Popular music in contemporary Bulgaria: at the crossroads
Gespeichert in:
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
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Bingley
Emerald Group Publishing
2019
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| Schriftenreihe: | Emerald studies in alternativity and marginalization
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Beschreibung: | 235 Seiten |
| ISBN: | 9781787436978 |
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Contents
Acknowledgements
Introduction
1.1. Setting the Scene: Terminology and Research Objectives
1.2. An Outline
Chapter 1 Critical Themes in the Cosmopolitan Field of
Popular Music
1.1. A Space of Transformation: Studying Popular Music 9
1.2. Place as Context 22
1.3. Chapter Summary 37
Chapter 2 Methodological Reflections 39
2.1. Overview 39
2.2. ‘Get the Seats of Your Pants Dirty in Research!’
Collecting Data in the Field 43
2.3. From Data Analysis to Interpretation 52
2.4. Chapter Summary 59
Chapter 3 Trajectories of Emergence: Mapping Out the
Post-communist Popular Music Field 61
3.1. Amorphousness vs Structure 61
3.2. Popular Music ‘Power Relations’ 76
3.3. Chapter Summary 96
Chapter 4 The Soundtrack of Transition: Exploring the
Cultural Politics of Rock and Pop-folk 99
4.1. Music and Change: Rock, Post-punk and Protest 100
4.2. Pop-folk as the ‘apple of discord’ and a Product of
Transition 122
4.3. Chapter Summary 136
vin Contents
Chapter 5 Popular Music on the Periphery of Europe:
Negotiating Perceptions of the ‘Global’ and the ‘Local’ 139
5.1. Folklore, Language, and Identity in Popular Music 140
5.2. Imagining Place: Bulgarian Music and Balkanism 162
5.3. Chapter Summary 178
Chapter 6 Popular Music at the Crossroads:
A Summary of Leitmotifs 181
6.1. ‘The Crossroads’ as a Unifying Concept 181
6.2. Bulgarian Popular Music from Hypercontrol to Fluidity 182
6.3. Power Relations, Majors, and ‘Locals’ 183
6.4. Rock Music Alternativity, Resistance, and Continuities 185
6.5. Commercialising the Crossroads of Identity:
Bulgarian Pop-folk
6.6. Folklore in Contemporary Popular Music 189
6.7. Language and Symbolic Dialogue in Popular Music 190
6.8. ‘Balkanism’: Designating Marginalisation 191
6.9. Reflections on Research Methodology and Continuity 193
Bibliography 197
Index 231
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Index
Alternative/altemativity, 23, 24,
70, 71, 79, 102, 103, 109,
116, 122, 133, 136, 157,
160, 173, 176, 177, 185,
186, 188, 191, 195
Articulation, 4, 5, 11, 23, 25, 41,
44, 45, 46, 47, 50,51,53,
54, 61, 65, 68, 73, 89
Artistic autonomy, 16
Balkanism, 27, 139, 162—178,
191-193
Balkan music, 22, 27
Balkan pathologisation, 27
Balkanska, Valya, 143
Balkan stereotypes, 162—170, 172,
178
Balkan syndrome, 163, 168
Balkantone, 25, 32, 63, 105, 109
BAMP, 90-91
Bay Ganyo, 166
The Beatles, 23, 119
BG Radio, 78-79, 156-157
Bilingualism of Bulgarian popular
music, 152—162,
190-191
Boyadzhiev, Christian, 64, 89,
101, 159-160
Bricolage, 12, 25, 109, 120, 121,
129
Bristol trip-hop, 23
British music industry, 62
Bulgarian Communist Party
(BCP), 115, 142
Bulgarian communist period, 13,
22,25-26,29,31-33,64
Bulgarian copyright law and
monetisation system,
88-96
Bulgarian music
Cherveno i Cherno (Red and
Black), 42
contexts and articulation, study.
See Ethnographic study
of Bulgarian music
contexts of post-communist
transitions, 62—68
female choirs, 29
folklore influences, 27—31
See also Folklore diversity in
popular music
Le Mystère des Voix Bulgares,
24
marginalisation of, 77—82
musical expressions, 26
musical instruments, 28
obrabotena muzika, 30
Ottoman influences, 22
pop-folk genre, 34—37,
82-88
popular music, 14, 16, 18—19,
21-22,25-27,61,115
rock music, 31—34
See also Rock music
svatbarska muzika (wedding
music), 30, 35
traditional media outlets,
79-80
Bulgarian National Radio, 81, 95
Bulgarian post-punk scenes, 105,
108-114
Bulgarian Socialist Party, 115
232 Index
Canterbury Sound, 23
Censorship, 13, 64, 99, 101, 103,
136, 142, 185
Chalga, 34-36, 123-124,
173-174, 177
Chalgaria, 177—178
Commodification of music culture,
130-136
Competitive TV music formats,
73-74
Contemporary Centre for Cultural
Studies (CCCS), 12
Copyright management, 20—21,
88-96
Creation of popular music, 3, 4, 7,
10, 11, 12, 13, 14,21,23,
25, 32, 40, 45, 63, 65, 68,
73-74, 77, 82, 86, 93,
94, 100, 115, 121, 122,
125, 131, 136, 139, 140,
141, 152, 159, 162, 167,
170, 178, 182, 184, 186,
188
Critique of popular music, 14—18
‘Crossroads’, concept of,
181-182, 194-195
Cultural field, 1, 3, 7, 10, 17, 46,
50, 177, 191
Cultural industry, 15—16, 18
Cultural translation, 24
Culture
commodification of, 16
target, 24
Do-it-yourself philosophy, 70,
108-109, 118, 121
Domuschiev, Nedelcho, 156
Estrada style, 33
Ethnographic legitimacy, 45
Ethnographic mosaic, 45, 53
Ethnographic observation, 48
Ethnographic study of Bulgarian
music, 193—195
concept of thick description,
53-54
data interpretation, 52—59
ethnographic observations, 41
ethnographic techniques, 44—45
fieldwork relations and
researcher positionality,
51-52
grasping process, 53—56
immersion, 44, 49, 53, 58
interviews, 40—41, 45—47
mapping of popular music field,
40
observations, 47—49
open-ended questionnaire, 50
qualitative research, 41—43
reflexivity, 41—43
research design, 40—41
research questions, 40
snowball sampling, 46
transcription and translation,
56-58
Field of cultural production, 17,
61, 64, 170-171, 182
financial investment in, 73
Fluidity, 1, 7, 12, 46, 54, 68, 76,
109, 181, 182, 183
Folklore diversity in popular
music, 140—152,
189-190
Bulgarian motifs, 151
ethnic diversity and its cultural
implications, 142—143
influences in contemporary
music, 27—31, 149
interpretations of folklore
heritage, 145—148
notion of national ‘pride’ and
identity, 142
Index 233
Ottoman and gypsy aspects,
149-150
use of acoustic instruments, 146
wedding music, 145
Folklore music, 27—31
Geertz, Clifford, 53
Global music industries, 18, 47
Gorbachev, Mikhail, 32, 104, 113
Grounded theory, 39, 41, 53—56
Gurov, Vaso, 46, 71, 79—80, 85,
92-93, 105, 109, 114, 118
Independent Music Companies
Association IMPALA, 19
Inequalities in music, 12
International Association for the
Study of Popular Music
(IASPM), 10
International Federation of the
Phonographic Industry
(IFPI), 90-91
Invented traditions, concept of,
148
Kristeva, Julia, 26—27, 158, 164
Labels, 18-19, 25, 32, 40, 45-46,
64, 68-72, 90-92, 97,
126-127, 145
Lomax, Allan, 30, 146
Marginalisation/marginal, 7, 50,
51, 77-78, 80, 92, 112,
136, 166, 168, 176, 191
Marichkov, Kiril, 93
Market censorship, 64
Mass listeners, 16
Mechanisation of music, 16
Middleton, Richard, 10
Milanov, Peter, 104, 114
Milieu theory, 17
Monte Music, 67
Musical authenticity, 16
Musical identities in popular
music, 139
Balkanism, 162—170
folklore, 140-152
language, 152—162
Orientalism, 170—178
visual aesthetics, 171—172,
174-176
Musicauthor, 78, 89—90, 92,
95-96
Music piracy in Bulgaria, 93—94
Music production
amorphousness vs structure,
61-76
competitive TV music formats,
73-74
contemporary cultural
entrepreneurship, 73
DiY practice, 70, 108—109
effect of technological changes,
76
opportunities for autonomy,
72-73
self-producing practices, 70—71
technological changes and, 76
Narodna muzika, 141
National Radio and Television, 63
Nedeva-Voeva, Neli, 111, 114
Networked worlds, 17
Nova Generatsia, 111—113, 121
Orientalism, 170—178, 195
Ownership of music, 18
Papazov, Ivo, 145
Payner, 64, 69, 74, 78, 82-84,
86-88, 90-91, 97,
126-128, 130, 132-135,
171, 183
234 Index
Periphery/peripheral music, 2, 7,
11, 27, 50, 51, 73, 100,
139, 154, 166, 172, 190,
195
Petkov, Boyko, 63, 75, 102, 110,
123, 125, 164
Place, relationship with music,
22-37
Bulgaria, 25—27
development of styles, 24
examples, 23
folklore influences, 27—31
Pop-folk, 2, 7, 34-37, 49, 78,
82-88, 99, 122-136,
149-151, 159, 161,
171-178, 183-184,
187-189
Pop-folk genre, 34—37, 82—88, 99,
187-189
as apple of discord, 122—125,
135
commodification of feminity
and, 130-136
dress, scenarios, and
choreographies, 127—128
evolution since 1990s,
122-130
pevitsi, 130—131
sexualised contents of,
132-133, 135-136
Popular music industries, 19—20
Popular music study
as academic field, 9—14
Adorno’s critique, 14—18
artists and creative freedoms,
18-19
authenticity, 16
books and 'readers’, 11
censorship and punitive
practices, 13
commercial value, 10
commodification of, 16
communicative quality of
music, 13—14
cosmopolitan, 1, 25, 34, 36, 37,
145, 150, 170, 173, 178,
187,190,191
as cultural industry, 14—22
cultural translation, 24—25
distinction between popular and
traditional, 9
folklore diversity in, 140—152
genesis of, 10
interpretations, 10
link between musicology and, 10
link between youth and music,
11
ownership, 18
place, relationship with, 22—37
repetitiveness, 16
social and cultural implications,
10
styles and cultures, 11
subcultural practices,
relationship with, 12—13
Post-communist transitions of
popular music
in Bulgaria, 62—68
copyright management, 88—96
crossroad fluidity, 68—75,
182-183
East European ex-communist
bloc countries, 63
effect of technological changes,
76
English-language music,
popularity of, 75—78, 82
powerful position of 'major
'music companies,
76-96, 183-185
rock music. See Rock music
Post-punk, 7, 32, 51, 59, 63, 85,
99, 100-114, 121, 134,
136, 185-186, 194
Index 235
Prophon, 78, 89—96
Protests
DANSwithMe protests, 116—120
popular music and, 114—122
protester’s use of ‘bricolage’,
120-121
Punk ideology, 108—109
Repetitiveness in popular music, 16
Resistance, 1, 3, 4, 7, 10, 12, 13,
14, 31, 33, 37,41,48, 100,
103, 104, 106, 108, 111,
112, 117, 118, 119, 120,
121, 144, 185-186, 187
Rituals of resistance, 7, 99
Rock music, 31—34, 185—186
in Bulgaria, 100—108
communist regime and, 31—32
contents of, 101
contexts of protest and,
114-122
as epitome of resistance, 103
Estrada rock, 102
July Morning tradition,
106-108
Kavarna Rock, 108
in pre-1989 communist
Bulgaria, 103—105
prohibition and censorship,
103-104
punk and post-punk genres,
105, 108-114
resistance, 1, 7, 31, 33, 37, 99,
100, 103, 104, 106, 108,
115, 118, 119, 185, 187
under 1980s perestroika and
glasnost, 105
Western perspective, 108
work and style of Bulgarian
rock artists, 104
‘Save Ruse’, 113-114
Scenes, 3, 7, 12-13, 33, 41, 46, 51,
63, 99, 100, 102, 104, 105,
106, 108, 109, 110-111,
114, 115, 121, 122, 130,
134, 161, 185-186, 188
Slavova, Milena, 109, 118
Snowball sampling, 46—47
Statelova, Rosemary, 63, 116
Structuralism, 12
Subcultural scenes, 13, 33, 46, 99,
100, 104, 105, 108-114,
121, 130, 134, 185,186
Subcultures, 12—13, 26, 32, 33,
104, 112, 114
Tagg, Philip, 10-11, 14
“Thin layer of oil” metaphor, 68,
74
Thompson, E. P., 100
Todorova, Magdalina, 78, 89, 95,
162-164
Todorova, Maria, 26
Tonkova, Anna-Maria, 156
Valdobrev, Stefan, 71, 75
Vasko the Patch, 103, 107,
115-118, 122, 154
Voev, Dimitar, 110—111
The Voice of Bulgaria (BTV), 67
Wenham, Alison, 62, 65—66, 69
Western popular music,
popularisation of,
75-78, 82
Western rock music, 101 — 102
Xenomania, 167, 192
YouTube, 94
Zapodozreni, Obichainite, 75
Zizek, Slavoj, 26—27
Bayerisch«
SiaatsbibHottiek
München |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Bulgarien (DE-588)4008866-2 gnd |
| geographic_facet | Bulgarien |
| id | DE-604.BV045552806 |
| illustrated | Not Illustrated |
| indexdate | 2024-08-10T01:13:12Z |
| institution | BVB |
| isbn | 9781787436978 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030936747 |
| oclc_num | 1101128161 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 235 Seiten |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Emerald Group Publishing |
| record_format | marc |
| series2 | Emerald studies in alternativity and marginalization |
| spelling | Draganova, Asya Verfasser (DE-588)1185503544 aut Popular music in contemporary Bulgaria at the crossroads Bingley Emerald Group Publishing 2019 235 Seiten txt rdacontent n rdamedia nc rdacarrier Emerald studies in alternativity and marginalization Dissertation Canterbury Christ Church University Geschichte 2000- gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Feldforschung (DE-588)4016674-0 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Grounded theory (DE-588)4395694-4 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Bulgarien (DE-588)4008866-2 gnd rswk-swf MUSIC / Genres & Styles / General SOCIAL SCIENCE / Customs & Traditions SOCIAL SCIENCE / Popular Culture Electronic books (DE-588)4113937-9 Hochschulschrift gnd-content Bulgarien (DE-588)4008866-2 g Popmusik (DE-588)4046781-8 s Identität (DE-588)4026482-8 s Sozialer Wandel (DE-588)4077587-2 s Globalisierung (DE-588)4557997-0 s Feldforschung (DE-588)4016674-0 s Grounded theory (DE-588)4395694-4 s Geschichte 2000- z DE-604 Print Popular Music in Contemporary Bulgaria: At the Crossroads 978-1-78743-697-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030936747&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030936747&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030936747&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Draganova, Asya Popular music in contemporary Bulgaria at the crossroads Identität (DE-588)4026482-8 gnd Feldforschung (DE-588)4016674-0 gnd Sozialer Wandel (DE-588)4077587-2 gnd Grounded theory (DE-588)4395694-4 gnd Popmusik (DE-588)4046781-8 gnd Globalisierung (DE-588)4557997-0 gnd |
| subject_GND | (DE-588)4026482-8 (DE-588)4016674-0 (DE-588)4077587-2 (DE-588)4395694-4 (DE-588)4046781-8 (DE-588)4557997-0 (DE-588)4008866-2 (DE-588)4113937-9 |
| title | Popular music in contemporary Bulgaria at the crossroads |
| title_auth | Popular music in contemporary Bulgaria at the crossroads |
| title_exact_search | Popular music in contemporary Bulgaria at the crossroads |
| title_full | Popular music in contemporary Bulgaria at the crossroads |
| title_fullStr | Popular music in contemporary Bulgaria at the crossroads |
| title_full_unstemmed | Popular music in contemporary Bulgaria at the crossroads |
| title_short | Popular music in contemporary Bulgaria |
| title_sort | popular music in contemporary bulgaria at the crossroads |
| title_sub | at the crossroads |
| topic | Identität (DE-588)4026482-8 gnd Feldforschung (DE-588)4016674-0 gnd Sozialer Wandel (DE-588)4077587-2 gnd Grounded theory (DE-588)4395694-4 gnd Popmusik (DE-588)4046781-8 gnd Globalisierung (DE-588)4557997-0 gnd |
| topic_facet | Identität Feldforschung Sozialer Wandel Grounded theory Popmusik Globalisierung Bulgarien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030936747&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030936747&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030936747&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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