Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2012
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Beschreibung: | The vernacular, Huangmei Opera, and woman -- The female look and performativity -- Hong Kong's "China for export," the vernacular, and woman -- Affect, cross-dressing, and The love eterne Part four. Genre and gender transnational |
ISBN: | 978-0-252-03661-3 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
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001 | BV046068394 | ||
003 | DE-604 | ||
005 | 20250205 | ||
007 | t| | ||
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100 | 1 | |a Chen, Xiangyang |4 aut | |
245 | 1 | 0 | |a Woman, generic aesthetics, and the vernacular |b Huangmei opera films from China to Hong Kong |c Xiangyang Chen |
264 | 1 | |c 2012 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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500 | |a The vernacular, Huangmei Opera, and woman -- The female look and performativity -- Hong Kong's "China for export," the vernacular, and woman -- Affect, cross-dressing, and The love eterne | ||
500 | |a Part four. Genre and gender transnational | ||
773 | 1 | 8 | |g pages:177-190 |
773 | 0 | 8 | |t Gender meets genre in postwar cinemas / ed. by Christine Gledhill |d Urbana, 2012 |g Seiten 177-190 |w (DE-604)BV039914097 |z 978-0-252-03661-3 |
941 | |s 177-190 | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031449606 |
Datensatz im Suchindex
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article_link | (DE-604)BV039914097 |
author | Chen, Xiangyang |
author_facet | Chen, Xiangyang |
author_role | aut |
author_sort | Chen, Xiangyang |
author_variant | x c xc |
building | Verbundindex |
bvnumber | BV046068394 |
ctrlnum | (DE-599)BVBBV046068394 |
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spelling | Chen, Xiangyang aut Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong Xiangyang Chen 2012 txt rdacontent n rdamedia nc rdacarrier The vernacular, Huangmei Opera, and woman -- The female look and performativity -- Hong Kong's "China for export," the vernacular, and woman -- Affect, cross-dressing, and The love eterne Part four. Genre and gender transnational pages:177-190 Gender meets genre in postwar cinemas / ed. by Christine Gledhill Urbana, 2012 Seiten 177-190 (DE-604)BV039914097 978-0-252-03661-3 |
spellingShingle | Chen, Xiangyang Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong |
title | Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong |
title_auth | Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong |
title_exact_search | Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong |
title_full | Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong Xiangyang Chen |
title_fullStr | Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong Xiangyang Chen |
title_full_unstemmed | Woman, generic aesthetics, and the vernacular Huangmei opera films from China to Hong Kong Xiangyang Chen |
title_short | Woman, generic aesthetics, and the vernacular |
title_sort | woman generic aesthetics and the vernacular huangmei opera films from china to hong kong |
title_sub | Huangmei opera films from China to Hong Kong |
work_keys_str_mv | AT chenxiangyang womangenericaestheticsandthevernacularhuangmeioperafilmsfromchinatohongkong |