The biology of art:
Biological accounts of art typically start with evolutionary, psychological or neurobiological theories. These approaches might be able to explain many of the similarities we see in art behaviors within and across human populations, but they don't obviously explain the differences we also see....
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY
Cambridge University Press
2019
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| Schriftenreihe: | Cambridge elements. Elements in the philosophy of biology
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| Schlagworte: | |
| Online-Zugang: | BSB01 KUBA4 UBG01 URL des Erstveröffentlichers Cambridge University Press |
| Zusammenfassung: | Biological accounts of art typically start with evolutionary, psychological or neurobiological theories. These approaches might be able to explain many of the similarities we see in art behaviors within and across human populations, but they don't obviously explain the differences we also see. Nor do they give us guidance on how we should engage with art, or the conceptual basis for art. A more comprehensive framework, based also on the ecology of art and how art behaviors get expressed in engineered niches, can help us better understand the full range of art behaviors, their normativity and conceptual basis |
| Beschreibung: | 1 online resource (71 pages) |
| ISBN: | 9781108672078 |
| DOI: | 10.1017/9781108672078 |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:34:24Z |
| institution | BVB |
| isbn | 9781108672078 |
| language | English |
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| series2 | Cambridge elements. Elements in the philosophy of biology |
| spelling | Richards, Richard A. Verfasser aut The biology of art Richard A. Richards Cambridge, United Kingdom ; New York, NY Cambridge University Press 2019 1 online resource (71 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge elements. Elements in the philosophy of biology Biological accounts of art typically start with evolutionary, psychological or neurobiological theories. These approaches might be able to explain many of the similarities we see in art behaviors within and across human populations, but they don't obviously explain the differences we also see. Nor do they give us guidance on how we should engage with art, or the conceptual basis for art. A more comprehensive framework, based also on the ecology of art and how art behaviors get expressed in engineered niches, can help us better understand the full range of art behaviors, their normativity and conceptual basis Art and biology Arts / Psychological aspects Art / Philosophy Electronic books Erscheint auch als Druck-Ausgabe, paperback Print version Druck-Ausgabe, hardback 1108727840 Richards, Richard A. The biology of art Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2019 9781108727846 https://doi.org/10.1017/9781108672078 Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1017/9781108672078 Cambridge University Press |
| spellingShingle | Richards, Richard A. The biology of art |
| title | The biology of art |
| title_auth | The biology of art |
| title_exact_search | The biology of art |
| title_full | The biology of art Richard A. Richards |
| title_fullStr | The biology of art Richard A. Richards |
| title_full_unstemmed | The biology of art Richard A. Richards |
| title_short | The biology of art |
| title_sort | the biology of art |
| url | https://doi.org/10.1017/9781108672078 |
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