Modernist fraud: hoax, parody, deception
Focusing on literature and visual art in the years 1910-1935, 'Modernist Fraud' begins with the omnipresent accusations that modernism was not art at all, but rather an effort to pass off patently absurd works as great art. These assertions, common in the time's journalism, are used t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York, NY
Oxford University Press
2019
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| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | Focusing on literature and visual art in the years 1910-1935, 'Modernist Fraud' begins with the omnipresent accusations that modernism was not art at all, but rather an effort to pass off patently absurd works as great art. These assertions, common in the time's journalism, are used to understand the aesthetic and context which spawned them, and to look at what followed in their wake. Fraud discourse ventured into the aesthetic theory of the time, to ideas of artistic sincerity, formalism, and the intentional fallacy. In doing so, it profoundly shaped the modern canon and its justifying principles. 0'Modernist Fraud' explores a wide range of materials. It draws on reviews and newspaper accounts of art scandals, such as the 1913 Armory Show, the 1910 and 1912 Postimpressionist shows, and Tender Buttons; to daily syndicated columns; to parodies and doggerel; to actual hoaxes, such as Spectra and Disumbrationism; to the literary criticism of Edith Sitwell; to the trial of Brancusi's Bird in Space; and to the contents of the magazine Blind Man, including a defense of Duchamp's Fountain, a poem by Bill Brown, and the works of, and an interview with, the bafflingly unstable painter Louis Eilshemius. In turning to these materials, the book reevaluates how modernism interacted with the public and describes how a new aesthetic begins: not as a triumphant explosion that initiates irrevocable changes, but as an uncertain muddling and struggle with ideology |
| Beschreibung: | xii, 205 Seiten Illustrationen 24 cm |
| ISBN: | 9780198825432 |
Internformat
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| 520 | 3 | |a Focusing on literature and visual art in the years 1910-1935, 'Modernist Fraud' begins with the omnipresent accusations that modernism was not art at all, but rather an effort to pass off patently absurd works as great art. These assertions, common in the time's journalism, are used to understand the aesthetic and context which spawned them, and to look at what followed in their wake. Fraud discourse ventured into the aesthetic theory of the time, to ideas of artistic sincerity, formalism, and the intentional fallacy. In doing so, it profoundly shaped the modern canon and its justifying principles. 0'Modernist Fraud' explores a wide range of materials. It draws on reviews and newspaper accounts of art scandals, such as the 1913 Armory Show, the 1910 and 1912 Postimpressionist shows, and Tender Buttons; to daily syndicated columns; to parodies and doggerel; to actual hoaxes, such as Spectra and Disumbrationism; to the literary criticism of Edith Sitwell; to the trial of Brancusi's Bird in Space; and to the contents of the magazine Blind Man, including a defense of Duchamp's Fountain, a poem by Bill Brown, and the works of, and an interview with, the bafflingly unstable painter Louis Eilshemius. In turning to these materials, the book reevaluates how modernism interacted with the public and describes how a new aesthetic begins: not as a triumphant explosion that initiates irrevocable changes, but as an uncertain muddling and struggle with ideology | |
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Datensatz im Suchindex
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| author | Diepeveen, Leonard 1959- |
| author_GND | (DE-588)172678358 |
| author_facet | Diepeveen, Leonard 1959- |
| author_role | aut |
| author_sort | Diepeveen, Leonard 1959- |
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| building | Verbundindex |
| bvnumber | BV045908718 |
| ctrlnum | (OCoLC)1102061321 (DE-599)BVBBV045908718 |
| edition | First edition |
| era | Geschichte 1910-1935 gnd |
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| id | DE-604.BV045908718 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:30:02Z |
| institution | BVB |
| isbn | 9780198825432 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031291379 |
| oclc_num | 1102061321 |
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| owner | DE-12 DE-255 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-255 DE-19 DE-BY-UBM |
| physical | xii, 205 Seiten Illustrationen 24 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Diepeveen, Leonard 1959- Verfasser (DE-588)172678358 aut Modernist fraud hoax, parody, deception Leonard Diepeveen First edition Oxford ; New York, NY Oxford University Press 2019 xii, 205 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Focusing on literature and visual art in the years 1910-1935, 'Modernist Fraud' begins with the omnipresent accusations that modernism was not art at all, but rather an effort to pass off patently absurd works as great art. These assertions, common in the time's journalism, are used to understand the aesthetic and context which spawned them, and to look at what followed in their wake. Fraud discourse ventured into the aesthetic theory of the time, to ideas of artistic sincerity, formalism, and the intentional fallacy. In doing so, it profoundly shaped the modern canon and its justifying principles. 0'Modernist Fraud' explores a wide range of materials. It draws on reviews and newspaper accounts of art scandals, such as the 1913 Armory Show, the 1910 and 1912 Postimpressionist shows, and Tender Buttons; to daily syndicated columns; to parodies and doggerel; to actual hoaxes, such as Spectra and Disumbrationism; to the literary criticism of Edith Sitwell; to the trial of Brancusi's Bird in Space; and to the contents of the magazine Blind Man, including a defense of Duchamp's Fountain, a poem by Bill Brown, and the works of, and an interview with, the bafflingly unstable painter Louis Eilshemius. In turning to these materials, the book reevaluates how modernism interacted with the public and describes how a new aesthetic begins: not as a triumphant explosion that initiates irrevocable changes, but as an uncertain muddling and struggle with ideology Geschichte 1910-1935 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Modernism (Art) / History Modernism (Literature) / History and criticism Modernism (Aesthetics) / History / 20th century Modernism (Aesthetics) Modernism (Art) Modernism (Literature) 1900-1999 Criticism, interpretation, etc History Ästhetik (DE-588)4000626-8 s Kunstausstellung (DE-588)4033628-1 s Kunstkritik (DE-588)4033659-1 s Geschichte 1910-1935 z DE-604 |
| spellingShingle | Diepeveen, Leonard 1959- Modernist fraud hoax, parody, deception Ästhetik (DE-588)4000626-8 gnd Kunstausstellung (DE-588)4033628-1 gnd Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4033628-1 (DE-588)4033659-1 |
| title | Modernist fraud hoax, parody, deception |
| title_auth | Modernist fraud hoax, parody, deception |
| title_exact_search | Modernist fraud hoax, parody, deception |
| title_full | Modernist fraud hoax, parody, deception Leonard Diepeveen |
| title_fullStr | Modernist fraud hoax, parody, deception Leonard Diepeveen |
| title_full_unstemmed | Modernist fraud hoax, parody, deception Leonard Diepeveen |
| title_short | Modernist fraud |
| title_sort | modernist fraud hoax parody deception |
| title_sub | hoax, parody, deception |
| topic | Ästhetik (DE-588)4000626-8 gnd Kunstausstellung (DE-588)4033628-1 gnd Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Ästhetik Kunstausstellung Kunstkritik |
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