Fiction's overcoat: Russian literary culture and the question of philosophy
If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat,'" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature. In Fiction'...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ithaca ; London
Cornell University Press
[2004]
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Schlagworte: | |
Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FAB01 FCO01 Volltext |
Zusammenfassung: | If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat,'" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature. In Fiction's Overcoat, Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions, because they are so "philosophical"? Her answer to this question is a lively and comprehensive volume that details the origins, submergence, and re-emergence of a rich and vital Russian philosophical tradition.During the late nineteenth and early twentieth centuries, Russian philosophy emerged in conversation with narrative fiction, radical journalism, and speculative theology, developing a distinct cultural discourse with its own claim to authority and truth. Leading Russian thinkers-Berdiaev, Losev, Rozanov, Shestov, and Solovyov-made philosophy the primary forum in which Russians debated metaphysical, aesthetic, and ethical questions as well as issues of individual and national identity. That debate was tragically truncated by the events of 1917 and the rise of the Soviet empire. Today, after seventy years of enforced silence, this particularly Russian philosophical culture has resurfaced. Fiction's Overcoat serves as a welcome guide to its complexities and nuances.Historians and cultural critics will find in Clowes's book the story of the increasing refinement and diversification of Russian cultural discourse, philosophers will find an alternative to the Western philosophical tradition, and students of literature will enjoy the opportunity to rethink the great Russian novelists-particularly Dostoevsky, Pasternak, and Platonov-as important voices in the process of shaping and sustaining a new philosophy and ensuring its survival into our own age |
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520 | |a If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat,'" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature. In Fiction's Overcoat, Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. | ||
520 | |a If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions, because they are so "philosophical"? Her answer to this question is a lively and comprehensive volume that details the origins, submergence, and re-emergence of a rich and vital Russian philosophical tradition.During the late nineteenth and early twentieth centuries, Russian philosophy emerged in conversation with narrative fiction, radical journalism, and speculative theology, developing a distinct cultural discourse with its own claim to authority and truth. Leading Russian thinkers-Berdiaev, Losev, Rozanov, Shestov, and Solovyov-made philosophy the primary forum in which Russians debated metaphysical, aesthetic, and ethical questions as well as issues of individual and national identity. That debate was tragically truncated by the events of 1917 and the rise of the Soviet empire. | ||
520 | |a Today, after seventy years of enforced silence, this particularly Russian philosophical culture has resurfaced. Fiction's Overcoat serves as a welcome guide to its complexities and nuances.Historians and cultural critics will find in Clowes's book the story of the increasing refinement and diversification of Russian cultural discourse, philosophers will find an alternative to the Western philosophical tradition, and students of literature will enjoy the opportunity to rethink the great Russian novelists-particularly Dostoevsky, Pasternak, and Platonov-as important voices in the process of shaping and sustaining a new philosophy and ensuring its survival into our own age | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Clowes, Edith W. 1951- |
author_GND | (DE-588)124419925 |
author_facet | Clowes, Edith W. 1951- |
author_role | aut |
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dewey-ones | 197 - Philosophy of Russia |
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dewey-tens | 190 - Modern western philosophy |
discipline | Philosophie |
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era_facet | Geschichte 1800-1900 |
format | Electronic eBook |
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spelling | Clowes, Edith W. 1951- Verfasser (DE-588)124419925 aut Fiction's overcoat Russian literary culture and the question of philosophy Edith W. Clowes Ithaca ; London Cornell University Press [2004] © 2004 1 Online-Ressource 10 halftones, 1 line drawing txt rdacontent c rdamedia cr rdacarrier If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat,'" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature. In Fiction's Overcoat, Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions, because they are so "philosophical"? Her answer to this question is a lively and comprehensive volume that details the origins, submergence, and re-emergence of a rich and vital Russian philosophical tradition.During the late nineteenth and early twentieth centuries, Russian philosophy emerged in conversation with narrative fiction, radical journalism, and speculative theology, developing a distinct cultural discourse with its own claim to authority and truth. Leading Russian thinkers-Berdiaev, Losev, Rozanov, Shestov, and Solovyov-made philosophy the primary forum in which Russians debated metaphysical, aesthetic, and ethical questions as well as issues of individual and national identity. That debate was tragically truncated by the events of 1917 and the rise of the Soviet empire. Today, after seventy years of enforced silence, this particularly Russian philosophical culture has resurfaced. Fiction's Overcoat serves as a welcome guide to its complexities and nuances.Historians and cultural critics will find in Clowes's book the story of the increasing refinement and diversification of Russian cultural discourse, philosophers will find an alternative to the Western philosophical tradition, and students of literature will enjoy the opportunity to rethink the great Russian novelists-particularly Dostoevsky, Pasternak, and Platonov-as important voices in the process of shaping and sustaining a new philosophy and ensuring its survival into our own age In English Geschichte 1800-1900 gnd rswk-swf Philosophy, Russian 19th century Philosophy, Russian 20th century Philosophie (DE-588)4045791-6 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Russland (DE-588)4076899-5 g Philosophie (DE-588)4045791-6 s Geschichte 1800-1900 z 1\p DE-604 https://www.degruyter.com/doi/book/10.7591/9781501727023 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Clowes, Edith W. 1951- Fiction's overcoat Russian literary culture and the question of philosophy Philosophy, Russian 19th century Philosophy, Russian 20th century Philosophie (DE-588)4045791-6 gnd |
subject_GND | (DE-588)4045791-6 (DE-588)4076899-5 |
title | Fiction's overcoat Russian literary culture and the question of philosophy |
title_auth | Fiction's overcoat Russian literary culture and the question of philosophy |
title_exact_search | Fiction's overcoat Russian literary culture and the question of philosophy |
title_full | Fiction's overcoat Russian literary culture and the question of philosophy Edith W. Clowes |
title_fullStr | Fiction's overcoat Russian literary culture and the question of philosophy Edith W. Clowes |
title_full_unstemmed | Fiction's overcoat Russian literary culture and the question of philosophy Edith W. Clowes |
title_short | Fiction's overcoat |
title_sort | fiction s overcoat russian literary culture and the question of philosophy |
title_sub | Russian literary culture and the question of philosophy |
topic | Philosophy, Russian 19th century Philosophy, Russian 20th century Philosophie (DE-588)4045791-6 gnd |
topic_facet | Philosophy, Russian 19th century Philosophy, Russian 20th century Philosophie Russland |
url | https://www.degruyter.com/doi/book/10.7591/9781501727023 |
work_keys_str_mv | AT clowesedithw fictionsovercoatrussianliterarycultureandthequestionofphilosophy |