Awful parenthesis: suspension and the sublime in romantic and victorian poetry
Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining var...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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University of Toronto Press
[2018]
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| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-188 DE-473 DE-355 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Beschreibung: | 1 Online-Ressource (x, 218 Seiten) |
| ISBN: | 9781487516284 |
| DOI: | 10.3138/9781487516284 |
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| spelling | McCarthy, Anne C. Verfasser (DE-588)1168285062 aut Awful parenthesis suspension and the sublime in romantic and victorian poetry Anne C. McCarthy Toronto University of Toronto Press [2018] © 2018 1 Online-Ressource (x, 218 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker In English Geschichte 1800-1900 gnd rswk-swf English poetry 19th century History and criticism Sublime, The, in literature Lyrik (DE-588)4036774-5 gnd rswk-swf Verschiebung Motiv (DE-588)7614041-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Das Erhabene (DE-588)4148823-4 gnd rswk-swf Scheintod Motiv (DE-588)1057900753 gnd rswk-swf Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Scheintod Motiv (DE-588)1057900753 s Verschiebung Motiv (DE-588)7614041-6 s Das Erhabene (DE-588)4148823-4 s Geschichte 1800-1900 z DE-604 https://doi.org/10.3138/9781487516284 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McCarthy, Anne C. Awful parenthesis suspension and the sublime in romantic and victorian poetry English poetry 19th century History and criticism Sublime, The, in literature Lyrik (DE-588)4036774-5 gnd Verschiebung Motiv (DE-588)7614041-6 gnd Englisch (DE-588)4014777-0 gnd Das Erhabene (DE-588)4148823-4 gnd Scheintod Motiv (DE-588)1057900753 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)7614041-6 (DE-588)4014777-0 (DE-588)4148823-4 (DE-588)1057900753 |
| title | Awful parenthesis suspension and the sublime in romantic and victorian poetry |
| title_auth | Awful parenthesis suspension and the sublime in romantic and victorian poetry |
| title_exact_search | Awful parenthesis suspension and the sublime in romantic and victorian poetry |
| title_full | Awful parenthesis suspension and the sublime in romantic and victorian poetry Anne C. McCarthy |
| title_fullStr | Awful parenthesis suspension and the sublime in romantic and victorian poetry Anne C. McCarthy |
| title_full_unstemmed | Awful parenthesis suspension and the sublime in romantic and victorian poetry Anne C. McCarthy |
| title_short | Awful parenthesis |
| title_sort | awful parenthesis suspension and the sublime in romantic and victorian poetry |
| title_sub | suspension and the sublime in romantic and victorian poetry |
| topic | English poetry 19th century History and criticism Sublime, The, in literature Lyrik (DE-588)4036774-5 gnd Verschiebung Motiv (DE-588)7614041-6 gnd Englisch (DE-588)4014777-0 gnd Das Erhabene (DE-588)4148823-4 gnd Scheintod Motiv (DE-588)1057900753 gnd |
| topic_facet | English poetry 19th century History and criticism Sublime, The, in literature Lyrik Verschiebung Motiv Englisch Das Erhabene Scheintod Motiv |
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