Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland:
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
2000
|
| Subjects: |
Staff View
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045626912 | ||
| 003 | DE-604 | ||
| 005 | 20221101 | ||
| 007 | t | ||
| 008 | 190426s2000 |||| 00||| eng d | ||
| 035 | |a (gbd)0768584 | ||
| 035 | |a (DE-599)BVBBV045626912 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Lingas, Alexander |e Verfasser |0 (DE-588)126080996X |4 aut | |
| 245 | 1 | 0 | |a Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| 264 | 1 | |c 2000 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 0 | |a Opera; Operetta | |
| 773 | 1 | 8 | |g year:2000 |g pages:1188-1189 |
| 773 | 0 | 8 | |t Encyclopedia of Greece and the Hellenic tradition. 2. L - Z |b 1. publ. |d London [u.a.], 2000 |g (2000), 1188-1189 |w (DE-604)BV013481274 |
| 940 | 1 | |n gbd | |
| 940 | 1 | |q gbd_4_0109_e | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031010467 | ||
| 941 | |j 2000 |s 1188-1189 | ||
Record in the Search Index
| _version_ | 1804179672440766464 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV013481274 |
| author | Lingas, Alexander |
| author_GND | (DE-588)126080996X |
| author_facet | Lingas, Alexander |
| author_role | aut |
| author_sort | Lingas, Alexander |
| author_variant | a l al |
| building | Verbundindex |
| bvnumber | BV045626912 |
| ctrlnum | (gbd)0768584 (DE-599)BVBBV045626912 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01094naa a2200289 c 4500</leader><controlfield tag="001">BV045626912</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221101 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190426s2000 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(gbd)0768584</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045626912</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lingas, Alexander</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)126080996X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2000</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Opera; Operetta</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">year:2000</subfield><subfield code="g">pages:1188-1189</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Encyclopedia of Greece and the Hellenic tradition. 2. L - Z</subfield><subfield code="b">1. publ.</subfield><subfield code="d">London [u.a.], 2000</subfield><subfield code="g">(2000), 1188-1189</subfield><subfield code="w">(DE-604)BV013481274</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">gbd</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_4_0109_e</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031010467</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="j">2000</subfield><subfield code="s">1188-1189</subfield></datafield></record></collection> |
| id | DE-604.BV045626912 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:23:35Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031010467 |
| open_access_boolean | |
| psigel | gbd_4_0109_e |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| record_format | marc |
| spelling | Lingas, Alexander Verfasser (DE-588)126080996X aut Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland 2000 txt rdacontent n rdamedia nc rdacarrier Opera; Operetta year:2000 pages:1188-1189 Encyclopedia of Greece and the Hellenic tradition. 2. L - Z 1. publ. London [u.a.], 2000 (2000), 1188-1189 (DE-604)BV013481274 |
| spellingShingle | Lingas, Alexander Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland Opera; Operetta |
| title | Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| title_auth | Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| title_exact_search | Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| title_full | Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| title_fullStr | Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| title_full_unstemmed | Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| title_short | Opera and Operetta. Modern musical drama, like other forms of European classical music, was transmitted to Greece primarily through the Ionian islands, which were ruled successively by Venice, France, and Britain during the Ottoman domination of the mainland |
| title_sort | opera and operetta modern musical drama like other forms of european classical music was transmitted to greece primarily through the ionian islands which were ruled successively by venice france and britain during the ottoman domination of the mainland |
| topic | Opera; Operetta |
| topic_facet | Opera; Operetta |
| work_keys_str_mv | AT lingasalexander operaandoperettamodernmusicaldramalikeotherformsofeuropeanclassicalmusicwastransmittedtogreeceprimarilythroughtheionianislandswhichwereruledsuccessivelybyvenicefranceandbritainduringtheottomandominationofthemainland |