The dramaturgy of the spectator: Italian theatre and the public sphere 1600-1800
The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has v...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2019]
|
| Schriftenreihe: | Toronto Italian studies
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| Schlagworte: | |
| Zusammenfassung: | The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon |
| Beschreibung: | xii, 261 Seiten |
| ISBN: | 9781487505356 |
Internformat
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| 520 | |a The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon | ||
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Datensatz im Suchindex
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| author | Korneeva, Tatiana 1982- |
| author_GND | (DE-588)1028624352 |
| author_facet | Korneeva, Tatiana 1982- |
| author_role | aut |
| author_sort | Korneeva, Tatiana 1982- |
| author_variant | t k tk |
| building | Verbundindex |
| bvnumber | BV046058415 |
| classification_rvk | IT 2872 IU 7580 |
| ctrlnum | (OCoLC)1120135907 (DE-599)BVBBV046058415 |
| discipline | Romanistik |
| era | Geschichte 1600-1800 gnd |
| era_facet | Geschichte 1600-1800 |
| format | Book |
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| id | DE-604.BV046058415 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:34:04Z |
| institution | BVB |
| isbn | 9781487505356 |
| language | English |
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| physical | xii, 261 Seiten |
| publishDate | 2019 |
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| publisher | University of Toronto Press |
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| series2 | Toronto Italian studies |
| spelling | Korneeva, Tatiana 1982- Verfasser (DE-588)1028624352 aut The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 Tatiana Korneeva Toronto ; Buffalo ; London University of Toronto Press [2019] xii, 261 Seiten txt rdacontent n rdamedia nc rdacarrier Toronto Italian studies The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon Geschichte 1600-1800 gnd rswk-swf Italian drama 18th century History and criticism Italian drama To 1700 History and criticism Spectators Italy History 17th century Spectators Italy History 18th century Theater audiences Italy History 17th century Theater audiences Italy History 18th century Theater audiences Italy Psychology History 17th century Theater audiences Italy Psychology History 18th century Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Italienisch (DE-588)4114056-4 gnd rswk-swf Zuschauer (DE-588)4127324-2 gnd rswk-swf Italienisch (DE-588)4114056-4 s Drama (DE-588)4012899-4 s Theater (DE-588)4059702-7 s Zuschauer (DE-588)4127324-2 s Geschichte 1600-1800 z DE-188 Erscheint auch als Online-Ausgabe 978-1-4875-3208-6 |
| spellingShingle | Korneeva, Tatiana 1982- The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 Italian drama 18th century History and criticism Italian drama To 1700 History and criticism Spectators Italy History 17th century Spectators Italy History 18th century Theater audiences Italy History 17th century Theater audiences Italy History 18th century Theater audiences Italy Psychology History 17th century Theater audiences Italy Psychology History 18th century Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Italienisch (DE-588)4114056-4 gnd Zuschauer (DE-588)4127324-2 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4114056-4 (DE-588)4127324-2 |
| title | The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 |
| title_auth | The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 |
| title_exact_search | The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 |
| title_full | The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 Tatiana Korneeva |
| title_fullStr | The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 Tatiana Korneeva |
| title_full_unstemmed | The dramaturgy of the spectator Italian theatre and the public sphere 1600-1800 Tatiana Korneeva |
| title_short | The dramaturgy of the spectator |
| title_sort | the dramaturgy of the spectator italian theatre and the public sphere 1600 1800 |
| title_sub | Italian theatre and the public sphere 1600-1800 |
| topic | Italian drama 18th century History and criticism Italian drama To 1700 History and criticism Spectators Italy History 17th century Spectators Italy History 18th century Theater audiences Italy History 17th century Theater audiences Italy History 18th century Theater audiences Italy Psychology History 17th century Theater audiences Italy Psychology History 18th century Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Italienisch (DE-588)4114056-4 gnd Zuschauer (DE-588)4127324-2 gnd |
| topic_facet | Italian drama 18th century History and criticism Italian drama To 1700 History and criticism Spectators Italy History 17th century Spectators Italy History 18th century Theater audiences Italy History 17th century Theater audiences Italy History 18th century Theater audiences Italy Psychology History 17th century Theater audiences Italy Psychology History 18th century Drama Theater Italienisch Zuschauer |
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