A history of western music:
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
W.W. Norton & Company
[2019]
|
| Ausgabe: | Tenth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | International student edition |
| Beschreibung: | xxxv, 1011, A72 Seiten Illustrationen, Karten, Notenbeispiele |
| ISBN: | 9780393668155 9780393623949 9780393668148 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS EDITORIAL ADVISORY BOARD M MAPS xiii GUIDE TO NAWM SELECTIONS xiv PREFACE TO THE TENTH EDITION XXV PART ONE THE ANCIENT AND MEDIEVAL WORLDS 2 1 Music in Antiquity 4 The Earliest Music 5 ■ Music in Ancient Mesopotamia 5 · Timeline 9 · Music in Ancient Greece 9 · In Performance: Competitions and Professional Musicians 11 · Source Reading: Aristotle on the Doctrine of Imitation, Ethos, and Music in Education 13 · Music in Ancient Rome 18 · The Greek Heritage 19 2 The Christian Church in the First Millennium 20 The Diffusion of Christianity 20 · The Judaic Heritage 21 · Timeline 22 · Music in the Early Church 22 · Divisions in the Church and Dialects of Chant 23 · Source Readings: St. Rasil on Psalms and St. Augustine on the Usefulness and Dangers of Music 24 · Source Reading: A Christian Observance in Jerusalem, ca. 400 25 · The Development of Notation 28 · Music Theory and Practice 34 · Echoes of History 41 3 Roman Liturgy and Chant 42 The Roman Liturgy 42 · Music in Context: The Experience ofthe Mass 44 · Characteristics of Chant 47 · Timeline 48 · Genres and Forms of Chant 48 · Additions to the Authorized Chants 56 · Source Reading: Notker Ralbulus on Writing Sequences 58 · Hildegard of Bingen 60 ■ The Continuing Presence of Chant 62
4 Song and Dance Music to 1300 63 European Society, 800—1300 63 · Timeline 66 · Latin and Vernacular Song 66 • Music in Context: Minstrels in Medieval French Cities 68 · Troubadour and Trouvère Song 69 · Source Reading: The Paris Minstrels’ Guild 69 · Forms at a Glance: AAB 73 · Songs in Other Lands 75 · Medieval Instruments 76 · Source Reading: Dancing as Described i n the Romance oi the Rose 78 · Dance Music 78 • The Lover’s Complaint 79 5 Polyphony through the Thirteenth Century 80 Early Organum 81 · Aquitanian Polyphony 84 · Notre Dame Polyphony 86 · Source Reading: Anonymous IV on the Magnus liber organi 89 · Timeline 92 · Motet 96 · English Polyphony 102 · A Polyphonic Tradition 104 6 New Developments in the Fourteenth Century 106 Europe in the Fourteenth Century 106 · The Ars Nova in France 108 · Source Reading: Jacobus de Ispania Rails Against the Ars Nova 109 · Innovations: Writing Rhythm 110 · Guillaume de Machaut 114 · Forms at a Glance: The Formes Fixes 120 · Timeline 121 · The Ars Subtilior 121 · Italian Trecento Music 122 · Source Reading: Music-Makinginthe Decameron 124 • Performing Fourteenth-Century Music 128 · In Performance: Voices or Instruments? 130 · Source Reading: Prosdocimo de’ Reldomandi on Musica úcta 131 · Echoes of the New Art 132 PART TWO THE RENAISSANCE 7 Music and the Renaissance 134 136 Europe from 1400 to 1600 137 · Timeline 138 · The Renaissance in Culture and Art 138 · Music in the Renaissance 143 · In Performance: A Star Singer and Improviser 146 · Source Reading: Johannes Tinctoris onthe Music of His Time 148 · Source Reading: A New
Harmonic Conception 150 · New Currents in the Sixteenth Century 154 · Innovations: Music Printing 156 · The Legacy of the Renaissance 158 8 England and Burgundy in the Fifteenth Century 159 English Music 159 · Source Reading: The ContenanceAngioise 160 · Music in the Burgundian Lands 165 · Guillaume Du Fay 169 · The Polyphonic Mass 173 • Timeline 174 · Music in Context: Masses and Dragons 175 · An Enduring Musical Language 179 9 Franco-Flemish Composers, 1450-1520 180 Political Change and Consolidation 180 · Ockeghem and Busnoys 182 · Source Reading: In Memory of Ockeghem 187 · The Generation of 1480—1520 187 ·
Josquin Desprez 193 · Source Readings: Praise for Josquin 195 · Timeline 196 • Masses on Borrowed Material 201 · Old and New 203 10 Madrigal and Secular Song in the Sixteenth Century 205 The First Market for Music 205 · Spain 206 · Source Reading: On Reading and Performing Music 207 · Italy 208 · The Italian Madrigal 208 · Source Reading: Suiting the Music to the Words 213 · Timeline 216 · Source Reading: Women’s Vocal Ensembles 217 · France 220 · Germany 224 · England 224 · The Madrigal and Its Impact 227 11 Sacred Music in the Era of the Reformation 229 The Reformation 229 · Music in the Lutheran Church 231 · Source Reading: Martin Luther on Congregational Singing 232 · Timeline 236 · Music in Calvinist Churches 236 · Source Reading: Jean Calvin on Singing Psalms 238 · Church Music in England 239 · Catholic Church Music 241 · Giovanni Pierluigi da Palestrina 244 · Spain and the New Wo rid 248 · Source Reading: A Spaniard’s Description ofAztec Festivals 250 · Germany and Eastern Europe 251 • Jewish Music 252 · The Legacy of Sixteenth-Centuiy Sacred Music 253 12 The Rise of Instrumental Music 254 Instruments and Ensembles 255 · In Performance: Embellishing Sixteenth֊ Century Music 256 · Types of Instrumental Music 259 · Timeline 260 · Music in Context: Social Dance 261 · Source Reading The Power of Instrumental Music 268 · Music in Venice 271 · Instrumental Music Gains Independence 274 PART THREE THE SEVENTEENTH CENTURY 13 New Styles in the Seventeenth Century 276 278 Europe in the Seventeenth Century 278 · Timeline 280 · From Renaissance to Baroque 281 · Source Reading:
The Dramatization of Poetry 284 · Source Readings: Music as the Servant of the Words 289 · General Traits of Baroque Music 290 · In Performance: Historically Informed Performance and Its Controversies 295 · Enduring Innovations 296 14 The Invention of Opera 297 Timeline 298 · Forerunners of Opera 298 · The First Operas 301 · Source Reading: Peri’s Recitative Style 302 · Claudio Monteverdi 305 · Opera from Florence to Rome 308 · Public Opera in Venice 309 · Innovations: The Impresario and the Diva 312 · Opera as Drama and as Theater 316
Contents 15 Music for Chamber and Church in the Early Seventeenth Century 317 Italian Vocal Chamber Music 317 · Catholic Sacred Music 320 · Timeline 324 · Lutheran Church Music 325 · Source Reading: The Effects ofthe Thirty Years’ War 328 · Jewish Music 329 · Instrumental Music 330 · Source Reading՝. Frescobaldi on Instrumental Expression 334 · Tradition and Innovation 338 16 France, England, Spain, the New World, and Russia in the Seventeenth Century 339 France 340 · Music in Context: The Music of the Great Stable 344 · Source Readings: French Writers on Nature and Expression 348 · Timeline 350 · England 358 · Source Readings: The First Public Concerts 363 · Spain and the New World 364 · Russia 367 · National Styles and Traditions 369 17 Italy and Germany in the Late Seventeenth Century 371 Italy 371 · Forms at a Glance: Da Capo Aria 376 · Timeline 377 · Music in Context: The Stradivarius Violin Workshop 378 · Source Readi ng: Georg Muffai on Converting Sonatas into Concertos 385 · Germany and Austria 386 · Seeds for the Future 398 PART FOUR THE EIGHTEENTH CENTURY 400 18 The Early Eighteenth Century in Italy and France 402 Europe in a Century of Change 402 · Music in Italy 405 · Music in Context: The Voice of Farinelli 406 · Antonio Vivaldi 407 · Source Reading: Concerts at the Pio Ospedale della Pietà 409 · In Performance: Performing Vivaldi 414 · Timeline 415 · Music in France 415 · Jean-Philippe Rameau 418 · A Volatile Public 423 19 German Composers of the Late Baroque 424 Contexts for Music 424 · Timeline 426 · Johann Sebastian Bach 427 · Source Reading: Music in
Lutheran Church Services 435 · Source Reading: A Critique of Bach’s Style 440 · George Frideric Handel 441 · An Enduring Legacy 452 20 Musical Taste and Style in the Enlightenment 454 Europe in the Enlightenment 454 · Source Readings: The Merging of National Styles 456 · Innovations: The Public Concert 458 · Musical Taste and Style 460 • Source Reading: Nature and the Arts 461 · Timeline 462 · Source Reading: A View of the Galant Style 463 · The Enduring Enlightenment 470 21 Opera and Vocal Music in the Early Classic Period 471 Italian Comic Opera 471 · Timeline 472 · Opera Seria 477 · Opera in Other Languages 479 · In Performance: The Art ofVocal Embellishment 480 · ix
x Contents Source Reading: The Merits of Italian Opera 482 · Opera Reform 486 · Source Reading: Principles of Reform Opera 488 · Song and Church Music 489 · Opera and the New Language 493 22 Instrumental Music: Sonata, Symphony, and Concerto 494 Instruments and Ensembles 494 · Genres and Forms 497 · Forms at a Glance: RinaryForm and Its Relatives 500 · Keyboard Music 503 · Orchestral Music 508 • Timeline 510 · The Singing Instrument 513 23 Classic Music in the Late Eighteenth Century 514 Joseph Haydn 514 · Source Reading: Haydn’s Contract 516 · Source Reading: Haydn’s Recipe for Success 519 · Timeline 530 · Source Reading: The Sublime and the Beautiful 532 · Wolfgang Amadeus Mozart 533 · Source Reading: Mozart’s Depiction of Character and Mood 547 · Classic Music 551 PART FIVE THE NINETEENTH CENTURY 24 Revolution and Change 552 554 Revolution, War, and Music, 1789—1815 554 · Timeline 556 · Ludwigvan Beethoven 557 · Source Reading: Beethoven’s Playing and Improvising at the Piano 560 · Source Reading The Heiligenstadt Testament 564 · Source Reading The Performer as Subordinate to the Composer 574 · Beethoven’s Centrality 578 25 The Romantic Generation: Song and Piano Music 580 The New Order, 1815—1848 580 · Timeline 582 · Innovations: Musical Instruments in the Industrial Revolution 584 · Romanticism 587 · Source Reading The Most Romantic Art 589 · Song 590 · Music for Piano 600 · Source Reading Mendelssohn on the Meaning of Music 603 · Music in Context: Women and the Music Profession 606 · The Romantic Legacy 616 26 Romanticism in Classical Forms: Choral, Chamber, and
Orchestral Music 618 Choral Music 619 · Source Reading The Value ofAmateur Choirs 620 · Source Reading Hector Berlioz on His Requiem 623 · Timeline 624 · Chamber Music 627 · Orchestral Music 631 · Source Reading Robert Schumann on Schubert’s Symphony in C Major 636 · Romanticism and the Classical Tradition 645 27 Romantic Opera and Musical Theater to Midcentury 646 The Roles of Opera 646 · Timeline 648 · Italy 649 · In Performance: The Bel Canto Diva 652 · France 659 · Germany 663 · Russia 665 · The United States 666 · Opera as High Culture 670
Contents 28 Opera and Musical Theater in the Later Nineteenth Century 671 Technology, Politics, and the Arts 671 · Opera 675 · Richard Wagner 676 · Source Reading: The Artwork of the Future 678 · Music in Context: Wagner, Nationalism, and Anti-Semitism 679 · Timeline 686 · Giuseppe Verdi 688 · In Performance: An Original Verdi Baritone: Victor Maurel 692 · Later Italian Opera 694 · France 696 · Spain 699 · Bohemia 700 · Russia 701 · Source Reading: The Mighty Five 702 · Other Nations 707 · Music for the Stage and Its Audiences 709 29 Late Romanticism in German Musical Culture 711 Dichotomies and Disputes 711 · Timeline 712 · In Performance: Crossingthe Divide: Hans von Biilow 714 · Johannes Brahms 715 · The Wagnerians 722 · Source Readings: Absolute and Program Music 723 · Reaching the Audience 730 30 Diverging Traditions in the Later Nineteenth Century 731 France 731 · Timeline 734 · Eastern and Northern Europe 736 · Source Reading: Dvořák and Paine on an American National Music 742 · The United States 745 · Reception and Recognition 753 PÁRT SIX THE TWENTIETH CENTURY AND AFTER 754 31 The Early Twentieth Century: Vernacular Music 756 Modern Times, 1889—1918 756 · Innovations: Recorded Sound 758 · Vernacular Musical Traditions 763 · Timeline 764 · African American Traditions 766 · Classics of Vernacular Music 769 32 The Early Twentieth Century: The Classical Tradition 770 Modern Music in the Classical Tradition 771 · Timeline 772 · German Modernism: Mahler and Strauss 773 · In Performance: Mahler as Conductor 774 · French Modernism: Debussy and Ravel 781 · Source Reading:
Debussy on Tradition, Freedom, and Pleasure 784 · Modernism and National Traditions 790 · The Avant-Garde 799 · Late Romantic or Modern? 801· Source Reading: The Art of Noises 802 33 Radical Modernists 804 Arnold Schoenberg 805 · Source Readings: New Music and Tradition 807 · Music in Context: Expressionism 810 · Alban Berg 816 · Timeline 818 · Anton Webern 819 · Igor Stravinsky 822 · Source Reading: The Premiere of The Rite ofSpring 825 · Béla Bartók 832 · Source Reading: Peasant Music and Modem Music 835 · Charles Ives 839 · Source Reading: Americanism in Music 844 · Composer and Audience 846 Xl
34 Between the World Wars: Jazz and Popular Music 848 Between the Wars 848 · Timeline 849 · American Musical Theater and Popular Song 851 · The Jazz Age 855 · Duke Ellington 863 · Film Music 866 · Mass Media and Popular Music 868 35 Between the World Wars: The Classical Tradition 869 Music, Politics, and the People 869 · Timeline 870 · France 870 · Germany 874 • The Soviet Union 880 · Source Reading: Censuring Shostakovich 883 · The Americas 884 · The United States 887 · What Politics? 896 36 Postwar Crosscurrents 898 The Cold War and the Postwar Boom 899 · Timeline 901 · From Bebop to Free Jazz 902 · Popular Music 907 · Broadway and Film Music 913 · Band and Wind Ensemble Music 915 · Roll Over, Beethoven 918 37 Postwar Heirs to the Classical Tradition 919 Diversity and Common Themes 919 · Timeline 920 · Source Reading: Composition as Research 922 · Extensions of Tradition 923 · John Cage and the Avant-Garde 934 · Source Reading: Music in the Present Moment 937 · New Sounds and Textures 941 · Mixing Styles and Traditions 949 · New Paths 952 38 The Late Twentieth Century 954 A Global Culture 954 · Timeline 956 · The Changing World of Music 956 · In Performance: Kronos Quartet 963 · Music in Context: Digital Technologies in the 1980s 966 · Niches in Popular Music 969 · Minimalism and Postminimalism 971 · Modernism and Individualism 978 · Polystylism 981 · The New Accessibility 983 · Source Readings: On Reaching an Audience 988 · Finding an Audience 988 39 The Twenty-First Century 990 The New Millennium 990 · Timeline 992 · The New Wo rid of Music 993 · Innovations: Music
Technology for Everyone 996 · Source Reading: A Golden Age for Classical Music? 1003 · The Future of Western Music 1009 GLOSSARY Aí CREDITS A22 INDEX A23
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| geographic | Westliche Welt (DE-588)4079237-7 gnd |
| geographic_facet | Westliche Welt |
| id | DE-604.BV045560557 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:21:32Z |
| institution | BVB |
| isbn | 9780393668155 9780393623949 9780393668148 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030944343 |
| oclc_num | 1111828423 |
| open_access_boolean | |
| owner | DE-739 DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-739 DE-12 DE-355 DE-BY-UBR |
| physical | xxxv, 1011, A72 Seiten Illustrationen, Karten, Notenbeispiele |
| psigel | BSB_NED_20190725 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | W.W. Norton & Company |
| record_format | marc |
| spelling | Burkholder, James Peter 1954- Verfasser (DE-588)13236316X aut A history of western music J. Peter Burkholder ; Donald Jay Grout ; Claude V. Palisca Tenth edition New York ; London W.W. Norton & Company [2019] xxxv, 1011, A72 Seiten Illustrationen, Karten, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier International student edition Geschichte Anfänge-1979 gnd rswk-swf Geschichte gnd rswk-swf Musik Music History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Westliche Welt (DE-588)4079237-7 gnd rswk-swf Musik (DE-588)4040802-4 s Geschichte z DE-604 Westliche Welt (DE-588)4079237-7 g Geschichte (DE-588)4020517-4 s 1\p DE-604 Geschichte Anfänge-1979 z 2\p DE-604 Grout, Donald Jay 1902-1987 Verfasser (DE-588)125845790 aut Palisca, Claude V. 1921-2001 Verfasser (DE-588)11910993X aut Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030944343&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Burkholder, James Peter 1954- Grout, Donald Jay 1902-1987 Palisca, Claude V. 1921-2001 A history of western music Musik Music History and criticism Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4020517-4 (DE-588)4079237-7 |
| title | A history of western music |
| title_auth | A history of western music |
| title_exact_search | A history of western music |
| title_full | A history of western music J. Peter Burkholder ; Donald Jay Grout ; Claude V. Palisca |
| title_fullStr | A history of western music J. Peter Burkholder ; Donald Jay Grout ; Claude V. Palisca |
| title_full_unstemmed | A history of western music J. Peter Burkholder ; Donald Jay Grout ; Claude V. Palisca |
| title_short | A history of western music |
| title_sort | a history of western music |
| topic | Musik Music History and criticism Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Musik Music History and criticism Geschichte Westliche Welt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030944343&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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