Transatlantic Arias: Early Opera in Spain and the New World

Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa&qu...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Gasta, Chad M (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Spanish
Veröffentlicht: Frankfurt am Main Vervuert Verlagsgesellschaft [2013]
Schriftenreihe:Biblioteca Áurea Hispánica 89
Schlagworte:
Online-Zugang:DE-1046
DE-859
DE-860
DE-739
DE-473
DE-1043
DE-858
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Zusammenfassung:Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa" (1701), Domenico Zipoli's Jesuit opera, "San Ignacio de Loyola" (ca. 1720), and a recently-discovered indigenous opera from the Jesuit missions, the anonymous "San Francisco Xavier" (ca. 1720-1740)
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
Beschreibung:1 online resource
ISBN:9783954872275
DOI:10.31819/9783954872275

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