The Transformation of Athens: Painted Pottery and the Creation of Classical Greece
How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek cultureWhy did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very differe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2018]
|
| Schriftenreihe: | Martin Classical Lectures
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 URL des Erstveröffentlichers Rezension |
| Zusammenfassung: | How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek cultureWhy did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture.Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics.By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781400889938 |
| DOI: | 10.1515/9781400889938 |
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SEHEPUNKTE 19 (2019), NR. 2
ROBIN OSBORNE: THE TRANSFORMATION OF ATHENS
DAS BUCH DES HERAUSRAGENDEN CAMBRIDGER ALTHISTORIKERS ROBIN OSBORNE
BEFASST SICH ZENTRAL MIT DEN BILDERN, DIE
ATHENISCHE LUXUSKERAMIK DES 6. UND 5. JH. V. CHR. SCHMUECKEN. DABEI
KONZENTRIERT ER SICH VOR ALLEM AUF DEN WANDEL,
DEN MAN ZWISCHEN DER SPAETARCHAISCHEN ZEIT UM 500 V. CHR. UND DER
KLASSISCHEN ZEIT UM DIE MITTE DES 5. JH.S V. CHR.
SOWOHL BEZUEGLICH DER WAHL DER BILDTHEMEN ALS AUCH BEZUEGLICH DER WEISE,
WIE DIESE KONKRET UMGESETZT WERDEN,
BEOBACHTEN KANN. OSBORNE GEHT ALSO DER TRADITIONSREICHEN FRAGE NACH, WIE
SICH DAS AUFKOMMEN DES IN DER
EUROPAEISCHEN GEISTESGESCHICHTE VIELBESCHWORENEN 'KLASSISCHEN
GRIECHENLANDS' ANHAND DES WANDELS DER KUNST
NACHZEICHNEN LAESST. DABEI WENDET ER SICH JEDOCH GEGEN DEN TRADITIONELLEN
DISKURS UM DIE SOG. 'GREEK REVOLUTION',
WELCHE VOR ALLEM IM AUFKOMMEN EINES NATURALISTISCHEN STILS BESTANDEN
HABE. R. OSBORNE BESCHAEFTIGT SICH DAGEGEN MIT
DEM INHALT DER BILDER, MIT DEREN IKONOGRAPHIE, UND DIES OHNE DER FRAGE
NACHZUGEHEN, OB KLASSISCHE VASENBILDER DIE
WELT NUN WIRKLICHKEITSGETREUER DARSTELLEN WUERDEN ALS ARCHAISCHE
VASENBILDER, SONDERN MIT DEM ZIEL, ZU VERSTEHEN, WIE
DIE VASENMALER UND IHRE KUNDEN DIE WELT MIT DER WENDE ZUR KLASSIK ANDERS
GESEHEN HABEN.
DAFUER WAEHLT SICH OSBORNE DIE BILDTHEMEN HERAUS, IN DENEN SICH DIE
WERTEWELT DER POLIS ATHEN BESONDERS INTENSIV
SPIEGELT: DAS GYMNASIUM ALS ORT DER PFLEGE DES EBENSO SCHOENEN UND
TUECHTIGEN MAENNLICHEN KOERPERS, KAMPF UND KRIEG
ALS ORT DER BEWAEHRUNG EBENJENER KOERPER DER MAENNER, DIE EROTISCHE
BEGEGNUNG VON MANN UND FRAU ODER MANN UND
MANN, DIE PFLEGE DER BEZIEHUNG ZU DEN GOETTERN (OPFERHANDLUNGEN USW.) UND
SCHLIESSLICH DAS GEMEINSAME TRINKGELAGE
DER MAENNER (DAS SYMPOSION), FUER WELCHES DIE MEISTEN ATTISCHEN
LUXUSKERAMIKGEFAESSE HERGESTELLT WURDEN. FUER ALL JENE
BILDTHEMEN, DIE JEWEILS IN EINEM EIGENEN KAPITEL BEHANDELT WERDEN, ZEIGT
OSBORNE IMMER WIEDER AEHNLICHE TENDENZEN
DES WANDELS AUF: DIE HANDLUNGSREICHEN BILDER DER SPAETARCHAIK, DIE
OFTMALS ATYPISCHES, TEILS NORMWIDRIGES VERHALTEN
ZEIGEN, WEICHEN RUHIGEREN BILDERN, IN DENEN ES WENIGER DARUM GEHT, WAS
DIE FIGUREN TUN, ALS DARUM, WER/WAS SIE SIND.
DIE NEUEN BILDER DER KLASSIK MACHEN SOMIT STETS AUCH DEM BETRACHTER EIN
IDENTITAETSANGEBOT, WIE ES OSBORNE ALS EINE
SEINER HAUPTTHESEN IMMER WIEDER HERVORHEBT.
ENTGEGEN VIELEN (INSBES. DEUTSCHSPRACHIGEN) VERSUCHEN DER 80ER UND 90ER
JAHREN, DIE VERAENDERUNG DER BILDER VOR DEM
HINTERGRUND DER GESCHICHTLICHEN ENTWICKLUNG ZU BETRACHTEN, FINDEN SICH
BEI OSBORNE KEINE REFLEXARTIGEN UND
EINDIMENSIONALEN ARGUMENTATIONSLINIEN, DIE ALLES UND JEDES WAHLWEISE MIT
DEM AUFKOMMEN DER DEMOKRATIE ODER DEN
PERSERKRIEGEN IN VERBINDUNG BRINGEN WOLLEN, UND DIE JUENGST IN W. FILSERS
(MIT DEM HIER REZENSIERTEN BUCH THEMATISCH
ENG VERWANDTEN) MONOGRAPHIE ZUR ATTISCHEN ELITE IN DER VASENMALEREI
EINER GRUNDSATZKRITIK UNTERZOGEN WURDEN. [1
]
DIESER VERSUCHUNG DIREKTER VERBINDUNG VON EREIGNIS- UND KUNSTGESCHICHTE
ERTEILT OSBORNE EINE KLARE ABSAGE UND GIBT
DAMIT EINEM INTENSIVEN EINGEHEN AUF DIE BILDER GEBUEHREND RAUM [2
], WAS VIELE UEBERRASCHENDE BEOBACHTUNGEN UND
INNOVATIVE PERSPEKTIVEN ZUR FOLGE HAT.
OSBORNE GERAET MIT SEINEN CHARAKTERISIERUNGEN DES WANDELS DER BILDER IN
DER KLASSIK DAGEGEN IN DIE NAEHE AELTERER
FORMEN DER AUSEINANDERSETZUNG MIT GRIECHISCHER KUNST AUS DER ZEIT VOR
DER 'SOZIALGESCHICHTLICHEN WENDE' KLASSISCH
ARCHAEOLOGISCHER BILDWISSENSCHAFT IN DEN 70ER UND 80ER JAHREN: JENE EHER
ALS 'GEISTESGESCHICHTLICH' ZU BEZEICHNENDEN
UND IN HEGELIANISCHER TRADITION STEHENDEN VERSUCHE, DAS WESEN EINER
EPOCHE AN IHRER KUNST ABZULESEN, IM RAHMEN
DERER AEHNLICHE PHAENOMENE DES WANDELS, WIE SIE OSBORNE IDENTIFIZIERT,
BEREITS INTENSIV DISKUTIERT WURDEN (ETWA UNTER
DEM STICHWORT DER 'KLASSISCHEN BERUHIGUNG'). DIESE DURCHAUS ERSTAUNLICHE
VERWANDTSCHAFT ZWISCHEN OSBORNES
BESCHWINGT GESCHRIEBENEM BUCH UND DERARTIGER HEUTZUTAGE EHER DURCH
SCHWERFAELLIGE UND SCHWUELSTIGE SPRACHE
BEFREMDENDE UND DAHER VIELLEICHT TEILS UNTERSCHAETZTE
ARCHAEOLOGISCH-KUNSTGESCHICHTLICHE LITERATUR WIRD IM BUCH LEIDER
NICHT SELBST ZUM THEMA GEMACHT.
DIESER KRITIKPUNKT KANN DEN WERT DER MONOGRAPHIE, DIE DURCH INTELLIGENTE
ANALYSEN, DIE VIELFALT DER BERUECKSICHTIGTEN
ASPEKTE, EINEN BLICK FUER DAS WESENTLICHE UND EINEN HOECHST ANSPRECHENDEN
STIL BESTICHT, NUR MARGINAL SCHMAELERN. DEM
EIGENEN ANSPRUCH, MIT DIESEM BUCH DIE KUNSTGESCHICHTSSCHREIBUNG - WELCHE
SICH BISHER NUR FUER STILGESCHICHTE
INTERESSIERT HABE - ZU REVOLUTIONIEREN, KANN DAS BUCH DENNOCH NICHT
GERECHT WERDEN. SCHLIESSLICH IST DIE INHALTLICHE
DIMENSION VON 'KUNST' UND IHRER GESCHICHTE BEREITS MIT E. PANOFSKY IM
MITTLEREN 20. JH. WIEDER AUF DEN PLAN GERUFEN
WORDEN, EBENSO WIE DIE WENDE WEG VON DER STILANALYSE UND HIN ZUR
INHALTLICHEN DEUTUNG AUCH IN DEN ARCHAEOLOGISCHEN
BILDWISSENSCHAFTEN SCHON LAENGST STATTGEFUNDEN HAT, UND DAS PENDEL
DERZEIT EHER NOCH AM ZURUECKSCHWINGEN IST.
ANMERKUNGEN:
[1] W. FILSER: DIE ELITE ATHENS AUF DER ATTISCHEN LUXUSKERAMIK, BERLIN
2017.
[2] DER GRUNDLEGENDE GEGENENTWURF ZU EINER HISTORISCHEN DEUTUNG DES
WANDELS DER BILDER, DEN S. MUTH MIT IHRER
DEZIDIERT BILD-MEDIALEN PERSPEKTIVE AUF DEN WANDEL VON
GEWALTIKONOGRAPHIEN IN DER ATTISCHEN VASENMALEREI VORGELEGT
HAT (S. MUTH: GEWALT IM BILD. DAS PHAENOMEN DER MEDIALEN GEWALT IM ATHEN
DES 6. UND 5. JAHRHUNDERTS V. CHR., BERLIN
2008), WELCHEN MAN DURCHAUS ALS KONSEQUENTE FORTFUEHRUNG EINES SICH
EINLASSENS AUF DIE BILDER ANSEHEN KOENNTE, WIRD
VON OSBORNE LEIDER NICHT INTENSIV REZIPIERT, SONDERN EINIGERMASSEN
PAUSCHAL ZURUECKGEWIESEN (SIEHE ANM. 33 AUF SEITE
93).
REZENSION UEBER:
ROBIN OSBORNE: THE TRANSFORMATION OF ATHENS. PAINTED POTTERY AND THE
CREATION OF CLASSICAL GREECE, PRINCETON / OXFORD: PRINCETON UNIVERSITY
PRESS
2018, XX + 285 S., ZAHLR. ABB., ISBN 978-0-691-17767-0, GBP 41,95
REZENSION VON:
NIKOLAUS DIETRICH
INSTITUT FUER KLASSISCHE ARCHAEOLOGIE, RUPRECHT-KARLS-UNIVERSITAET,
HEIDELBERG
EMPFOHLENE ZITIERWEISE:
NIKOLAUS DIETRICH: REZENSION VON: ROBIN OSBORNE: THE TRANSFORMATION OF
ATHENS. PAINTED POTTERY AND THE CREATION OF CLASSICAL GREECE, PRINCETON
/
OXFORD: PRINCETON UNIVERSITY PRESS 2018, IN: SEHEPUNKTE 19 (2019), NR. 2
[15.02.2019], URL: HTTP://WWW.SEHEPUNKTE.DE/2019/02/31466.HTML
BITTE GEBEN SIE BEIM ZITIEREN DIESER REZENSION DIE EXAKTE URL UND DAS
DATUM IHRES LETZTEN BESUCHS DIESER ONLINE-ADRESSE AN. |
| any_adam_object | 1 |
| author | Osborne, Robin |
| author_facet | Osborne, Robin |
| author_role | aut |
| author_sort | Osborne, Robin |
| author_variant | r o ro |
| building | Verbundindex |
| bvnumber | BV045947114 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781400889938 (OCoLC)1165491521 (DE-599)BVBBV045947114 |
| dewey-full | 738.3820938 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 738 - Ceramic arts |
| dewey-raw | 738.3820938 |
| dewey-search | 738.3820938 |
| dewey-sort | 3738.3820938 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9781400889938 |
| era | Geschichte 520 v. Chr.-440 v. Chr. gnd |
| era_facet | Geschichte 520 v. Chr.-440 v. Chr. |
| format | Electronic eBook |
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| geographic | Athen (DE-588)4003366-1 gnd |
| geographic_facet | Athen |
| id | DE-604.BV045947114 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:26:23Z |
| institution | BVB |
| isbn | 9781400889938 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031329269 |
| oclc_num | 1165491521 |
| open_access_boolean | |
| owner | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Princeton University Press |
| record_format | marc |
| series2 | Martin Classical Lectures |
| spelling | Osborne, Robin Verfasser aut The Transformation of Athens Painted Pottery and the Creation of Classical Greece Robin Osborne Princeton, NJ Princeton University Press [2018] © 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Martin Classical Lectures Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019) How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek cultureWhy did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture.Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics.By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world In English Geschichte 520 v. Chr.-440 v. Chr. gnd rswk-swf ART / History / Ancient & Classical bisacsh Vase-painting, Greek Vases, Red-figured Greece Athens Wertwandel (DE-588)4117636-4 gnd rswk-swf Kulturwandel (DE-588)4033596-3 gnd rswk-swf Rotfigurige Vasenmalerei (DE-588)4124079-0 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Athen (DE-588)4003366-1 gnd rswk-swf Athen (DE-588)4003366-1 g Rotfigurige Vasenmalerei (DE-588)4124079-0 s Ikonographie (DE-588)4026535-3 s Kulturwandel (DE-588)4033596-3 s Wertwandel (DE-588)4117636-4 s Geschichte 520 v. Chr.-440 v. Chr. z 1\p DE-604 https://doi.org/10.1515/9781400889938 Verlag URL des Erstveröffentlichers Volltext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031329269&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Rezension 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Osborne, Robin The Transformation of Athens Painted Pottery and the Creation of Classical Greece ART / History / Ancient & Classical bisacsh Vase-painting, Greek Vases, Red-figured Greece Athens Wertwandel (DE-588)4117636-4 gnd Kulturwandel (DE-588)4033596-3 gnd Rotfigurige Vasenmalerei (DE-588)4124079-0 gnd Ikonographie (DE-588)4026535-3 gnd |
| subject_GND | (DE-588)4117636-4 (DE-588)4033596-3 (DE-588)4124079-0 (DE-588)4026535-3 (DE-588)4003366-1 |
| title | The Transformation of Athens Painted Pottery and the Creation of Classical Greece |
| title_auth | The Transformation of Athens Painted Pottery and the Creation of Classical Greece |
| title_exact_search | The Transformation of Athens Painted Pottery and the Creation of Classical Greece |
| title_full | The Transformation of Athens Painted Pottery and the Creation of Classical Greece Robin Osborne |
| title_fullStr | The Transformation of Athens Painted Pottery and the Creation of Classical Greece Robin Osborne |
| title_full_unstemmed | The Transformation of Athens Painted Pottery and the Creation of Classical Greece Robin Osborne |
| title_short | The Transformation of Athens |
| title_sort | the transformation of athens painted pottery and the creation of classical greece |
| title_sub | Painted Pottery and the Creation of Classical Greece |
| topic | ART / History / Ancient & Classical bisacsh Vase-painting, Greek Vases, Red-figured Greece Athens Wertwandel (DE-588)4117636-4 gnd Kulturwandel (DE-588)4033596-3 gnd Rotfigurige Vasenmalerei (DE-588)4124079-0 gnd Ikonographie (DE-588)4026535-3 gnd |
| topic_facet | ART / History / Ancient & Classical Vase-painting, Greek Vases, Red-figured Greece Athens Wertwandel Kulturwandel Rotfigurige Vasenmalerei Ikonographie Athen |
| url | https://doi.org/10.1515/9781400889938 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031329269&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT osbornerobin thetransformationofathenspaintedpotteryandthecreationofclassicalgreece |