New russian drama: an anthology
New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2019]
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| Schriftenreihe: | Russian Library
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBR01 UPA01 Volltext |
| Zusammenfassung: | New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form.This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic "text" that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Jun 2019) |
| Beschreibung: | 1 Online Ressource (463 Seiten) |
| ISBN: | 9780231545846 |
| DOI: | 10.7312/hanu18510 |
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| 520 | |a New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form.This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic "text" that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater | ||
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Datensatz im Suchindex
| _version_ | 1804180383230590976 |
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| any_adam_object | |
| author2 | Hanukai, Maksim Weygandt, Susanna ca. 20. Jh |
| author2_role | edt edt |
| author2_variant | m h mh s w sw |
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| indexdate | 2024-07-10T08:34:53Z |
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| isbn | 9780231545846 |
| language | English |
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| spelling | New russian drama an anthology Maksim Hanukai, Susanna Weygandt, foreword by Richard Schechner New York, NY Columbia University Press [2019] © 2019 1 Online Ressource (463 Seiten) txt rdacontent c rdamedia cr rdacarrier Russian Library Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Jun 2019) New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form.This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic "text" that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater Text englisch DRAMA / Russian & Former Soviet Union bisacsh (DE-588)4304080-9 Theaterstück gnd-content (DE-588)4002214-6 Anthologie gnd-content Hanukai, Maksim (DE-588)1207105082 edt Weygandt, Susanna ca. 20. Jh. (DE-588)1207105309 edt Schechner, Richard 1934- Sonstige (DE-588)119010143 oth Erscheint auch als Druck-Ausgabe 978-0-231-18510-3 978-0-231-18511-0 https://doi.org/10.7312/hanu18510 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | New russian drama an anthology DRAMA / Russian & Former Soviet Union bisacsh |
| subject_GND | (DE-588)4304080-9 (DE-588)4002214-6 |
| title | New russian drama an anthology |
| title_auth | New russian drama an anthology |
| title_exact_search | New russian drama an anthology |
| title_full | New russian drama an anthology Maksim Hanukai, Susanna Weygandt, foreword by Richard Schechner |
| title_fullStr | New russian drama an anthology Maksim Hanukai, Susanna Weygandt, foreword by Richard Schechner |
| title_full_unstemmed | New russian drama an anthology Maksim Hanukai, Susanna Weygandt, foreword by Richard Schechner |
| title_short | New russian drama |
| title_sort | new russian drama an anthology |
| title_sub | an anthology |
| topic | DRAMA / Russian & Former Soviet Union bisacsh |
| topic_facet | DRAMA / Russian & Former Soviet Union Theaterstück Anthologie |
| url | https://doi.org/10.7312/hanu18510 |
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