We are the market!: the commercial city center as the final commonplace
We Are The Market!' claims a liberal ALL-INCLUSIVITY to push the stretch of our cultural offer in the eye of the final commonplace; the capitalist commons of the high street. Anticipating to a hegemonic culture encroaching on the city centre, one that?s turning exclusive due an engagement towar...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Eindhoven
Onomatopee
[2018?]
|
Schriftenreihe: | Onomatopee
142 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | We Are The Market!' claims a liberal ALL-INCLUSIVITY to push the stretch of our cultural offer in the eye of the final commonplace; the capitalist commons of the high street. Anticipating to a hegemonic culture encroaching on the city centre, one that?s turning exclusive due an engagement towards a 'publics' while narrowing the diversity of cultural production for and by the majority; 'We Are The Market!' commissioned 18 unannounced achievements that offered an alternative. As well as this, written contributions were delivered by people able to provide informed content after tending bar in the exhibition space. These offerings to the public were gathered and presented in the relatively private sphere of the Onomatopee 'white cube' a space all too often mistaken for yet another shop. It was in this public space that an enormous white leather couch sat directly in front of the biggest flatscreen TV on offer; allowing everyone to flick through the documentation of the actions, flanked by the relics of the achievements scattered throughout the 'white cube' exhibition space. All of that is now featured in this piece of print, which is meant to distribute lasting inspiration on the span of engagement in the times of rising capitalist commons |
Beschreibung: | Includes bibliographical references |
Beschreibung: | 227 Seiten Illustrationen 25 cm |
ISBN: | 9789491677878 |
Internformat
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV045539307 | ||
003 | DE-604 | ||
005 | 20190724 | ||
007 | t | ||
008 | 190402s2018 ne a||| |||| 00||| eng d | ||
020 | |a 9789491677878 |9 978-94-91677-87-8 | ||
035 | |a (OCoLC)1091706799 | ||
035 | |a (DE-599)BSZ51737577X | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a ne |c XA-NL | ||
049 | |a DE-255 | ||
050 | 0 | |a HT166 | |
082 | 0 | |a 700.411 | |
084 | |a KUNST |q DE-14 |2 fid | ||
084 | |a ZH 9360 |0 (DE-625)156315: |2 rvk | ||
245 | 1 | 0 | |a We are the market! |b the commercial city center as the final commonplace |c curator/editor: Freek Lomme |
264 | 1 | |a Eindhoven |b Onomatopee |c [2018?] | |
300 | |a 227 Seiten |b Illustrationen |c 25 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Onomatopee |v 142 | |
500 | |a Includes bibliographical references | ||
520 | 3 | |a We Are The Market!' claims a liberal ALL-INCLUSIVITY to push the stretch of our cultural offer in the eye of the final commonplace; the capitalist commons of the high street. Anticipating to a hegemonic culture encroaching on the city centre, one that?s turning exclusive due an engagement towards a 'publics' while narrowing the diversity of cultural production for and by the majority; 'We Are The Market!' commissioned 18 unannounced achievements that offered an alternative. As well as this, written contributions were delivered by people able to provide informed content after tending bar in the exhibition space. These offerings to the public were gathered and presented in the relatively private sphere of the Onomatopee 'white cube' a space all too often mistaken for yet another shop. It was in this public space that an enormous white leather couch sat directly in front of the biggest flatscreen TV on offer; allowing everyone to flick through the documentation of the actions, flanked by the relics of the achievements scattered throughout the 'white cube' exhibition space. All of that is now featured in this piece of print, which is meant to distribute lasting inspiration on the span of engagement in the times of rising capitalist commons | |
648 | 7 | |a Geschichte 2017-2018 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Öffentlicher Raum |0 (DE-588)4172385-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kommerzialisierung |0 (DE-588)4127776-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Stadt |0 (DE-588)4056723-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
653 | 0 | |a City planning | |
653 | 0 | |a Central business districts | |
689 | 0 | 0 | |a Stadt |0 (DE-588)4056723-0 |D s |
689 | 0 | 1 | |a Öffentlicher Raum |0 (DE-588)4172385-5 |D s |
689 | 0 | 2 | |a Kommerzialisierung |0 (DE-588)4127776-4 |D s |
689 | 0 | 3 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 4 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
689 | 0 | 5 | |a Geschichte 2017-2018 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Lomme, Freek |4 edt | |
830 | 0 | |a Onomatopee |v 142 |w (DE-604)BV044514631 |9 142 | |
856 | 4 | 2 | |m V:DE-576;B:DE-14 |q application/pdf |u http://swbplus.bsz-bw.de/bsz51737577Xinh.htm |v 20190213153333 |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-030923265 |
Datensatz im Suchindex
_version_ | 1804179505004150784 |
---|---|
any_adam_object | |
author2 | Lomme, Freek |
author2_role | edt |
author2_variant | f l fl |
author_facet | Lomme, Freek |
building | Verbundindex |
bvnumber | BV045539307 |
callnumber-first | H - Social Science |
callnumber-label | HT166 |
callnumber-raw | HT166 |
callnumber-search | HT166 |
callnumber-sort | HT 3166 |
callnumber-subject | HT - Communities, Classes, Races |
classification_rvk | ZH 9360 |
ctrlnum | (OCoLC)1091706799 (DE-599)BSZ51737577X |
dewey-full | 700.411 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.411 |
dewey-search | 700.411 |
dewey-sort | 3700.411 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Architektur |
era | Geschichte 2017-2018 gnd |
era_facet | Geschichte 2017-2018 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03221nam a2200553 cb4500</leader><controlfield tag="001">BV045539307</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190724 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190402s2018 ne a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789491677878</subfield><subfield code="9">978-94-91677-87-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1091706799</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ51737577X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">ne</subfield><subfield code="c">XA-NL</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">HT166</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.411</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-14</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">ZH 9360</subfield><subfield code="0">(DE-625)156315:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">We are the market!</subfield><subfield code="b">the commercial city center as the final commonplace</subfield><subfield code="c">curator/editor: Freek Lomme</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Eindhoven</subfield><subfield code="b">Onomatopee</subfield><subfield code="c">[2018?]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">227 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">25 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Onomatopee</subfield><subfield code="v">142</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">We Are The Market!' claims a liberal ALL-INCLUSIVITY to push the stretch of our cultural offer in the eye of the final commonplace; the capitalist commons of the high street. Anticipating to a hegemonic culture encroaching on the city centre, one that?s turning exclusive due an engagement towards a 'publics' while narrowing the diversity of cultural production for and by the majority; 'We Are The Market!' commissioned 18 unannounced achievements that offered an alternative. As well as this, written contributions were delivered by people able to provide informed content after tending bar in the exhibition space. These offerings to the public were gathered and presented in the relatively private sphere of the Onomatopee 'white cube' a space all too often mistaken for yet another shop. It was in this public space that an enormous white leather couch sat directly in front of the biggest flatscreen TV on offer; allowing everyone to flick through the documentation of the actions, flanked by the relics of the achievements scattered throughout the 'white cube' exhibition space. All of that is now featured in this piece of print, which is meant to distribute lasting inspiration on the span of engagement in the times of rising capitalist commons</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2017-2018</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Öffentlicher Raum</subfield><subfield code="0">(DE-588)4172385-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kommerzialisierung</subfield><subfield code="0">(DE-588)4127776-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Stadt</subfield><subfield code="0">(DE-588)4056723-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">City planning</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Central business districts</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Stadt</subfield><subfield code="0">(DE-588)4056723-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Öffentlicher Raum</subfield><subfield code="0">(DE-588)4172385-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kommerzialisierung</subfield><subfield code="0">(DE-588)4127776-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 2017-2018</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lomme, Freek</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Onomatopee</subfield><subfield code="v">142</subfield><subfield code="w">(DE-604)BV044514631</subfield><subfield code="9">142</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-576;B:DE-14</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://swbplus.bsz-bw.de/bsz51737577Xinh.htm</subfield><subfield code="v">20190213153333</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030923265</subfield></datafield></record></collection> |
id | DE-604.BV045539307 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:20:56Z |
institution | BVB |
isbn | 9789491677878 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030923265 |
oclc_num | 1091706799 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 227 Seiten Illustrationen 25 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Onomatopee |
record_format | marc |
series | Onomatopee |
series2 | Onomatopee |
spelling | We are the market! the commercial city center as the final commonplace curator/editor: Freek Lomme Eindhoven Onomatopee [2018?] 227 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Onomatopee 142 Includes bibliographical references We Are The Market!' claims a liberal ALL-INCLUSIVITY to push the stretch of our cultural offer in the eye of the final commonplace; the capitalist commons of the high street. Anticipating to a hegemonic culture encroaching on the city centre, one that?s turning exclusive due an engagement towards a 'publics' while narrowing the diversity of cultural production for and by the majority; 'We Are The Market!' commissioned 18 unannounced achievements that offered an alternative. As well as this, written contributions were delivered by people able to provide informed content after tending bar in the exhibition space. These offerings to the public were gathered and presented in the relatively private sphere of the Onomatopee 'white cube' a space all too often mistaken for yet another shop. It was in this public space that an enormous white leather couch sat directly in front of the biggest flatscreen TV on offer; allowing everyone to flick through the documentation of the actions, flanked by the relics of the achievements scattered throughout the 'white cube' exhibition space. All of that is now featured in this piece of print, which is meant to distribute lasting inspiration on the span of engagement in the times of rising capitalist commons Geschichte 2017-2018 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Kommerzialisierung (DE-588)4127776-4 gnd rswk-swf Stadt (DE-588)4056723-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf City planning Central business districts Stadt (DE-588)4056723-0 s Öffentlicher Raum (DE-588)4172385-5 s Kommerzialisierung (DE-588)4127776-4 s Kunst (DE-588)4114333-4 s Performance Künste (DE-588)4173750-7 s Geschichte 2017-2018 z DE-604 Lomme, Freek edt Onomatopee 142 (DE-604)BV044514631 142 V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz51737577Xinh.htm 20190213153333 Inhaltsverzeichnis |
spellingShingle | We are the market! the commercial city center as the final commonplace Onomatopee Öffentlicher Raum (DE-588)4172385-5 gnd Performance Künste (DE-588)4173750-7 gnd Kommerzialisierung (DE-588)4127776-4 gnd Stadt (DE-588)4056723-0 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4172385-5 (DE-588)4173750-7 (DE-588)4127776-4 (DE-588)4056723-0 (DE-588)4114333-4 |
title | We are the market! the commercial city center as the final commonplace |
title_auth | We are the market! the commercial city center as the final commonplace |
title_exact_search | We are the market! the commercial city center as the final commonplace |
title_full | We are the market! the commercial city center as the final commonplace curator/editor: Freek Lomme |
title_fullStr | We are the market! the commercial city center as the final commonplace curator/editor: Freek Lomme |
title_full_unstemmed | We are the market! the commercial city center as the final commonplace curator/editor: Freek Lomme |
title_short | We are the market! |
title_sort | we are the market the commercial city center as the final commonplace |
title_sub | the commercial city center as the final commonplace |
topic | Öffentlicher Raum (DE-588)4172385-5 gnd Performance Künste (DE-588)4173750-7 gnd Kommerzialisierung (DE-588)4127776-4 gnd Stadt (DE-588)4056723-0 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Öffentlicher Raum Performance Künste Kommerzialisierung Stadt Kunst |
url | http://swbplus.bsz-bw.de/bsz51737577Xinh.htm |
volume_link | (DE-604)BV044514631 |
work_keys_str_mv | AT lommefreek wearethemarketthecommercialcitycenterasthefinalcommonplace |