eddy operettas at MGM (1935-1942) / Todd Decker -- Brigadoon and its transition to MGM musical: adapting a stage show for star dancers / Susan Smith -- "Is this the right material, girl?": how Madonna makes us like Eva but not necessarily Evita / Richard Allen -- The Streisand adaptations / Dominic McHugh -- The shifting sand of orientalism: The desert song on stage and screen / William A. Everett -- "You will know that she is our Annie": comparing three adaptations of a Broadway classic / Ian Sapiro -- The three faces of Rio Rita / John Graziano -- Lost in translation: the strange case of Rodgers and Hammerstein's Carousel / Tim Carter -- Carol Burnett and the ends of variety: parody, nostalgia, and analysis of the American musical / Robynn Stilwell -- Flamboyance, exuberance, and Schmaltz: half a sixpence and the Broadway adaptation in 1960s Hollywood / Amanda McQueen -- The producers and Hairspray: the hazards and rewards of recursive adaptation / Dean Adams -- Rescoring Anything goes in 1930s Hollywood / Allison Robbins "Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies"-- Geschichte gnd rswk-swf Filmmusical (DE-588)4154370-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Musical films / United States / History and criticism Musicals / United States / Film adaptations Film adaptations / History and criticism Film adaptations Musical films United States Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Filmmusical (DE-588)4154370-1 s Geschichte z DE-604 McHugh, Dominic ca. 20./21. Jh. (DE-588)106650525X edt Erscheint auch als Online-Ausgabe, Oxford Handbooks Online 978-0-19-049001-0 Erscheint auch als Online-Ausgabe, UPDF 978-0-19-049000-3 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-005154-9 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031492722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of musical theatre screen adaptations "And I'll sing once more": a historical overview of the Broadway musical on the silver screen / Dominic McHugh -- From novel to stage to screen: adapting Roberta / Geoffrey Block -- Getting real: stage musical vs. filmic realism in film adaptations from Camelot to Cabaret / Raymond Knapp -- The party's over: on the town, bells are ringing, and the problem of adapting postwar New York / Martha Shearer -- Into the woods from stage to screen / Mark Eden Horowitz -- Li'l Abner from comic strip to Hollywood / James Lovensheimer -- Fidelity vs. freedom in Milo Forman's film version of Hair / Andrew Buchman -- "An elegant legacy": the aborted cartoon adaptation of Finian's Rainbow / Danielle Birkett -- Little shop of horrors: breaking the rules all the way to the big (enormous, 12-inch) screen / Jonas Westover -- The fascinating moment of godspell: its cinematic adaptation in the shadow of Jesus Christ Superstar and Leonard Bernstein's Mass / Paul Laird -- Adapting pal Joey: post-war anxieties and the playmate / Julianne Lindberg -- "Too darn hot": reimagining Kiss me, Kate for the silver screen / Hannah Robbins -- "A humane, practical, and beautiful solution": adaptation and triangulation in Paint your wagon / Megan Woller -- "A great American service": George M. Cohan, the stage, and the nation in Yankee Doodle dandy / Elizabeth Craft -- Cole Porter's list songs on stage and screen / Cliff Eisen -- Loud, pretty, strong, white [repeat]: the Jeanette MacDonald and Nelson Eddy operettas at MGM (1935-1942) / Todd Decker -- Brigadoon and its transition to MGM musical: adapting a stage show for star dancers / Susan Smith -- "Is this the right material, girl?": how Madonna makes us like Eva but not necessarily Evita / Richard Allen -- The Streisand adaptations / Dominic McHugh -- The shifting sand of orientalism: The desert song on stage and screen / William A. Everett -- "You will know that she is our Annie": comparing three adaptations of a Broadway classic / Ian Sapiro -- The three faces of Rio Rita / John Graziano -- Lost in translation: the strange case of Rodgers and Hammerstein's Carousel / Tim Carter -- Carol Burnett and the ends of variety: parody, nostalgia, and analysis of the American musical / Robynn Stilwell -- Flamboyance, exuberance, and Schmaltz: half a sixpence and the Broadway adaptation in 1960s Hollywood / Amanda McQueen -- The producers and Hairspray: the hazards and rewards of recursive adaptation / Dean Adams -- Rescoring Anything goes in 1930s Hollywood / Allison Robbins Filmmusical (DE-588)4154370-1 gnd |
| subject_GND | (DE-588)4154370-1 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | The Oxford handbook of musical theatre screen adaptations |
| title_alt | Musical theatre screen adaptations |
| title_auth | The Oxford handbook of musical theatre screen adaptations |
| title_exact_search | The Oxford handbook of musical theatre screen adaptations |
| title_full | The Oxford handbook of musical theatre screen adaptations edited by Dominic McHugh |
| title_fullStr | The Oxford handbook of musical theatre screen adaptations edited by Dominic McHugh |
| title_full_unstemmed | The Oxford handbook of musical theatre screen adaptations edited by Dominic McHugh |
| title_short | The Oxford handbook of musical theatre screen adaptations |
| title_sort | the oxford handbook of musical theatre screen adaptations |
| topic | Filmmusical (DE-588)4154370-1 gnd |
| topic_facet | Filmmusical USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031492722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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