The Practice of Persuasion: Paradox and Power in Art History
This sequel to The Practice of Theory stresses the continued need for self-reflective awareness in art historical writing. Offering a series of meditations on the discipline of art history in the context of contemporary critical theory, Moxey addresses such central issues as the status of the canon,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | This sequel to The Practice of Theory stresses the continued need for self-reflective awareness in art historical writing. Offering a series of meditations on the discipline of art history in the context of contemporary critical theory, Moxey addresses such central issues as the status of the canon, the nature of aesthetic value, and the character of historical knowledge. The chapters are linked by a common interest in, even fascination with, the paradoxical power of narrative and the identity of the authorial voice. Moxey maintains that art history is a rhetoric of persuasion rather than a discourse of truth. Each chapter in The Practice of Persuasion attempts to demonstrate the paradoxes inherent in a genre that—while committed to representing the past—must inevitably bear the imprint of the present. In Moxey's view, art history as a discipline is often unable to recognize its status as a regime of truth that produces historically determined meanings and so continues to act as if based on a universal aesthetic foundation. His new book should enable art historians to engage with the past in a manner less determined by tradition and more responsive to contemporary values and aspirations |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019) |
| Beschreibung: | 1 online resource 7 halftones |
| ISBN: | 9781501729034 |
| DOI: | 10.7591/9781501729034 |
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| spelling | Moxey, Keith Verfasser aut The Practice of Persuasion Paradox and Power in Art History Keith Moxey Ithaca, NY Cornell University Press [2018] © 2000 1 online resource 7 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019) This sequel to The Practice of Theory stresses the continued need for self-reflective awareness in art historical writing. Offering a series of meditations on the discipline of art history in the context of contemporary critical theory, Moxey addresses such central issues as the status of the canon, the nature of aesthetic value, and the character of historical knowledge. The chapters are linked by a common interest in, even fascination with, the paradoxical power of narrative and the identity of the authorial voice. Moxey maintains that art history is a rhetoric of persuasion rather than a discourse of truth. Each chapter in The Practice of Persuasion attempts to demonstrate the paradoxes inherent in a genre that—while committed to representing the past—must inevitably bear the imprint of the present. In Moxey's view, art history as a discipline is often unable to recognize its status as a regime of truth that produces historically determined meanings and so continues to act as if based on a universal aesthetic foundation. His new book should enable art historians to engage with the past in a manner less determined by tradition and more responsive to contemporary values and aspirations In English ART / History / General bisacsh Art criticism Methodology Art Historiography Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Methode (DE-588)4038971-6 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 s Methode (DE-588)4038971-6 s 1\p DE-604 Kunstgeschichtsschreibung (DE-588)4033643-8 s 2\p DE-604 https://doi.org/10.7591/9781501729034 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Moxey, Keith The Practice of Persuasion Paradox and Power in Art History ART / History / General bisacsh Art criticism Methodology Art Historiography Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Methode (DE-588)4038971-6 gnd Kunstwissenschaft (DE-588)4120632-0 gnd |
| subject_GND | (DE-588)4033643-8 (DE-588)4038971-6 (DE-588)4120632-0 |
| title | The Practice of Persuasion Paradox and Power in Art History |
| title_auth | The Practice of Persuasion Paradox and Power in Art History |
| title_exact_search | The Practice of Persuasion Paradox and Power in Art History |
| title_full | The Practice of Persuasion Paradox and Power in Art History Keith Moxey |
| title_fullStr | The Practice of Persuasion Paradox and Power in Art History Keith Moxey |
| title_full_unstemmed | The Practice of Persuasion Paradox and Power in Art History Keith Moxey |
| title_short | The Practice of Persuasion |
| title_sort | the practice of persuasion paradox and power in art history |
| title_sub | Paradox and Power in Art History |
| topic | ART / History / General bisacsh Art criticism Methodology Art Historiography Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Methode (DE-588)4038971-6 gnd Kunstwissenschaft (DE-588)4120632-0 gnd |
| topic_facet | ART / History / General Art criticism Methodology Art Historiography Kunstgeschichtsschreibung Methode Kunstwissenschaft |
| url | https://doi.org/10.7591/9781501729034 |
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