Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii:
Архитектоника современного искусства - 100 лет под знаком революции
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | Russian English |
| Veröffentlicht: |
Sankt-Peterburg
Akademija Russkogo Baleta Imeni A.Ja. Vaganovoj
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | posvjaščën 100-letiju revoljucii 1917 goda v Rossii i kulturnogo landšafta poslednego stoletija |
| Beschreibung: | 241 Seiten Illustrationen (teils farbig) |
| ISBN: | 9785930101164 |
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Datensatz im Suchindex
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| adam_text | ОГЛАВЛЕНИЕ ОТ СОСТАВИТЕЛЯ........................................................................................................................4 Раздел 1. РУССКИЕ РЕВОЛЮЦИИ 1917 И СОВРЕМЕННОЕ ИСКУССТВО..................... 6 Д. В. Галкин. Ленин, кони, обезьяны и женщины: Гибридное искусство и
русская революция................................................... 6 Е. Э. Дробышева. Архитектоника как концепт искусства современности............. 16 Е. М. Коляда. Советское ландшафтное искусство: Поиски и достижения............ 26 Е. В. Лапина. Заколдовывание расколдованного мира: Реэволюция
реквиема (на юбилей событий 1917 года)...............................33 Е. К. Луговая. Синтез искусств в пространстве русской революции...................... 44 Л. В. Никифорова. Дворец Советов СССР: Метапроизведение культуры модернизма..................................................... 53 О. И.
Розанова. Революции тысяча девятьсот семнадцатого и императорский балет..................................................................................... 60 С. А. Семенчук. Другая реальность: Опыт осмысления истории в фильме Алексея Федорченко «Ангелы революции»................................ 71
Раздел 2. МЕТАФОРЫ РЕВОЛЮЦИИ В СОВРЕМЕННОМ ИСКУССТВЕ........................77 М. О. Александрович. Революция в польском балете: Жизнь и творчество Конрада Джевецкого.................................................. 77 Е. Ю. Бабошко. Наследие поставангарда в творчестве современных сибирских
художников...........................................................86 Е. Н. Байгузина. Сценографические искания
авангарда в балетах Джорджа Баланчина 1920-х годов.............................................100 A. Н. Балаш. Различение неразличимого: Трансформация идеи подлинности в искусстве ХХ-ХХІ веков........................................ 116 О. А. Виноградова. «Магическая реальность» в постановках
Инженерного театра АХЕ...................................................123 О. В. Грызунова. Новые прочтения балетных партитур Игоря Стравинского....131 Е. А. Евдокимова. Католический ренессанс во французской литературе XX века..........................................................139 Раздел 3.
РЕВОЛЮЦИОННОСТЬ СОВРЕМЕННОГО ИСКУССТВА................................. 150 Т. В. Гордеева. Формирование художественной среды отечественного современного танца: Оптика участника московских событий 1990-х ֊ начала 2000-х годов................................150 С. В. Лаврова. Революционные аттракторы
новой музыки.................................... 164 Л. А. Меньшиков. Жанровые формы видеоарта: Векторы медиареволюции в проектах флюксус-художников................179 B. О. Петров. Инструментальный театр: Истоки.................................................... 196 Н. А. Романов. Репрезентация
изобразительного искусства в интернете............. 204 Ю. А. Смекалов. Мультимедийные технологии в современной хореографии..... 214 СВЕДЕНИЯ ОБ АВТОРАХ........................................................................................................222 АННОТАЦИИ
СТАТЕЙ..............................................................................................................225 ABSTRACTS 234
ABSTRACTS Aleksandrovich M. The revolution in Polish Ballet: Life and Creations of Conrad Drzewiecki Conrad Drzewiecki is a famous Polish dancer and choreographer, edu cator and creator of known Polish Dance Theater - Ballet in Poznan. He did not graduate from any ballet school, but he danced admirably, became a head of a ballet school, enriched the ballet choreography and revolutionized the Polish ballet. His talent matured in the special artistic and political cli mate of the Polish thaw. Critics and colleagues called him «brilliant selftaught», «an artist with unlimited imagination». Keywords՝. Conrad Drzewiecki, Poland, dance, ballet, creativity, cho reography. Baboshko E. The Successive Post Avant-garde Features in the Works of Modern Siberian Artists In the article, modem Siberian art is considered in terms of its reflec ting the concepts and styles of Russian post Avant-garde, which covers all ar tistic tendencies of the second half of 20th century. The meaning of the idea of succession in art is revealed through the common perception of the idea of continuity, and the distinctive opinion of M. Mamardashvili who refers to the correlation in the world’s conscience. The author also refers to the is sue of proportion of tradition and innovation in art, defining the dialectical part in the process of development of art and culture. The aim of the research is to study the typical features of conceptual and stylistic content of the visual art of the period of Russian post avant-garde and reveal the attributes of suc cession in the art of modem Siberian artists,
indicating the connection bet ween them and the post avant-garde. Keywords՝. Siberian artists, symbolism, Russian post Avant-garde, non conformism, modem art, succession in art. Baiguzina E. Scénographie Search of Avant-garde on Ballets of George Balanchine in 1920th This article devoted to the scénographie search of Avant-garde painters (M. Utrillo, A. Derain, N. Gabo, A. Pevsner, P. Bauchant, G. Di Chirico, G. Rouault) on the example of G. Balanchine’s ballets of 1920th made by Diaghilev’s enterprise. The author reveals the main versions of the scénographie decisions using the artistic stylistic analysis and typological method.
Abstracts The main versions are generalized and specific place of action, picturesque scenic backdrop with practicable or multifunctional construction, stage box, constructivist installation. In the conclusion the author emphasizes that many of innovative elements of scenography continue their living in the modem theatre also they have influenced fhrther development of scénographie art in the ballet theatre. Keywords՝. Avant-garde, G. Balanchine, M. Utrillo, A. Derain, N. Gabo, A. Pevsner, P. Bauchant, G. Di Chirico, G. Rouault, scenography, ballet, pic turesque scenic backdrop, stage box, constructivist installation. Balash A. Distinction of Undistinguishable: Transforming of Authentici ty in the Culture of 20-21st This article analyses processes of transformation of the understanding and institualization of authenticity in the art practices during 20th century beginning 21st century. The fiction and appropriation are considered wide spread creative methods based on the concept of the transformed authenticity. The author raises the question on the criteria for definition of the authenticity of modem art objects and art practices. The article proves a problem of au thenticity being a trigger for the interdisciplinary humanitarian discourse which determines the cmcial vectors for the development of modem art cul ture. Keywords: authenticity, fiction, appropriation, art world, art object, art practice. Galkin D. Lenin, Horses, Monkeys and Women: Hybrid Art and the Russian Revolution The author turns to the cultural and historical problems of association between Avant-
garde art and the Russian revolution through the «archeolo gy» of the sources of modem hybrid techno-biological art. Philosophical and ontological aspects of hybridization of biological and technological systems are also taken into consideration. Conceptual and ideological settings of sci entific experiments within the framework of eugenics and artificial insemina tion (Professors I. Ivanov and S. Voronov), which laid the foundations of hy brid strategies, are discussed. On the basis of modem art experiments with technologies and living tissues (Stelare, D. Davis, Guy Ben-Arie), various strategies and ontologies of hybridization are shown. Keywords: artificial life, hybrid art, science art. 235
Архитектоника современного искусства: Сто лет под знаком революций Gordeeva Т. Formation of the Artistic Environment of Russian Contem porary Dance: Optics of a Participant in the Moscow Events of the 1990th ֊ early 2000s The article’s aim is to consider different aspects of the contemporary dance’s artistic environment at the 1990th ֊ beginning of the 2000s in Russia. The artistic life’s traces can be found in the various critics’ reviews or in the internet recourses of that period, but there is little about one dance company’s life in their artistic community. Heterogeneity as an intrinsic sign of contemporary art proves the autobiographic method of research reliable, and an author’s personal archive will support the scientific basis of the cho sen method. Keywords՝, contemporary dance in Russia, Aleksandr Pepelyaev, Kine tic Theatre, TsEKh, Po.V.S.Tanzy, Saira Blansh. Gryzunova O. New Interpretations of Igor Stravinsky’s Ballet Scores The article tells about two interpretations of Igor Stravinsky’s scores presented on exclusive cultural event the VI Saint-Petersburg International Cultural Forum. The first performance is version of «The Firebird» by French choreographer Régis Obadia. The premiere was shown at the Hermitage thea tre. It was free from Russian style and dramatic composition connected with score’s logic. «Petrushka» was presented at the Mariinsky-2. Choreographer Vladimir Vamava offered new libretto and new style of circus clownery. This ballet included grotesque humour which neutralize Petrushka’s tragedy. Both performances proclaim about controversial
art result. Keywords՝. VI Saint-Petersburg International Cultural Forum, Igor Stravinsky, «The Firebird», «Petrushka», Régis Obadia, Vladimir Vamava. Drobysheva E. Architectonics as a Concept of Art of Modernity The article is devoted to the analysis of the concept of architectonics in artistic space of modem culture, starting from 1917 and up to present time. The relevance of the task is based, first of all, on the need to understand the specifics of the theories and practices of the Russian and Soviet Avant-garde art on the anniversary of the October Revolution. The continuity of the ideas of the Soviet Avant-garde art, in particular K. Malevich and his followers, in the further development of the Soviet, Post-Soviet and world culture, is traced in the article. The conclusion is drawn that the search for actual principles of the architectonical organization of the world (society, culture) is a key task of art practices, especially in the revolutional periods of history. 236
Abstracts Keywords: contemporary art, architectonics, K. Malevich, Suprema tism, architecton, Russian Avant-garde. Evdokimova E. Catholic Renaissance in the French Literature of 20th century The article discusses the significant phenomenon of the French litera ture of 20th century, known as a religious renaissance. With the submission of an influential literary critic G. Truk it seems reasonable to talk about the revolutionary creativity of French Catholic writers. The genre of the psycho logical novel, which by that time was in decline, was renewed by the artistic originality of the devices and clearly expressed in it by the position of wri ters. The material for the argument are the novels of J. Bernanos and F. Mau riac. Keywords՝, religious renaissance, secular world, innovation, sacrifice, death, diverse. Kolyada E. Soviet Landscape Art: The Search and the Achievement In the 20th century, many changes took place in the world of landscape architecture. Most of them were the result of political and cultural events. Representatives of the Soviet park construction contributed to the develop ment of garden architecture in the world. The article examines the main achievements of Soviet gardeners and park constructors in the field of land scape theory and practice. Keywords՝, history, Soviet Union, landscape art. Lapina E. Enchantment of the Disenchant World: Requiem’s Revolution (To the Jubilee of the Events of 1917th) At the article advance a thesis on cyclic development in the field of art is put forward in the field of archetypal and universal representations on the
example of universals «yovel» - the jubilee year, the principle of «seven», and the cultural phenomenon - the genre of the Catholic mass ֊ Requiem, which goes out of the border of the canon and the musical sphere during the historical transformation. The «revolution» concept became a mean of the de scription of radical changes in culture which gain cyclic character such as in situation of yovel. Keywords՝. Requiem, yovel, jubilee, revolution, evolution, modem art, revolutionary art. 237
Архитектоника современного искусства: Сто лет под знаком революций Lavrova S. Revolutionary Attractors of New Music The article is devoted to the analysis of revolutionary attractors of new music. The term «attractor» is borrowed from synergetics. In this case, the author interprets the turning points in the development of social process es, new technologies, scientific discoveries and a common desire for innova tion. Attractors draw in themselves a lot of different trajectories, which ulti mately are determined by the theorists of new music as directions, schools and author’s music-theoretical systems. The purpose of this article is to ana lysis the system-forming properties of new music in the context of various global transformations defined by the term «revolution», both in social pro cesses (political, economic areas) and in intellectual spheres. At the same time, the analysis focuses on modem revolutions (as a starting point for later innovations) and post-modem (such as the cognitive revolution). The conclu sion from the analysis is the interdependence of social processes, coups in the scientific and humanitarian spheres and ideas that feed new music from the beginning of the 20th century to the present time. Keywords՝, revolution, new music, revolutionary attractors, H. Lachenman, B. Lang, P. Ablinger, S. Sciarrino, cognitive revolution, musical cognition. Lugovaya E. Synthesis of Arts in the Space of Russian Revolution The article defends the thesis that synthetic trends in art arise as a result of the rise in the culture and its worldview commitment to
integrity, domina tion of collective, generic base. Synthesis of social practices, spheres of spiri tual activity, in contrast to disintegration, shows the maximum mobilization of the creative powers and life energies of this society, his ability to move to a new progressive stage in the development of it habitually is called revo lution. Such revolutionary transformations in all spheres of life in Russia has experienced in the early 20th century. Not surprisingly, this process attracted the attention of representatives of the art sphere to the problem of synthesis of arts. The author explores specific forms of implementation of this aesthetic utopia in the Russian culture of this period. Keywords’, synthesis of arts, synthetic art, aesthetic utopia, history of Russian culture, revolution. Menshikov L. Genre Forms of Videoart: Vectors of Media Revolution in Projects of Fluxus-artists Consequences of the technological and aesthetic revolutions which have led to formation of various forms of fine arts, cinema and performatory 238
Abstracts arts within a videoart are considered in the article. On the material of video projects of the fluxus artists an attempt of classification of the most deman ded within Avant-garde arts genre forms of video is made. Characteristic fea tures of such video practices as a video event, a video performance, a video diary, a video environment, a video installation are defined. Peculiarities of use of these forms in the works of Y. Beyus, Y. Mekas, Sh. Kubota, I. Rainer’s in the context of aesthetic searches of fluxus are considered. Their works show a wide variety of usefUl opportunities of the video technologies which have been an intermediate link between the film stylistics and other media projects, including network embodying the aesthetic program of neodadaism at a late stage of history of fluxus development. Keywords: videoart, media, revolution, art industry, Avant-garde, Neo avant-garde, postmodemity, genre, Beuys, Mekas, Kubota, Rainer, synthesis of arts, intermedia, Neo-Dada. Nikiforova L. Palace of the Soviets of USSR: Meta-product of Soviet Cul ture The history of the design of the Palace of Soviets of the USSR (19311958) was analyzed in the context of the general principles of Modernity. The idea of the competition was reconsidered: instead of determining the winner the selection of the best solutions, the synthesis of collective efforts of ex perts of all scientific areas, an integrated approach to solving ideological, aesthetic, technical problems. We can see the ideological task of embodiment of true democracy in the very structure of the Palace,
which provides for all possible types of public spaces, and at the same time all forms of activity of the power holder - the people. Keywords՝. Palace of Soviets of the USSR, modernism, ideology, de mocracy, socialist realism. Petrov V. Instrumental Theatre: Genesis The article is devoted to one of the most interesting modem genres that committed a kind of aesthetic revolution in the system of musical art of the 20th century - the instrumental theatre. This genre was not the object of close attention in musicological studies; therefore the topic stated in the title of the presented article is topical and has scientific novelty. As examples, the works of J. Haydn, C. Ives, E. Satie, H. Cowell are considered. A comprehensive approach to the genre in question, in which the instrumental theatre appears as a synthesis of music and other forms of art has been taken. The degree 239
Архитектоника современного искусства: Сто лет под знаком революций of interaction between the musical, visual and verbal series is revealed. Keywords: synthesis of arts, contemporary music, instrumental theatre, performance. Romanov N. Fine Art Representation of the Internet The article describes variants of the visual arts existence in the Internet. Using the examples of virtual museums and websites, the characteristic fea tures of visual arts representation are analyzed. The main functional trans formations of arts are identified in situation of media culture. The contempo rary ways of perception and using visual arts in digital media are examined. Keywords՝, fine arts, Internet, representation, work of art, classical arti fact, transformations. Rozanova O. Revolutions of the Nineteen Seventeenth and Imperial Bal let An article written to an important historical date ֊ the centenary of the February and October revolutions of 1917 - tells how the terrible events in the life of the ballet troupe of the Imperial Theatre and the oldest Russian ballet school were reflected. The material was the direct responses of con temporaries in the periodical press and in personal correspondence and me moirs of choreographers and artists. The article shows how, in the hardest conditions of life and work of the first post-revolutionary years, the artists who remained in Petrograd managed to preserve the traditions of the Russian ballet and save the best performances of the repertoire from extinction. Keywords: February Revolution, October Revolution, Mariinsky Thea tre, GATOB,
ballet troupe, ballet school, F. V. Lopukhov, A. V. Shiryaev, L. S. Leontiev, V. I. Ponomarev, A. M. Monakhov, A. I. Chekrygin, T. P. Karsavina. Semenchuk S. Another Reality: Experience of Comprehension of History in Alexey Fedorchenko’s Film «The Angels of the Revolution» The film «The Angels of the Revolution» by Alexey Fedorchenko is probably the brightest and most memorable picture of recent years, devoted to revolutionary events. This film largely owes its fine design, where the Avant-garde artists and their works are presented in the form of a single de sign concept. The focus in the picture shifts from the display of historical events to the romanticization of the image of the «revolutionary from art», forced to suffer defeat and on the reflection of the display of the revolution 240
Abstracts in art. This approach in showing revolutionary events differs significantly from the previous experience of disclosing the topic in the domestic cinema. Keywords’. Russian Revolution, Soviet Avant-garde of the 1920s, Kul turfilm, A. Fedorchenko, B. Barnet, S. Eisenstein, E. Shub, V. Pudovkin. Smekalov Y. Multimedia Technologies in Modern Choreography The article is devoted to the new technologies in art, especially to expe rience and perspectives of attracting modem technological solutions for the development of the art of dance. Multimedia practices that allow to con sistently unite traditional drama with the latest scénographie techniques re sulting in a new artistic reality are analyzed in this article. As examples, the activities of the Russian Ballet Theatre’s «Talarium et Lux» («Ballet and Light») and the project of the Mariinsky Theatre team’s «Vaslav Nijin sky» Le Spectre du passé «Les Ballet Russes VR» are addressed. Keywords’, contemporary art, ballet, multimedia technologies. Vinogradova O. «Magical reality» in Performances of the Engineering Theatre AXE Author of the article examines plays «Froth on the Daydream» and «Gap Filling» by the Engineering Theatre AXE. Term «magical reality» is applied to the performances in order to further categorize the space used to play with audience’s perception. Keywords’, performance, theatre of absurd, street theatre, Engineering theatre AXE, theatrical plays, «magical reality», artist’s theatre. 241
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| era_facet | Geschichte 1917-2017 |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4016928-5 Festschrift gnd-content |
| genre_facet | Aufsatzsammlung Festschrift |
| geographic | Russland (DE-588)4076899-5 gnd |
| geographic_facet | Russland |
| id | DE-604.BV045940818 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:30:57Z |
| institution | BVB |
| institution_GND | (DE-588)16082283-X |
| isbn | 9785930101164 |
| language | Russian English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031323070 |
| oclc_num | 1105596723 |
| open_access_boolean | |
| owner | DE-255 DE-12 |
| owner_facet | DE-255 DE-12 |
| physical | 241 Seiten Illustrationen (teils farbig) |
| psigel | BSB_NED_20191009 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Akademija Russkogo Baleta Imeni A.Ja. Vaganovoj |
| record_format | marc |
| spelling | 880-04 Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii 880-05 Sankt-Peterburg Akademija Russkogo Baleta Imeni A.Ja. Vaganovoj 2018 241 Seiten Illustrationen (teils farbig) txt rdacontent n rdamedia nc rdacarrier posvjaščën 100-letiju revoljucii 1917 goda v Rossii i kulturnogo landšafta poslednego stoletija Text russisch. - Zusammenfassung der einzelnen Beiträge auch in englischer Sprache In kyrillischer Schrift Geschichte 1917-2017 gnd rswk-swf Revolution (DE-588)4049680-6 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Auswirkung (DE-588)4112646-4 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4016928-5 Festschrift gnd-content Russland (DE-588)4076899-5 g Revolution (DE-588)4049680-6 s Auswirkung (DE-588)4112646-4 s Künste (DE-588)4033422-3 s Geschichte 1917-2017 z DE-604 880-01 Drobyševa, Elena Ėduardovna ca. 20./21. Jh. (DE-588)112368328X wpr edt 880-02 Menʹšikov, Leonid Aleksandrovič (DE-588)1123683697 edt 880-03 Akademija Russkogo Baleta Imeni A. Ja. Vaganovoj (DE-588)16082283-X isb Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031323070&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031323070&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 700-01/(N Дробышева, Елена Эдуардовна edt 700-02/(N Меньшиков, Леонид Александрович edt 710-03/(N Академия Русского Балета Имени А. Я. Вагановой 4isb 245-04/(N Архитектоника современного искусства - 100 лет под знаком революции 264-05/(N Санкт-Петербург Академия Русского Балета Имени А.Я. Вагановой 2018 |
| spellingShingle | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii Revolution (DE-588)4049680-6 gnd Künste (DE-588)4033422-3 gnd Auswirkung (DE-588)4112646-4 gnd |
| subject_GND | (DE-588)4049680-6 (DE-588)4033422-3 (DE-588)4112646-4 (DE-588)4076899-5 (DE-588)4143413-4 (DE-588)4016928-5 |
| title | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii |
| title_auth | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii |
| title_exact_search | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii |
| title_full | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii |
| title_fullStr | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii |
| title_full_unstemmed | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii |
| title_short | Architektonika sovremennogo iskusstva - 100 let pod znakom revoljucii |
| title_sort | architektonika sovremennogo iskusstva 100 let pod znakom revoljucii |
| topic | Revolution (DE-588)4049680-6 gnd Künste (DE-588)4033422-3 gnd Auswirkung (DE-588)4112646-4 gnd |
| topic_facet | Revolution Künste Auswirkung Russland Aufsatzsammlung Festschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031323070&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031323070&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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