On the Screen: Displaying the Moving Image, 1926-1942
Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experimen...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2019]
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| Schriftenreihe: | Film and Culture Series
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced.Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of "classical" Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) |
| Beschreibung: | 1 online resource 65 b&w illustrations |
| ISBN: | 9780231548038 |
| DOI: | 10.7312/roge18884 |
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| doi_str_mv | 10.7312/roge18884 |
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| id | DE-604.BV046090025 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:34:58Z |
| institution | BVB |
| isbn | 9780231548038 |
| language | English |
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| record_format | marc |
| series2 | Film and Culture Series |
| spelling | Rogers, Ariel Verfasser (DE-588)1047315408 aut On the Screen Displaying the Moving Image, 1926-1942 Ariel Rogers New York, NY Columbia University Press [2019] © 2019 1 online resource 65 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced.Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of "classical" Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media In English Geschichte 1900-1999 gnd rswk-swf Geschichte 1926-1942 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Technological innovations Motion pictures United States History 20th century Technische Innovation (DE-588)4431027-4 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 s Technische Innovation (DE-588)4431027-4 s USA (DE-588)4078704-7 g Geschichte 1900-1999 z 1\p DE-604 Filmproduktion (DE-588)4124971-9 s Geschichte 1926-1942 z 2\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] 978-0-231-18884-5 Erscheint auch als Druck-Ausgabe, Paperback Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] 978-0-231-18885-2 (DE-604)BV046060724 https://doi.org/10.7312/roge18884 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rogers, Ariel On the Screen Displaying the Moving Image, 1926-1942 PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Technological innovations Motion pictures United States History 20th century Technische Innovation (DE-588)4431027-4 gnd Filmproduktion (DE-588)4124971-9 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| subject_GND | (DE-588)4431027-4 (DE-588)4124971-9 (DE-588)4154384-1 (DE-588)4078704-7 |
| title | On the Screen Displaying the Moving Image, 1926-1942 |
| title_auth | On the Screen Displaying the Moving Image, 1926-1942 |
| title_exact_search | On the Screen Displaying the Moving Image, 1926-1942 |
| title_full | On the Screen Displaying the Moving Image, 1926-1942 Ariel Rogers |
| title_fullStr | On the Screen Displaying the Moving Image, 1926-1942 Ariel Rogers |
| title_full_unstemmed | On the Screen Displaying the Moving Image, 1926-1942 Ariel Rogers |
| title_short | On the Screen |
| title_sort | on the screen displaying the moving image 1926 1942 |
| title_sub | Displaying the Moving Image, 1926-1942 |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Technological innovations Motion pictures United States History 20th century Technische Innovation (DE-588)4431027-4 gnd Filmproduktion (DE-588)4124971-9 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion picture industry Technological innovations Motion pictures United States History 20th century Technische Innovation Filmproduktion Filmwirtschaft USA |
| url | https://doi.org/10.7312/roge18884 |
| work_keys_str_mv | AT rogersariel onthescreendisplayingthemovingimage19261942 |