Semi-Detached: The Aesthetics of Virtual Experience since Dickens
When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of man...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2017]
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-1043 DE-858 URL des Erstveröffentlichers |
Zusammenfassung: | When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience.The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill’s ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen.In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Aug 2018) |
Beschreibung: | 1 online resource 8 color illus. 35 halftones |
ISBN: | 9781400887880 |
DOI: | 10.1515/9781400887880 |
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spelling | Plotz, John Verfasser aut Semi-Detached The Aesthetics of Virtual Experience since Dickens John Plotz Princeton, NJ Princeton University Press [2017] © 2018 1 online resource 8 color illus. 35 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Aug 2018) When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience.The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill’s ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen.In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters In English Literature Aesthetics https://doi.org/10.1515/9781400887880 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Plotz, John Semi-Detached The Aesthetics of Virtual Experience since Dickens Literature Aesthetics |
title | Semi-Detached The Aesthetics of Virtual Experience since Dickens |
title_auth | Semi-Detached The Aesthetics of Virtual Experience since Dickens |
title_exact_search | Semi-Detached The Aesthetics of Virtual Experience since Dickens |
title_full | Semi-Detached The Aesthetics of Virtual Experience since Dickens John Plotz |
title_fullStr | Semi-Detached The Aesthetics of Virtual Experience since Dickens John Plotz |
title_full_unstemmed | Semi-Detached The Aesthetics of Virtual Experience since Dickens John Plotz |
title_short | Semi-Detached |
title_sort | semi detached the aesthetics of virtual experience since dickens |
title_sub | The Aesthetics of Virtual Experience since Dickens |
topic | Literature Aesthetics |
topic_facet | Literature Aesthetics |
url | https://doi.org/10.1515/9781400887880 |
work_keys_str_mv | AT plotzjohn semidetachedtheaestheticsofvirtualexperiencesincedickens |