Art and expression: studies in the psychology of art
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Book |
| Language: | English Italian |
| Published: |
London ; New York
Routledge
2019
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| Series: | Studies and research in the psychology of art
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and indexes |
| Physical Description: | xxii, 212 Seiten Illustrationen |
| ISBN: | 9781138604100 |
Staff View
MARC
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Record in the Search Index
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| adam_text | Contents Editor’s introduction ix Ian Verstegen Introduction xvii PARTI Expression and the dynamicsof perception 1 Expression and expressive qualities 1 3 1.1 The study of expression in psychology 3 1.1.1 The deficiency disease 5 1.1.2 The phenomenological method 6 1.1.2.1 Inter-observation 10 1.2 For a definition of expression 13 1.2.1 Expression and physiognomic perception 15 1.2.2 The genetic and phenomenal primacy of expressive qualities 18 1.2.3 Emotive determinism 21 1.2.4 The lexicon of expression 23 1.2.5 The essential traits of expression 25 1.2.6 Isomorphism and figurative thought 29 Notes 31 References 37 2 The dynamics of perception and expressive qualities 2.1 2.2 The construct of dynamics 40 Arnheim’s conception of the dynamics of visual perception 41 2.2.1 Vectors, forces, tensions and dynamics of pęjception 42 2.2.1.1 Physical forces and perceptuqUpiçfs 44 2.2.2 Dynamics is the vehicle of expression .4? · 2.2.2.1 An example taken from art 47 40
vi Contents 2.3 Dynamics, expression and graphic and pictorial language 51 2.3.1 A comparison of two paintings 54 2.4 The two guiding values’ of art and behaviour 56 2.5 Representational strategies of the graphic-pictorial medium 59 Notes 61 References 64 PART II Thematic studies 3 The swing effect: A little-studied perceptual phenomenon 3.1 Pictorial perception and line drawing 71 Contour rivalry 73 3.2.1 The visual tug-of-war 76 3.3 Perceptual conditions of the swing effect 77 3.3.1 Differences between the swing effect and other cases of percept alternation 80 3.4 The dynamic aspects of the swing effect 83 3.5 The presence of the swing effect in graphic and pictorial representation 84 3.5.1 Trademarks 85 3.5.2 Symbols 86 3.5.3 Decoration 87 3.5.4 Enamels and painting on glass 89 3.5.5 Cubism and Pablo Picasso 91 3.5.6 A unique case: Sano di Pietro 92 3.6 The nature and properties of the swing effect 94 Notes 96 References 97 3.2 4 Amodal completion and pictorial representation 4.1 4.2 4.3 Amodal completion 99 Perceptual completion 101 The structural conditions, laws and psychological principles of completion 103 4-4 Amodal completion between seeing and thinking 106 4.5 Amodal completion, dynamics and expression 110 4.6 “Completion by frame” 116 4.7 Amodal completion and cognition 128 Notes 129 References 131
Contents 5 The dynamics of obliqueness: Windmills and timepieces vii 134 5.1 Obliqueness in perception and in pictorial representation 134 5.1.1 The local use of obliqueness 138 5.2 Two studies on local obliqueness 141 5.3 The study of the pictorial representation of windmills 141 5.3.1 Windmills 142 5.3.2 The pictorial genre 143 5.3.3 Stylistic characterisation 145 5.3.4 The premises of the research 151 5.3.4.1 The windmill illusion 151 5.4 Hypothesis, aims and structure of the research 154 5.4.1 Research results 156 5.4.1.1 The 1400s, the 1500s and the Flemish tradition 157 5.4.1.2 The 1600s and Dutch landscape painting 162 5.4.1.3 The 1700s 168 5.4.1.4 The 1800s 169 5.4.1.5 The early 1900s: Piet Mondrian 172 5.5 Research into the pictorial representation of timepieces 179 5.5.1 Timepiece advertising 181 5.6 Hypothesis, aims and structure of the research 184 5.6.1 Research results 186 5.7 Obliqueness and visual thinking 194 Notes 196 References 201 Name index 205 Subject index 211
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| isbn | 9781138604100 |
| language | English Italian |
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| physical | xxii, 212 Seiten Illustrationen |
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| series2 | Studies and research in the psychology of art |
| spelling | Argenton, Alberto -1950 Verfasser (DE-588)130820628 aut Arte e espressione (2008) Art and expression studies in the psychology of art written by Alberto Argenton ; edited by Ian Verstegen London ; New York Routledge 2019 xxii, 212 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Studies and research in the psychology of art Includes bibliographical references and indexes Geschichte gnd rswk-swf Kunstpsychologie (DE-588)4033669-4 gnd rswk-swf Art / Psychology Kunstpsychologie (DE-588)4033669-4 s Geschichte z DE-604 Verstegen, Ian 1969- (DE-588)132970945 edt Erscheint auch als Online-Ausgabe 978-0-429-46870-4 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031437603&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Argenton, Alberto -1950 Art and expression studies in the psychology of art Kunstpsychologie (DE-588)4033669-4 gnd |
| subject_GND | (DE-588)4033669-4 |
| title | Art and expression studies in the psychology of art |
| title_alt | Arte e espressione (2008) |
| title_auth | Art and expression studies in the psychology of art |
| title_exact_search | Art and expression studies in the psychology of art |
| title_full | Art and expression studies in the psychology of art written by Alberto Argenton ; edited by Ian Verstegen |
| title_fullStr | Art and expression studies in the psychology of art written by Alberto Argenton ; edited by Ian Verstegen |
| title_full_unstemmed | Art and expression studies in the psychology of art written by Alberto Argenton ; edited by Ian Verstegen |
| title_short | Art and expression |
| title_sort | art and expression studies in the psychology of art |
| title_sub | studies in the psychology of art |
| topic | Kunstpsychologie (DE-588)4033669-4 gnd |
| topic_facet | Kunstpsychologie |
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