Arnheim, Gestalt and Media: an ontological theory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Springer
[2018]
[2018] |
| Schriftenreihe: | SpringerBriefs in philosophy
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext http://www.springer.com/ Inhaltsverzeichnis |
| Beschreibung: | xi, 136 Seiten Illustrationen |
| ISBN: | 9783030029692 3030029697 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents 1 Arnheim After the Post-medium Condition............................................ 1.1 Medium and System Skepticism........................................................ 1.2 The Changing Landscape..................................................................... 1.3 Rudolf Arnheim................................................................................... 1.4 Revisiting Essentialism....................................................................... 1.5 Description and Norms....................................................................... 1 3 7 8 10 12 2 Gestalt Ontology.......................................................................................... 2.1 Gestalt Ontology................................................................................. 2.2 Against Physicalism............................................................................. 2.3 Strata for Objects, Wholes for Composites........................................ 2.4 Revisiting Media Essentialism............................................................ 2.5 Dominating Strata............................................................................... 2.6 Relational Determination of Media Effects........................................ 15 17 19 21 23 26 27 3 What All Media Share............................................................................... 3.1 Medial Objects as Cultural Objects.................................................... 3.2 All Medial Statements Are Spatial...................................................... 3.3 The Robin and the
Saint....................................................................... 3.4 Levels of Determinate Abstraction.................................................... 31 32 35 38 42 4 Defining Difference in Media..................................................................... 45 4.1 Mediation: Eye and Ear........................................................................ 46 4.2 Mediation: Media................................................................................. 48 4.3 Materialtheorie and RepresentationalConcepts................................ 49 4.4 Accident and Determinacy................................................................... 53 4.5 Mechanical Registration and Reproducibility................................... 56 4.6 Content and Interpretation................................................................... 58 4.7 Art as Mediation................................................................................. 60 ix
x Contents 5 The Two Elementary Classes of Aesthetic Objects: Spatial and Temporal Modalities................................................................ 63 5.1 Spatial Versus Temporal Arts................................................................ 66 5.2 Ontology of Co-existence and Sequence............................................. 68 5.3 Distinction Between Spatial and Temporal Arts................................ 71 5.4 The Range of Identity of the Spatial and Temporal Arts................... 74 5.5 Structure Versus Knowledge of Structure.......................................... 76 6 The Spatial and Temporal Modalities....................................................... 79 6.1 Modality................................................................................................. 80 6.2 Spatial Modalities.............................................................................. 80 6.3 Spatial Hybrids..................................................................................... 84 6.4 Difference Between Object and Environment Modalities................. 85 6.5 Difference Between Image and Object Modalities............................ 87 6.6 Difference Between Image and Environment Modalities................. 88 6.7 Temporal Modalities............................................................................ 89 6.8 Temporal Hybrids................................................................................ 91 6.9 Difference Between Temporal Modalities.......................................... 92 7 The Ontology of the Individual
Modalities................... .......................... 93 7.1 The Range of Identity of the Pictorial Work...................................... 94 7.1.1 Pictorial Materials.................................................................... 96 7.1.2 Pictorial Materials : Photography............................................ 96 7.2 The Range of Identity of the Sculptural Work.................................... 98 7.2.1 Sculptural Materials....................................................................100 7.3 The Range of Identity of the Building...................................................101 7.3.1 Architectural Materials..............................................................102 7.4 The Range of Identity of the Pantomime...............................................102 7.4.1 The Range of Identity of Absolute Pantomime..................... 103 7.4.2 The Range of Identity of Enriched Pantomime..................... 103 7.4.3 Pantomimic Materials: The Color Film.................................... 106 7.5 The Range of Identity of the Musical Work.......................................... 107 7.6 The Range of Identity of the Literary Work...........................................108 7.6.1 Literary Material: Radio........................................................... Ш 8 Medial Composites........................................................................................ 113 8.1 Arnheim’s Argument.............................................................................. 114 8.2 Laws of Dominant Media and, for Temporal Media,
Completeness.......................................................................................... 117 8.3 How Are Spatial and Temporal Modalities Related?............................119 8.4 Artistic Composites of Spatial Modalities............................................ 119 8.4.1 Object and Environment........................................................... 120 8.4.2 Image and Object........................................................................120 8.4.3 Environment and Image............................................................. 121 8.5 Artistic Composites of Temporal Modalities........................................ 122 8.5.1 Speech and Pantomime............................................................. 122 8.5.2 Theatre........................................................................................ 123
Contents 8.6 9 xi 8.5.3 The Talking Film...................................................................... 125 8.5.4 Music and Poetry...................................................................... 126 8.5.5 Opera......................................................................................... 127 8.5.6 Music and Pantomime..............................................................128 A Case Study: Comics..........................................................................129 Conclusion: Medial Wisdom...................................................................... 133
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| spelling | Verstegen, Ian 1969- Verfasser (DE-588)132970945 aut Arnheim, Gestalt and Media an ontological theory Ian Verstegen Cham, Switzerland Springer [2018] Springer [2018] xi, 136 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier SpringerBriefs in philosophy Arnheim, Rudolf 1904-2007 (DE-588)119142708 gnd rswk-swf Kunstpsychologie (DE-588)4033669-4 gnd rswk-swf Gestaltpsychologie (DE-588)4020725-0 gnd rswk-swf Philosophy of the Social Sciences Religion and Philosophy Aesthetics Media and Communication Architectural History and Theory Hardcover, Softcover / Philosophie/Allgemeines, Lexika Arnheim, Rudolf 1904-2007 (DE-588)119142708 p Kunstpsychologie (DE-588)4033669-4 s Gestaltpsychologie (DE-588)4020725-0 s DE-604 Springer International Publishing (DE-588)1064344704 pbl Erscheint auch als Online-Ausgabe 978-3-030-02970-8 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=08242c6fd1214e24b642242926113a53&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB http://www.springer.com/ Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031256560&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Verstegen, Ian 1969- Arnheim, Gestalt and Media an ontological theory Arnheim, Rudolf 1904-2007 (DE-588)119142708 gnd Kunstpsychologie (DE-588)4033669-4 gnd Gestaltpsychologie (DE-588)4020725-0 gnd |
| subject_GND | (DE-588)119142708 (DE-588)4033669-4 (DE-588)4020725-0 |
| title | Arnheim, Gestalt and Media an ontological theory |
| title_auth | Arnheim, Gestalt and Media an ontological theory |
| title_exact_search | Arnheim, Gestalt and Media an ontological theory |
| title_full | Arnheim, Gestalt and Media an ontological theory Ian Verstegen |
| title_fullStr | Arnheim, Gestalt and Media an ontological theory Ian Verstegen |
| title_full_unstemmed | Arnheim, Gestalt and Media an ontological theory Ian Verstegen |
| title_short | Arnheim, Gestalt and Media |
| title_sort | arnheim gestalt and media an ontological theory |
| title_sub | an ontological theory |
| topic | Arnheim, Rudolf 1904-2007 (DE-588)119142708 gnd Kunstpsychologie (DE-588)4033669-4 gnd Gestaltpsychologie (DE-588)4020725-0 gnd |
| topic_facet | Arnheim, Rudolf 1904-2007 Kunstpsychologie Gestaltpsychologie |
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