Musical authorship from Schütz to Bach:
What did the term 'author' denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of mus...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2019
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| Schriftenreihe: | Musical performance and reception
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | What did the term 'author' denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Schütz and Bach. (Klappentext) |
| Beschreibung: | xvi, 243 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781108421072 9781108431286 |
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| 520 | 3 | |a What did the term 'author' denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Schütz and Bach. (Klappentext) | |
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Datensatz im Suchindex
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Contents List ofFigures List ofMusic Examples Acknowledgements Author’s Note List ofAbbreviations page viii X xii xiv xv Introduction 1 1 God, Talent, Craft: Concepts of Musical Creativity 16 2 Between Imitatio and Plagiarism 48 3 Signs of Individuality 81 4 Rites of Musical Ownership 116 5 The Regulation of Novelty 158 6 Authorship and Performance 187 Conclusion 213 216 237 Bibliography Index Vil |
| any_adam_object | 1 |
| author | Rose, Stephen 1975- |
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| contents | God, talent, craft : concepts of musical creativity -- Between imitatio and plagiarism -- Signs of individuality -- Rites of musical ownership -- The regulation of novelty -- Authorship and performance |
| ctrlnum | (OCoLC)1109299976 (DE-599)BVBBV045947924 |
| discipline | Musikwissenschaft |
| era | Geschichte 1600-1800 gnd |
| era_facet | Geschichte 1600-1800 |
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| illustrated | Illustrated |
| indexdate | 2024-07-20T05:55:05Z |
| institution | BVB |
| isbn | 9781108421072 9781108431286 |
| language | English |
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| physical | xvi, 243 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2019 |
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| spelling | Rose, Stephen 1975- Verfasser (DE-588)143918559 aut Musical authorship from Schütz to Bach Stephen Rose (Royal Holloway, University of London) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2019 xvi, 243 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musical performance and reception God, talent, craft : concepts of musical creativity -- Between imitatio and plagiarism -- Signs of individuality -- Rites of musical ownership -- The regulation of novelty -- Authorship and performance What did the term 'author' denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Schütz and Bach. (Klappentext) Geschichte 1600-1800 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Composition (Music) / History / 17th century Composition (Music) / History / 18th century Authorship Composition (Music) 1600-1799 History Komposition Musik (DE-588)4133320-2 s Autorschaft (DE-588)4130545-0 s Geschichte 1600-1800 z DE-604 Erscheint auch als Online-Ausgabe 978-1-108-36328-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031330073&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rose, Stephen 1975- Musical authorship from Schütz to Bach God, talent, craft : concepts of musical creativity -- Between imitatio and plagiarism -- Signs of individuality -- Rites of musical ownership -- The regulation of novelty -- Authorship and performance Autorschaft (DE-588)4130545-0 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)4130545-0 (DE-588)4133320-2 |
| title | Musical authorship from Schütz to Bach |
| title_auth | Musical authorship from Schütz to Bach |
| title_exact_search | Musical authorship from Schütz to Bach |
| title_full | Musical authorship from Schütz to Bach Stephen Rose (Royal Holloway, University of London) |
| title_fullStr | Musical authorship from Schütz to Bach Stephen Rose (Royal Holloway, University of London) |
| title_full_unstemmed | Musical authorship from Schütz to Bach Stephen Rose (Royal Holloway, University of London) |
| title_short | Musical authorship from Schütz to Bach |
| title_sort | musical authorship from schutz to bach |
| topic | Autorschaft (DE-588)4130545-0 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Autorschaft Komposition Musik |
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