Broken Voices: Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions
Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better kn...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaii Press
[2018]
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Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
Zusammenfassung: | Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the young entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres.As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, compromises may be unwelcome, but imperative |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
Beschreibung: | 1 online resource 18 b&w illustrations |
ISBN: | 9780824866686 |
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520 | |a Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. | ||
520 | |a But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the young entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres.As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. | ||
520 | |a His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, compromises may be unwelcome, but imperative | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Maliangkay, Roald |
author2 | Lau, Frederick |
author2_role | edt |
author2_variant | f l fl |
author_facet | Maliangkay, Roald Lau, Frederick |
author_role | aut |
author_sort | Maliangkay, Roald |
author_variant | r m rm |
building | Verbundindex |
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dewey-search | 782.42/162957 |
dewey-sort | 3782.42 6162957 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte gnd |
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geographic | Korea (DE-588)4032466-7 gnd |
geographic_facet | Korea |
id | DE-604.BV045879274 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:29:13Z |
institution | BVB |
isbn | 9780824866686 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031262450 |
oclc_num | 1101916302 |
open_access_boolean | |
owner | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
owner_facet | DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG DE-1046 DE-1043 DE-858 |
physical | 1 online resource 18 b&w illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | University of Hawaii Press |
record_format | marc |
spelling | Maliangkay, Roald Verfasser aut Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions Roald Maliangkay; Frederick Lau Honolulu University of Hawaii Press [2018] © 2016 1 online resource 18 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the young entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres.As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, compromises may be unwelcome, but imperative In English Geschichte gnd rswk-swf Folk songs, Korean 20th century History and criticism Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Kulturerbe (DE-588)4033560-4 gnd rswk-swf Tradition (DE-588)4060560-7 gnd rswk-swf Volkslied (DE-588)4063852-2 gnd rswk-swf Korea (DE-588)4032466-7 gnd rswk-swf Korea (DE-588)4032466-7 g Volkslied (DE-588)4063852-2 s Kolonialismus (DE-588)4073624-6 s Postkolonialismus (DE-588)4566658-1 s Tradition (DE-588)4060560-7 s Kulturerbe (DE-588)4033560-4 s Geschichte z 1\p DE-604 Lau, Frederick edt https://www.degruyter.com/doi/book/10.21313/9780824866686 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Maliangkay, Roald Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions Folk songs, Korean 20th century History and criticism Postkolonialismus (DE-588)4566658-1 gnd Kolonialismus (DE-588)4073624-6 gnd Kulturerbe (DE-588)4033560-4 gnd Tradition (DE-588)4060560-7 gnd Volkslied (DE-588)4063852-2 gnd |
subject_GND | (DE-588)4566658-1 (DE-588)4073624-6 (DE-588)4033560-4 (DE-588)4060560-7 (DE-588)4063852-2 (DE-588)4032466-7 |
title | Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions |
title_auth | Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions |
title_exact_search | Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions |
title_full | Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions Roald Maliangkay; Frederick Lau |
title_fullStr | Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions Roald Maliangkay; Frederick Lau |
title_full_unstemmed | Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions Roald Maliangkay; Frederick Lau |
title_short | Broken Voices |
title_sort | broken voices postcolonial entanglements and the preservation of korea s central folksong traditions |
title_sub | Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions |
topic | Folk songs, Korean 20th century History and criticism Postkolonialismus (DE-588)4566658-1 gnd Kolonialismus (DE-588)4073624-6 gnd Kulturerbe (DE-588)4033560-4 gnd Tradition (DE-588)4060560-7 gnd Volkslied (DE-588)4063852-2 gnd |
topic_facet | Folk songs, Korean 20th century History and criticism Postkolonialismus Kolonialismus Kulturerbe Tradition Volkslied Korea |
url | https://www.degruyter.com/doi/book/10.21313/9780824866686 |
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