African American cinema through Black Lives Consciousness:
"African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential admi...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Detroit
Wayne State University Press
[2019]
|
| Schlagworte: | |
| Zusammenfassung: | "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike." |
| Beschreibung: | x, 310 Seiten Illustrationen 23 cm |
| ISBN: | 9780814345498 9780814345481 |
Internformat
MARC
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| 505 | 8 | |a I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films | |
| 520 | 3 | |a "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike." | |
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Datensatz im Suchindex
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| any_adam_object | |
| author2 | Reid, Mark A. 1963- |
| author2_role | edt |
| author2_variant | m a r ma mar |
| author_GND | (DE-588)1089175418 |
| author_facet | Reid, Mark A. 1963- |
| building | Verbundindex |
| bvnumber | BV045543579 |
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| contents | I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films |
| ctrlnum | (OCoLC)1104914413 (DE-599)BVBBV045543579 |
| dewey-full | 791.43652996073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43652996073 |
| dewey-search | 791.43652996073 |
| dewey-sort | 3791.43652996073 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1949- gnd |
| era_facet | Geschichte 1949- |
| format | Book |
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| isbn | 9780814345498 9780814345481 |
| language | English |
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| spelling | African American cinema through Black Lives Consciousness edited by Mark A. Reid Detroit Wayne State University Press [2019] x, 310 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike." Geschichte 1949- gnd rswk-swf African Americans in motion pictures Film (DE-588)4017102-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Film (DE-588)4017102-4 s Schwarze Motiv (DE-588)4116434-9 s Geschichte 1949- z DE-604 Reid, Mark A. 1963- (DE-588)1089175418 edt Erscheint auch als Online-Ausgabe 978-0-8143-4550-4 |
| spellingShingle | African American cinema through Black Lives Consciousness I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films African Americans in motion pictures Film (DE-588)4017102-4 gnd Schwarze (DE-588)4116433-7 gnd Schwarze Motiv (DE-588)4116434-9 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4116433-7 (DE-588)4116434-9 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | African American cinema through Black Lives Consciousness |
| title_auth | African American cinema through Black Lives Consciousness |
| title_exact_search | African American cinema through Black Lives Consciousness |
| title_full | African American cinema through Black Lives Consciousness edited by Mark A. Reid |
| title_fullStr | African American cinema through Black Lives Consciousness edited by Mark A. Reid |
| title_full_unstemmed | African American cinema through Black Lives Consciousness edited by Mark A. Reid |
| title_short | African American cinema through Black Lives Consciousness |
| title_sort | african american cinema through black lives consciousness |
| topic | African Americans in motion pictures Film (DE-588)4017102-4 gnd Schwarze (DE-588)4116433-7 gnd Schwarze Motiv (DE-588)4116434-9 gnd |
| topic_facet | African Americans in motion pictures Film Schwarze Schwarze Motiv USA Aufsatzsammlung |
| work_keys_str_mv | AT reidmarka africanamericancinemathroughblacklivesconsciousness |