The city in American cinema: film and postindustrial culture
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2019
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | ix, 383 Seiten Illustrationen |
| ISBN: | 9781788313186 |
Staff View
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Contents Contributors vii Acknowledgments x American Cinema and Urban Change: Industry, Genre, and Politics from Nixon to Trump Johan Andersson and Lawrence Webb Part One 1 Film Production and the Postindustrial Turn Daniel Bell, Post-Industrial Society, and Los Angeles Cinema circa 1967-72 Mark Shiel 2 4 83 You Don’t Have to Call Us Home, but Please Stay Here: The City Film Commission Nathan Koob 125 The Boston Movie Boom Carlo Rotella 153 Part Two 5 43 Made in New York: Film Production, the City Government, and Public Protest in the Koch Era Lawrence Webb 3 1 Postindustrial Narratives and Aesthetics The New Boston and the Grip of Tradition: The Friends of Eddie Coyle (1973), The Brink’s Job (1978), and The Verdict (1982) Stanley Corkin 177 6 Undead Detroit: Crisis Capitalism and Urban Ruin Camilla Fojas 205 7 The Flexible Urban Imaginary: Postindustrial Cities in Inception, The Adjustment Bureau, and Doctor Strange Nick Jones 8 A Networked Life: Representations of Connectivity and Structural Inequalities in Fruitvale Station Amy Corbin Part Three 9 223 251 Cinema and Gentrification For Whom Are the Movies? The Landscape of Movie Exhibition in the Gentrified City Brendan Kredell 283
Contents VI 10 Ebbets Field and Other Monuments: Outer Borough Neighborhoods and Revanchism in 1990s Cinema Erica Stein 305 11 Gentrification by Genre: Desperately Seeking Susan and the 1980s Screwball Johan Andersson 329 12 Frances Doesn’t Live Here Anymore: Gender, Crisis, and the Creative City in Frances Ha and The Giant Mechanical Man Martha Shearer Index 351 374
"Smartly conceived and elegantly organized, this collection illuminates the many ways that the rise of the postindustrial city has left its transformative mark on the past half century of American cinema." Derek Nyström, Associate Professor of English, McGill University, Canada "A welcome addition to the literature on fílm and urbanism. This volume attends to the way different cities and genres imagine the urban and negotiate the unequal realities of postindustrial America." Pamela Wójcik, Professor of Film, Television and Theatre, University of Notre Dame, USA "This collection offers an expansive bird's-eye view as well as street-level scrutiny of the post-classical cinematic cityscape, providing compelling, clear-sighted assessment of the mutually regenerative exchange between American cities and the US film industry since the 1960s." Maria San Filippo, Assistant Professor of Communication ô Media Studies, Goucher College, USA "This vital collection provides a broad interrogation of how American film, through its representational and industrial practices, has been deeply involved in the re-making of urban space." Michael D. Dwyer, Associate Professor of Media and Communication, Arcadia University, USA How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the "postindustrial" city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification.
Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016). JOHAN ANDERSSON is Lecturer in Urban Geography at King's College London, UK. LAWRENCE WEBB is Lecturer in Film Studies at the University of Sussex, UK. CONTRIBUTORS: Johan Andersson, Amy Corbin, Stanley Corkin, Camilla Fojas, Nick Jones, Nathan Koob, Brendan Kredell, Carlo Rotella, Martha Shearer, Mark Shiel, Erica Stein, Lawrence Webb. |
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| title | The city in American cinema film and postindustrial culture |
| title_auth | The city in American cinema film and postindustrial culture |
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| title_full | The city in American cinema film and postindustrial culture edited by Johan Andersson and Lawrence Webb |
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