The American Musical and the Formation of National Identity:
The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780691186207 |
| DOI: | 10.1515/9780691186207 |
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| dewey-full | 782.1/4/0973 |
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| dewey-ones | 782 - Vocal music |
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| dewey-search | 782.1/4/0973 |
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| spelling | Knapp, Raymond Verfasser aut The American Musical and the Formation of National Identity Raymond Knapp Princeton, NJ Princeton University Press [2018] © 2004 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018) The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical In English Geschichte gnd rswk-swf Musicals United States History and criticism National characteristics, American Nationalcharakter (DE-588)4137343-1 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Musical (DE-588)4040801-2 s Nationalcharakter (DE-588)4137343-1 s Geschichte z 1\p DE-604 https://doi.org/10.1515/9780691186207 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Knapp, Raymond The American Musical and the Formation of National Identity Musicals United States History and criticism National characteristics, American Nationalcharakter (DE-588)4137343-1 gnd Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4137343-1 (DE-588)4040801-2 (DE-588)4078704-7 |
| title | The American Musical and the Formation of National Identity |
| title_auth | The American Musical and the Formation of National Identity |
| title_exact_search | The American Musical and the Formation of National Identity |
| title_full | The American Musical and the Formation of National Identity Raymond Knapp |
| title_fullStr | The American Musical and the Formation of National Identity Raymond Knapp |
| title_full_unstemmed | The American Musical and the Formation of National Identity Raymond Knapp |
| title_short | The American Musical and the Formation of National Identity |
| title_sort | the american musical and the formation of national identity |
| topic | Musicals United States History and criticism National characteristics, American Nationalcharakter (DE-588)4137343-1 gnd Musical (DE-588)4040801-2 gnd |
| topic_facet | Musicals United States History and criticism National characteristics, American Nationalcharakter Musical USA |
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