Dancing Queen: Marie de Médicis' Ballets at the Court of Henri IV
Under glittering lights in the Louvre palace, the French court ballets danced by Queen Marie de Médicis prior to Henri IV’s assassination in 1610 attracted thousands of spectators ranging from pickpockets to ambassadors from across Europe. Drawing on newly discovered primary sources as well as theor...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Toronto
University of Toronto Press
[2019]
|
| Subjects: | |
| Online Access: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
| Summary: | Under glittering lights in the Louvre palace, the French court ballets danced by Queen Marie de Médicis prior to Henri IV’s assassination in 1610 attracted thousands of spectators ranging from pickpockets to ambassadors from across Europe. Drawing on newly discovered primary sources as well as theories and methodologies derived from literary studies, political history, musicology, dance studies, and women’s and gender studies, Dancing Queen traces how Marie’s ballets authorized her incipient political authority through innovative verbal and visual imagery, avant-garde musical developments, and ceremonial arrangements of objects and bodies in space. Making use of women’s "semi-official" status as political agents, Marie’s ballets also manipulated the subtle social and cultural codes of international courtly society in order to more deftly navigate rivalries and alliances both at home and abroad. At times the queen’s productions could challenge Henri IV’s immediate interests, contesting the influence enjoyed by his mistresses or giving space to implied critiques of official foreign policy, for example. Such defenses of Marie’s own position, though, took shape as part of a larger governmental program designed to promote the French consort queen’s political authority not in its own right but as a means of maintaining power for the new Bourbon monarchy in the event of Henri IV’s untimely death |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019) |
| Physical Description: | 1 online resource |
| ISBN: | 9781487518462 |
| DOI: | 10.3138/9781487518462 |
Staff View
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV045947325 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 190624s2019 xx o|||| 00||| eng d | ||
| 020 | |a 9781487518462 |9 978-1-4875-1846-2 | ||
| 024 | 7 | |a 10.3138/9781487518462 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781487518462 | ||
| 035 | |a (OCoLC)1107352862 | ||
| 035 | |a (DE-599)BVBBV045947325 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 944/.031092 |2 23 | |
| 100 | 1 | |a Gough, Melinda |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Dancing Queen |b Marie de Médicis' Ballets at the Court of Henri IV |c Melinda Gough |
| 264 | 1 | |a Toronto |b University of Toronto Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019) | ||
| 520 | |a Under glittering lights in the Louvre palace, the French court ballets danced by Queen Marie de Médicis prior to Henri IV’s assassination in 1610 attracted thousands of spectators ranging from pickpockets to ambassadors from across Europe. Drawing on newly discovered primary sources as well as theories and methodologies derived from literary studies, political history, musicology, dance studies, and women’s and gender studies, Dancing Queen traces how Marie’s ballets authorized her incipient political authority through innovative verbal and visual imagery, avant-garde musical developments, and ceremonial arrangements of objects and bodies in space. Making use of women’s "semi-official" status as political agents, Marie’s ballets also manipulated the subtle social and cultural codes of international courtly society in order to more deftly navigate rivalries and alliances both at home and abroad. At times the queen’s productions could challenge Henri IV’s immediate interests, contesting the influence enjoyed by his mistresses or giving space to implied critiques of official foreign policy, for example. Such defenses of Marie’s own position, though, took shape as part of a larger governmental program designed to promote the French consort queen’s political authority not in its own right but as a means of maintaining power for the new Bourbon monarchy in the event of Henri IV’s untimely death | ||
| 546 | |a In English | ||
| 600 | 0 | 7 | |a Heinrich |b IV. |c Frankreich, König |d 1553-1610 |0 (DE-588)118548174 |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Maria |c Frankreich, Königin |d 1575-1642 |0 (DE-588)118577778 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1602-1609 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Bourbon monarchy | |
| 650 | 4 | |a France | |
| 650 | 4 | |a French court ballets | |
| 650 | 4 | |a French | |
| 650 | 4 | |a Henri IV. | |
| 650 | 4 | |a Louvre | |
| 650 | 4 | |a Queen Marie de Médicis | |
| 650 | 4 | |a dance studies | |
| 650 | 4 | |a literary studies | |
| 650 | 4 | |a musicology | |
| 650 | 4 | |a political history | |
| 650 | 4 | |a women’s and gender studies | |
| 650 | 7 | |a PERFORMING ARTS / Theater / General |2 bisacsh | |
| 650 | 4 | |a Ballet |z France |x History |y 17th century | |
| 650 | 0 | 7 | |a Hof |0 (DE-588)4025453-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ballett |0 (DE-588)4004351-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 1 | |a Heinrich |b IV. |c Frankreich, König |d 1553-1610 |0 (DE-588)118548174 |D p |
| 689 | 0 | 2 | |a Maria |c Frankreich, Königin |d 1575-1642 |0 (DE-588)118577778 |D p |
| 689 | 0 | 3 | |a Hof |0 (DE-588)4025453-7 |D s |
| 689 | 0 | 4 | |a Ballett |0 (DE-588)4004351-4 |D s |
| 689 | 0 | 5 | |a Geschichte 1602-1609 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u https://doi.org/10.3138/9781487518462 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031329479 | |
| 966 | e | |u https://doi.org/10.3138/9781487518462 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487518462 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487518462 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487518462 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487518462 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487518462 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487518462 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1824507551425757184 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Gough, Melinda |
| author_facet | Gough, Melinda |
| author_role | aut |
| author_sort | Gough, Melinda |
| author_variant | m g mg |
| building | Verbundindex |
| bvnumber | BV045947325 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781487518462 (OCoLC)1107352862 (DE-599)BVBBV045947325 |
| dewey-full | 944/.031092 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 944 - France and Monaco |
| dewey-raw | 944/.031092 |
| dewey-search | 944/.031092 |
| dewey-sort | 3944 531092 |
| dewey-tens | 940 - History of Europe |
| discipline | Geschichte |
| doi_str_mv | 10.3138/9781487518462 |
| era | Geschichte 1602-1609 gnd |
| era_facet | Geschichte 1602-1609 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV045947325</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">190624s2019 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781487518462</subfield><subfield code="9">978-1-4875-1846-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781487518462</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781487518462</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1107352862</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045947325</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">944/.031092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gough, Melinda</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Dancing Queen</subfield><subfield code="b">Marie de Médicis' Ballets at the Court of Henri IV</subfield><subfield code="c">Melinda Gough</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto</subfield><subfield code="b">University of Toronto Press</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Under glittering lights in the Louvre palace, the French court ballets danced by Queen Marie de Médicis prior to Henri IV’s assassination in 1610 attracted thousands of spectators ranging from pickpockets to ambassadors from across Europe. Drawing on newly discovered primary sources as well as theories and methodologies derived from literary studies, political history, musicology, dance studies, and women’s and gender studies, Dancing Queen traces how Marie’s ballets authorized her incipient political authority through innovative verbal and visual imagery, avant-garde musical developments, and ceremonial arrangements of objects and bodies in space. Making use of women’s "semi-official" status as political agents, Marie’s ballets also manipulated the subtle social and cultural codes of international courtly society in order to more deftly navigate rivalries and alliances both at home and abroad. At times the queen’s productions could challenge Henri IV’s immediate interests, contesting the influence enjoyed by his mistresses or giving space to implied critiques of official foreign policy, for example. Such defenses of Marie’s own position, though, took shape as part of a larger governmental program designed to promote the French consort queen’s political authority not in its own right but as a means of maintaining power for the new Bourbon monarchy in the event of Henri IV’s untimely death</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Heinrich</subfield><subfield code="b">IV.</subfield><subfield code="c">Frankreich, König</subfield><subfield code="d">1553-1610</subfield><subfield code="0">(DE-588)118548174</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Maria</subfield><subfield code="c">Frankreich, Königin</subfield><subfield code="d">1575-1642</subfield><subfield code="0">(DE-588)118577778</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1602-1609</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bourbon monarchy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">France</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">French court ballets</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">French</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Henri IV.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Louvre</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Queen Marie de Médicis</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">dance studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">literary studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">musicology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">political history</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">women’s and gender studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Theater / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ballet</subfield><subfield code="z">France</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hof</subfield><subfield code="0">(DE-588)4025453-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ballett</subfield><subfield code="0">(DE-588)4004351-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Heinrich</subfield><subfield code="b">IV.</subfield><subfield code="c">Frankreich, König</subfield><subfield code="d">1553-1610</subfield><subfield code="0">(DE-588)118548174</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Maria</subfield><subfield code="c">Frankreich, Königin</subfield><subfield code="d">1575-1642</subfield><subfield code="0">(DE-588)118577778</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Hof</subfield><subfield code="0">(DE-588)4025453-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Ballett</subfield><subfield code="0">(DE-588)4004351-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1602-1609</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031329479</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487518462</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV045947325 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:26:31Z |
| institution | BVB |
| isbn | 9781487518462 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031329479 |
| oclc_num | 1107352862 |
| open_access_boolean | |
| owner | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | University of Toronto Press |
| record_format | marc |
| spelling | Gough, Melinda Verfasser aut Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV Melinda Gough Toronto University of Toronto Press [2019] © 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019) Under glittering lights in the Louvre palace, the French court ballets danced by Queen Marie de Médicis prior to Henri IV’s assassination in 1610 attracted thousands of spectators ranging from pickpockets to ambassadors from across Europe. Drawing on newly discovered primary sources as well as theories and methodologies derived from literary studies, political history, musicology, dance studies, and women’s and gender studies, Dancing Queen traces how Marie’s ballets authorized her incipient political authority through innovative verbal and visual imagery, avant-garde musical developments, and ceremonial arrangements of objects and bodies in space. Making use of women’s "semi-official" status as political agents, Marie’s ballets also manipulated the subtle social and cultural codes of international courtly society in order to more deftly navigate rivalries and alliances both at home and abroad. At times the queen’s productions could challenge Henri IV’s immediate interests, contesting the influence enjoyed by his mistresses or giving space to implied critiques of official foreign policy, for example. Such defenses of Marie’s own position, though, took shape as part of a larger governmental program designed to promote the French consort queen’s political authority not in its own right but as a means of maintaining power for the new Bourbon monarchy in the event of Henri IV’s untimely death In English Heinrich IV. Frankreich, König 1553-1610 (DE-588)118548174 gnd rswk-swf Maria Frankreich, Königin 1575-1642 (DE-588)118577778 gnd rswk-swf Geschichte 1602-1609 gnd rswk-swf Bourbon monarchy France French court ballets French Henri IV. Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies PERFORMING ARTS / Theater / General bisacsh Ballet France History 17th century Hof (DE-588)4025453-7 gnd rswk-swf Ballett (DE-588)4004351-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Heinrich IV. Frankreich, König 1553-1610 (DE-588)118548174 p Maria Frankreich, Königin 1575-1642 (DE-588)118577778 p Hof (DE-588)4025453-7 s Ballett (DE-588)4004351-4 s Geschichte 1602-1609 z 1\p DE-604 https://doi.org/10.3138/9781487518462 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gough, Melinda Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV Heinrich IV. Frankreich, König 1553-1610 (DE-588)118548174 gnd Maria Frankreich, Königin 1575-1642 (DE-588)118577778 gnd Bourbon monarchy France French court ballets French Henri IV. Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies PERFORMING ARTS / Theater / General bisacsh Ballet France History 17th century Hof (DE-588)4025453-7 gnd Ballett (DE-588)4004351-4 gnd |
| subject_GND | (DE-588)118548174 (DE-588)118577778 (DE-588)4025453-7 (DE-588)4004351-4 (DE-588)4018145-5 |
| title | Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV |
| title_auth | Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV |
| title_exact_search | Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV |
| title_full | Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV Melinda Gough |
| title_fullStr | Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV Melinda Gough |
| title_full_unstemmed | Dancing Queen Marie de Médicis' Ballets at the Court of Henri IV Melinda Gough |
| title_short | Dancing Queen |
| title_sort | dancing queen marie de medicis ballets at the court of henri iv |
| title_sub | Marie de Médicis' Ballets at the Court of Henri IV |
| topic | Heinrich IV. Frankreich, König 1553-1610 (DE-588)118548174 gnd Maria Frankreich, Königin 1575-1642 (DE-588)118577778 gnd Bourbon monarchy France French court ballets French Henri IV. Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies PERFORMING ARTS / Theater / General bisacsh Ballet France History 17th century Hof (DE-588)4025453-7 gnd Ballett (DE-588)4004351-4 gnd |
| topic_facet | Heinrich IV. Frankreich, König 1553-1610 Maria Frankreich, Königin 1575-1642 Bourbon monarchy France French court ballets French Henri IV. Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies PERFORMING ARTS / Theater / General Ballet France History 17th century Hof Ballett Frankreich |
| url | https://doi.org/10.3138/9781487518462 |
| work_keys_str_mv | AT goughmelinda dancingqueenmariedemedicisballetsatthecourtofhenriiv |