Chromatic Modernity: Color, Cinema, and Media of the 1920s
The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fash...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2019]
|
| Schriftenreihe: | Film and Culture Series
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture.Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) |
| Beschreibung: | 1 online resource 120 illustrations |
| ISBN: | 9780231542289 |
| DOI: | 10.7312/stre17982 |
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Datensatz im Suchindex
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| indexdate | 2024-07-10T08:30:32Z |
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| isbn | 9780231542289 |
| language | English |
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| spelling | Street, Sarah Verfasser aut Chromatic Modernity Color, Cinema, and Media of the 1920s Sarah Street, Joshua Yumibe New York, NY Columbia University Press [2019] © 2019 1 online resource 120 illustrations txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019) The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture.Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world In English Geschichte 1920-1930 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Color in advertising History Color motion pictures History Farbfilm (DE-588)4113519-2 gnd rswk-swf Farbfilm (DE-588)4113519-2 s Geschichte 1920-1930 z 1\p DE-604 Yumibe, Joshua aut https://doi.org/10.7312/stre17982 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Street, Sarah Yumibe, Joshua Chromatic Modernity Color, Cinema, and Media of the 1920s PERFORMING ARTS / Film & Video / History & Criticism bisacsh Color in advertising History Color motion pictures History Farbfilm (DE-588)4113519-2 gnd |
| subject_GND | (DE-588)4113519-2 |
| title | Chromatic Modernity Color, Cinema, and Media of the 1920s |
| title_auth | Chromatic Modernity Color, Cinema, and Media of the 1920s |
| title_exact_search | Chromatic Modernity Color, Cinema, and Media of the 1920s |
| title_full | Chromatic Modernity Color, Cinema, and Media of the 1920s Sarah Street, Joshua Yumibe |
| title_fullStr | Chromatic Modernity Color, Cinema, and Media of the 1920s Sarah Street, Joshua Yumibe |
| title_full_unstemmed | Chromatic Modernity Color, Cinema, and Media of the 1920s Sarah Street, Joshua Yumibe |
| title_short | Chromatic Modernity |
| title_sort | chromatic modernity color cinema and media of the 1920s |
| title_sub | Color, Cinema, and Media of the 1920s |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Color in advertising History Color motion pictures History Farbfilm (DE-588)4113519-2 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Color in advertising History Color motion pictures History Farbfilm |
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