The Routledge companion to Butoh performance:
"The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of this global art form. Originating in Japan in the 1960s, butoh was a major innovation in 20th century dance and performance, and it continues to shape-shift around the world. Taking inspiratio...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2019
|
| Schriftenreihe: | Routledge theatre and performance companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of this global art form. Originating in Japan in the 1960s, butoh was a major innovation in 20th century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices. This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts"... |
| Beschreibung: | Includes bibliographical references Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | 558 Seiten Illustrationen |
| ISBN: | 9781138691094 9781138691100 9780367517908 |
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| 520 | |a "The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of this global art form. Originating in Japan in the 1960s, butoh was a major innovation in 20th century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices. This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts"... | ||
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Datensatz im Suchindex
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| adam_text | THE ROUTLEDGE
COMPANION TO BUTOH
PERFORMANCE
Edited by Bruce Baird and Rosemary Candelario
Routledge
Taylor amp; Francis Group
LONDON AND NEW YORK
CONTENTS
List of figures
List of contributors
Acknowledgements
A note on fapanese names and words
xiii
xviii
XXfiii
Introduction: dance experience, dance of darkness, global butoh:
the evolution of a new dance form
Bruce Baird and Rosemary Candelario
SECTION 1
Butoh instigators and interlocutors 23
1 On the eve of the birth of ankoku butoh: postwar Japanese
modern dance and Ohno Kazuo
Kuniyoshi Kazuko (translated by Bruce Baird)
2 From vodou to butoh: Hijikata Tatsumi, Katherine Dunham,
and the trans-Pacific remaking of blackness
Arimitsu Michio
3 Contemporary nightmare: an avant-garde dance group dances
Forbidden Colors
Mishima Yukio (translated by Bruce Baird)
4 The relationship between avant-garde dance and things
Mishima Yukio (translated by Bruce Baird)
vii
Contents
5 Rethinking the “indigeneity” of Hijikata Tatsumi in the 1960s
as a photographic negative image of Japanese dance history
Inata Naomi (translated by Bruce Baird and the author)
6 A la maison de Shibusawa: the draconian aspects of Hijikata’s butoh
Robert Ono
7 Hijikata Tatsumi: burnt offering dancer
Shibusawa Tatsuhiko (translated by Robert Ono)
8 A certain kind of energy: dancing modern anxiety
Shibusawa Tatsuhiko (translated by Robert Ono)
9 Butoh and taboo
Gunji Masakatsu (translated by Jane Traynor)
10 “Inserting the hip/s” and “lowering the hip/s” excerpt from
Chapter 1, “That Which Is Nanba-like” from What Are Traditional Arts?
A Dialogue for Criticism and Creation
Takechi Tetsuji and Tomioka Taeko (translated and with an introductory
essay by Maki Isaka)
11 The problematics of butoh and the essentialist trap
William Marotti
12 Returns and repetitions: Hijikata Tatsumi’s choreographic practice as a
critical gesture of temporalization
Sara Jansen
13 Ohno Kazuo: biography and methods of movement creation
Lucia Schwellinger (translated by Charlotte Marr and Rosemary Candelario)
14 What we know and what we want to know: a roundtable on butoh and
neuer Tanz
Kate Elswit, Miyagawa Mariko, Eiko Otake, and Tara Rodman
15 Oikawa Hironobu: bringing Decroux and Artaud into Japanese
dance practices
Yoshida Yukihiko (translated by Bruce Baird)
16 Foundations and filiations: the legacy of Artaud in Hijikata Tatsumi
Samantha Marenzi
viii
Contents
ix
17 Butoh’s remediation and the anarchic transforming politics of
the body in the 1960s 150
Peter Eckersall
18 Bodies at the threshold of the visible: photographic butoh 158
Jonathan W Marshall
19 The book of butoh; the book of the dead 171
Uno Kuniichi (translated by Bruce Baird)
SECTION 2
The second generation 179
20 “Open butoh”: Dairakudakan and Maro Akaji 181
Tomoe Aihara (translated by Robert Ono)
21 Growing new life: Kasai Akira’s butoh 192
Megan V Nicely
22 Light as dust, hard as steel, fluid as snake saliva: the Butoh Body
of Ashikawa Yoko 203
SU-EN
23 The expanding universe of butoh: the challenge of Bishop Yamada
in Hoppo Butoh-ha and Shiokubi (1975) 214
Kosuge Hayato
24 Murobushi Kb and his challenge to butoh 226
Katja Centonze
25 Oscillation and regeneration: the temporal aesthetics of Sankai Juku 237
Iwaki Kyoko
SECTION 3
New sites for butoh 243
26 “Now we have a passport”: global and local butoh 245
Rosemary Candelario
27 A history of French fascination with butoh 254
Sylviane Pages (translated by Sherwood Chen)
Contents
28 The concept of butoh in Italy: from Ohno Kazuo to Kasai Akira 262
Maria Pia D’Orazi
29 German butoh since the late 1980s: Tadashi Endo, Yumiko Yoshioka,
and Minako Seki 276
Rosa van Hensbergen
30 SU-EN Butoh Company — body, nature, and the world 285
SU-EN
31 Butoh in Brazil: historical context and political reenactment 294
Christine Greiner
32 A sun more alive: butoh in Mexico 303
Gustavo Emilio Rosales (translated by Jordan A Y Smith)
33 Global butoh as experienced in San Francisco 313
Brechin Flournoy
34 LEIMAY, CAVE, and the New York Butoh Festival 325
Ximena Garnica
35 Iraqi Bodies’ The Baldheaded: “butoh”-inspired Iraqi contemporary
performance 337
J Dellecave
36 “We need to keep one eye open ”: approaching butoh at sites of
personal and cultural resistance 343
Jeremy Neideck
SECTION 4
Politics, gender, identity 359
37 Butoh’s genders: men in dresses and girl-like women 361
Katherine Mezur
38 Death rituals and survival acts: Hata Kanoko’s “butoh action” and
alternative inter-Asian transnationalism 371
Chiayi Seetoo
39 When the “revolt of the flesh” becomes political protest: the nomadic
tactics of butoh-inspired interventions 381
Carla Melo
x
Contents
xi
40 Butoh beyond the body: an interview with Shakina Nayfack on transition,
evolution, and the spirit at war 388
Jacquelyn Marie Shannon
41 Critical Butoh and the colonial matrix of power 399
Miki Seifert
SECTION 5
Pedagogy and practice 407
42 The daily practice of Hijikata Tatsumi’s apprentices from 1969 to 1978 409
Caitlin Coker
43 Butoh pedagogy in historical and contemporary practice 418
Tanya Calamoneri
44 Waguri Yukio’s Butoh Kaden: taking stock of Hijikata’s butoh notation 426
Rosa van Hensbergen
45 A flower of butoh: my daily dance with Ohno Kazuo (1995—2012) 437
Maureen Momo Freehill
46 On and through the butoh body 447
Katherine Adamenko
47 My Dairakudakan experience 451
Julia A Vessey
48 Butoh as an approach to performance in South Africa 456
jackijob
49 Wrecking butoh: dancing poetic shores 464
Bromvyn Preece
SECTION 6
Beyond butoh 481
50 Tanaka Min: the dance of life 483
Zack Fuller
51 Body Weather Laboratory Los Angeles: an interview with Roxanne
Steinberg and Oguri 491
Joyce Lu
Contents
xii
52 The cinematic forms of butoh films 503
Aaron Kerner
53 Locus solus — locus fracta: butoh dance as protocol for visual
self-representation 510
Lucile Druet
54 Ohno Kazuo’s lessons for a French choreographer: O Sensei
by Catherine Diver res 519
Miyagawa Mariko
55 Michael Sakamoto and the breaks: revolt of the head (MuNK remix) 525
Michael Sakamoto
56 Burn butoh, start again 533
Shinichi Iova-Koga
Index 539
|
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| language | English |
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| spelling | The Routledge companion to Butoh performance [edited by] Bruce Baird, Rosemary Candelario London ; New York Routledge 2019 © 2019 558 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge theatre and performance companions Includes bibliographical references Hier auch später erschienene, unveränderte Nachdrucke "The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of this global art form. Originating in Japan in the 1960s, butoh was a major innovation in 20th century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices. This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts"... Butō Modern dance Japan Baird, Bruce 1968- (DE-588)1025565754 edt Candelario, Rosemary (DE-588)1174900725 edt Erscheint auch als Online-Ausgabe 978-1-315-53613-2 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031490968&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Routledge companion to Butoh performance Butō Modern dance Japan |
| title | The Routledge companion to Butoh performance |
| title_auth | The Routledge companion to Butoh performance |
| title_exact_search | The Routledge companion to Butoh performance |
| title_full | The Routledge companion to Butoh performance [edited by] Bruce Baird, Rosemary Candelario |
| title_fullStr | The Routledge companion to Butoh performance [edited by] Bruce Baird, Rosemary Candelario |
| title_full_unstemmed | The Routledge companion to Butoh performance [edited by] Bruce Baird, Rosemary Candelario |
| title_short | The Routledge companion to Butoh performance |
| title_sort | the routledge companion to butoh performance |
| topic | Butō Modern dance Japan |
| topic_facet | Butō Modern dance Japan |
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